CRITIQUE-STUDIES IN CONTEMPORARY FICTION

Scope & Guideline

Innovating Insights into Modern Fictional Landscapes

Introduction

Welcome to the CRITIQUE-STUDIES IN CONTEMPORARY FICTION information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of CRITIQUE-STUDIES IN CONTEMPORARY FICTION, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN0011-1619
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 1956 to 2024
AbbreviationCRITIQUE-ST CONTEMP / Crit.-Stud. Contemp. Fiction
Frequency5 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

CRITIQUE: STUDIES IN CONTEMPORARY FICTION aims to explore the complexities of contemporary literature through rigorous analysis and critique, focusing on diverse narratives, identities, and socio-political themes.
  1. Interrogation of Identity and Subjectivity:
    The journal frequently addresses themes of identity, including gender, race, and sexuality, examining how these constructs influence and shape narrative perspectives and character development.
  2. Exploration of Narrative Techniques:
    A significant focus is placed on innovative narrative forms and techniques, such as metafiction, non-linear storytelling, and second-person narration, which challenge traditional literary conventions.
  3. Cultural and Historical Contextualization:
    Papers often situate literary works within broader cultural, historical, and political contexts, analyzing how contemporary issues, such as migration, capitalism, and environmental crises, are reflected in literature.
  4. Theoretical Engagement with Literary Criticism:
    The journal emphasizes theoretical frameworks, drawing from postcolonial theory, feminism, queer theory, and eco-criticism to deepen the understanding of texts and their implications.
  5. Focus on Global Literature:
    There is a consistent interest in global literature, particularly works from marginalized voices, allowing for a diverse range of perspectives and experiences to be represented.
Recent publications in CRITIQUE: STUDIES IN CONTEMPORARY FICTION reveal emerging themes that reflect current societal shifts and the evolving landscape of literature.
  1. Migration and Diaspora Narratives:
    There is an increasing focus on themes of migration, diaspora, and transnational identities, reflecting contemporary global movements and their impact on personal and collective narratives.
  2. Ecocriticism and Environmental Literature:
    Emerging themes of ecocriticism highlight the intersection of literature and environmental issues, exploring how narratives engage with climate change and ecological crises.
  3. Technological Influence on Literature:
    An uptick in discussions surrounding the influence of technology on literature and narrative form, including digital storytelling and the impact of social media on contemporary narratives.
  4. Interdisciplinary Approaches:
    The journal is increasingly embracing interdisciplinary approaches, combining literary studies with insights from psychology, sociology, and political science to enrich literary analysis.
  5. Revisiting Trauma and Memory:
    There is a growing trend of revisiting themes of trauma and memory, specifically how these concepts are represented in contemporary literature, reflecting societal concerns over collective and personal histories.

Declining or Waning

While CRITIQUE: STUDIES IN CONTEMPORARY FICTION continues to engage with a wide range of themes, certain topics appear to be diminishing in frequency or prominence in recent publications.
  1. Traditional Literary Forms:
    There is a noticeable decline in discussions centered on traditional narrative forms and canonical texts, as the journal increasingly favors contemporary and experimental literature.
  2. Romanticism and Sentimentalism:
    Themes associated with romanticism and sentimental narratives have become less prevalent, reflecting a shift towards more critical and often cynical examinations of human experience.
  3. Focus on National Literature:
    The journal has moved away from a strong emphasis on national literature, with fewer papers dedicated to exploring the literary contributions of specific nations, favoring a more global or transnational perspective.
  4. Historical Narratives:
    Papers that focus exclusively on historical narratives or historical fiction without a contemporary critique are appearing less frequently, suggesting a shift towards literature that engages with current issues.
  5. Traditional Genre Boundaries:
    There is a waning interest in adhering to traditional genre boundaries, with fewer works addressing specific genres like romance or mystery in conventional ways.

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