Magnificat Cultura i Literatura Medievals, published by UNIV VALENCIA, SERVICIO PUBLICACIONS, is an esteemed academic journal that has been at the forefront of medieval studies since its inception in 2014. With its Open Access model, this journal ensures that cutting-edge research is readily available to scholars and enthusiasts alike, fostering an inclusive academic environment. Based in Spain, it boasts impressive rankings with a Q2 designation in History and a Q1 in Literature and Literary Theory for 2023, indicating its significant contribution to these fields. The journal is indexed by Scopus, achieving top-tier rankings in both Literature and History, and is recognized in the 87th and 72nd percentiles of their respective categories. With a focus on the complexities of medieval culture and literature, Magnificat serves as a vital resource for researchers, professionals, and students dedicated to exploring the rich tapestry of medieval scholarship.

Neo-Victorian Studies, published by Swansea University, is an esteemed interdisciplinary journal that delves into the vibrant cultural phenomena reflective of the Victorian era in contemporary contexts. Launched in 2008 as an Open Access platform, it invites scholars, researchers, and enthusiasts to explore the dynamic relationship between the past and present through critical discussions, innovative research insights, and theoretical frameworks. With a unique focus on the resurgence of Victorian themes and narratives in modern literature, arts, and media, this journal plays a pivotal role in advancing the understanding of neo-Victorianism within academia and beyond. Supported by a commitment to accessibility and scholarly excellence, *Neo-Victorian Studies* fosters an inclusive space for dialogue and discovery, making it an essential resource for those engaged in cultural studies, literature, and interdisciplinary research.

COMITATUS: A Journal of Medieval and Renaissance Studies, published by the University of California Center for Medieval and Renaissance Studies, serves as a critical platform for exploring the complexities of medieval and Renaissance eras through diverse scholarly lenses. With an ISSN of 0069-6412 and a dedicated E-ISSN of 1557-0290, this journal operates primarily in the United States, delivering rigorous academic discourse aimed at historians, literary critics, and art scholars alike. Although currently classified in the Q4 category within its fields in 2023, including History, Literature and Literary Theory, and Visual Arts and Performing Arts, COMITATUS invites submissions that challenge prevailing narratives and introduce innovative perspectives on cultural phenomena. It has been publishing since 2002 with periods of convergence spanning from 2002 to 2009, and from 2017 to 2023. The journal's commitment to open dialogue and research dissemination makes it an essential resource for students, professionals, and researchers interested in medieval and Renaissance studies, fostering a deeper understanding of these pivotal historical periods.

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.

Early Medieval China is a distinguished journal published by ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, specializing in the intricate study of early medieval China through an interdisciplinary lens that encompasses Anthropology, Cultural Studies, History, Literature and Literary Theory, Philosophy, and Religious Studies. With a commendable impact factor and a prestigious standing in various quartile rankings, such as Q1 in Literature and Literary Theory and Q2 in Cultural Studies and History for 2023, this journal serves as a vital resource for scholars, researchers, and students alike. It aims to promote a deeper understanding of China's early medieval period by publishing innovative research, critical essays, and comprehensive analyses that contribute to the broader discourse on Asian studies and history. By offering a platform for cutting-edge research, Early Medieval China plays an essential role in enriching academic dialogue and fostering further explorations in this historically significant field.

Studia Aurea-Revista de Literatura Espanola y Teoria Literaria del Renacimiento y Siglo de Oro, published by the esteemed Universitat Autònoma de Barcelona, stands as a pivotal academic resource in the fields of Literature and History, specializing in Spanish literature from the Renaissance and the Golden Age. With its Open Access model established since 2007, this journal ensures that groundbreaking research is readily available to scholars and enthusiasts worldwide. Notably recognized for its quality, in 2023 it achieved Q1 rankings in both History and Literature and Literary Theory, reflecting its significant contribution to advancing knowledge in these domains. The journal's Scopus rankings further underscore its impact, placing it in the top 20% for literature and the top 37% for history. As it converges from 2018 to 2023, Studia Aurea continues to facilitate critical discussions, innovative research, and the exploration of literary theories, making it an essential platform for researchers, professionals, and students alike.

Criticon is a distinguished open-access journal published by PRESSES UNIV MIDI-PUM in France, dedicated to advancing scholarship in the fields of History and Literature and Literary Theory. Since its transition to open access in 2014, Criticon has fostered a vibrant academic community, enabling the dissemination of high-quality research that contributes significantly to contemporary discourse. Positioned within the Q4 categories for both History and Literature, the journal boasts impressive rankings, including #152 out of 1106 in Literature and Literary Theory, reflecting its growing influence with a remarkable 86th percentile standing. With a dedication to interdisciplinary scholarship, Criticon invites researchers, practitioners, and students to submit original articles that explore the intersections of literary and historical narratives, thereby enriching the understanding of cultural and intellectual history. Located at 5 ALLEES ANTONIO MACHADO, F-31058 TOULOUSE, FRANCE, this journal not only serves as a platform for new voices but also as a beacon for established scholarship in the humanities.

The Innes Review is a distinguished academic journal published by Edinburgh University Press, focusing on the study of culture, history, and religion. With a commitment to advancing scholarly discourse, the journal serves as an essential resource for researchers and professionals alike, providing critical insights and analyses that cater to the diverse interests within Cultural Studies, History, and Religious Studies. Established in 1996 and continuing through 2024, the journal has achieved notable recognition, reflecting its contributions through its Q3 ranking in History and Q4 rankings in Cultural and Religious Studies according to the latest metrics. While it currently operates without an open access model, the Innes Review remains accessible through a variety of academic databases and resources, underpinned by rigorous peer-review processes that ensure high-quality publications. As such, it stands as a vital platform for disseminating innovative research and fostering intellectual engagement within the humanities.

PARERGON, the esteemed journal published by the Australian and New Zealand Association for Medieval and Early Modern Studies, serves as a vital platform for scholarly discourse within the fields of Arts and Humanities, Cultural Studies, History, Literature and Literary Theory, Religious Studies, and Visual Arts and Performing Arts. Established in 2002, PARERGON aims to contribute significantly to the understanding and appreciation of medieval and early modern studies by providing a forum for innovative research and critical analysis. With a commendable ranking within the Q4 category, it is regarded as a niche journal that, despite its humble rankings, attracts the attention of researchers, professionals, and students seeking avenues for intellectual growth. The journal does not offer Open Access, ensuring a focused readership commitment but may present challenges for broader dissemination. By bridging disciplines and fostering interdisciplinary dialogue, PARERGON plays an important role in enriching the academic landscape of its respective fields, making it a relevant choice for those invested in exploring historical and cultural narratives.

JAMES JOYCE QUARTERLY is a distinguished journal devoted to the scholarship and exploration of the works of James Joyce, a pivotal figure in modern literature. Published by University of Tulsa, this journal plays a vital role in fostering a deeper understanding of Joyce's contributions to literary theory and narrative innovation. The journal does not currently offer Open Access options, yet it continually engages with both established scholars and emerging voices in the field. With its ISSN 0021-4183 and E-ISSN 1938-6036, the JAMES JOYCE QUARTERLY has established itself within the literature and literary theory landscape, earning a 2023 Scopus rank of #842 out of 1,106 in its category, which places it in the 23rd percentile. Engaging readers from its inception in 1989 and through various publication cycles, this quarterly invites contributions that challenge, critique, and expand upon Joycean studies. As a Q4 journal, it serves as an accessible platform for emerging research in literary scholarship, making it an invaluable resource for researchers, professionals, and students seeking to delve deeper into the nuances of Joyce's literary prowess.