FABULA

Scope & Guideline

Innovating Cultural Critique and Literary Theory

Introduction

Immerse yourself in the scholarly insights of FABULA with our comprehensive guidelines detailing its aims and scope. This page is your resource for understanding the journal's thematic priorities. Stay abreast of trending topics currently drawing significant attention and explore declining topics for a full picture of evolving interests. Our selection of highly cited topics and recent high-impact papers is curated within these guidelines to enhance your research impact.
LanguageMulti-Language
ISSN0014-6242
PublisherWALTER DE GRUYTER GMBH
Support Open AccessNo
CountryGermany
TypeJournal
Convergefrom 1958 to 1962, from 1964 to 1967, from 1969 to 2024
AbbreviationFABULA / Fabula
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressGENTHINER STRASSE 13, D-10785 BERLIN, GERMANY

Aims and Scopes

The journal FABULA primarily focuses on the study of narratives, folklore, and cultural narratives across various contexts. It aims to examine the structural, historical, and cultural dimensions of storytelling, making significant contributions to the fields of folklore studies, narrative theory, and cultural studies.
  1. Narrative Analysis and Theory:
    FABULA emphasizes the analysis of narrative structures, exploring how stories are constructed and the theoretical frameworks that underpin them. This includes investigations into the morphology of tales, narrative typology, and the relationship between narrative and social context.
  2. Folklore and Cultural Studies:
    The journal features research that delves into folklore traditions, examining how cultural narratives evolve, their significance in society, and their role in cultural identity. It often highlights the interplay between folklore and contemporary cultural phenomena.
  3. Interdisciplinary Approaches:
    FABULA encourages interdisciplinary research, integrating perspectives from literary studies, anthropology, psychology, and digital humanities to enrich the understanding of narratives and their functions.
  4. Historical Contextualization:
    A core aim is to place narratives within their historical contexts, analyzing how stories reflect and shape cultural and social realities over time, including the impact of historical events on narrative forms.
  5. Digital Narratives and Technology:
    The journal also addresses the impact of technology on storytelling, exploring digital narratives, computational analysis of folklore, and the role of social media in contemporary narrative practices.
FABULA has recently experienced a notable shift toward several trending and emerging themes that reflect contemporary concerns and innovative methodologies in narrative research. These themes indicate the journal's responsiveness to cultural changes and academic advancements.
  1. Populism and Cultural Narratives:
    There is a rising interest in exploring the relationship between populism and narratives, particularly how cultural narratives shape and reflect populist movements. This theme is crucial for understanding current sociopolitical dynamics and the role of storytelling in public discourse.
  2. Digital Storytelling and Technology:
    The journal has increasingly focused on the intersection of narrative and digital technology, examining how digital platforms transform storytelling practices. This theme is significant as it addresses the evolving landscape of narrative forms in the digital age.
  3. Interdisciplinary Research:
    An emerging trend is the incorporation of interdisciplinary approaches, where researchers blend folklore studies with psychology, sociology, and literary theory. This trend enhances the complexity of narrative analysis and broadens the scope of inquiry.
  4. Narratives of Marginalized Voices:
    FABULA is witnessing a growing emphasis on narratives that represent marginalized voices, including subaltern perspectives. This shift is vital for inclusivity in narrative studies and for understanding diverse cultural expressions.
  5. Environmental Narratives:
    An emerging focus on environmental narratives highlights how storytelling can address ecological concerns and cultural attitudes towards nature. This theme is increasingly relevant as global environmental issues become more pressing.

Declining or Waning

While FABULA continues to thrive in many areas of narrative research, certain themes have shown signs of decline. These waning scopes reflect shifts in scholarly interest and the evolution of narrative studies as a field.
  1. Traditional Folklore Studies:
    There appears to be a decreasing focus on purely traditional folklore studies, particularly those that do not engage with contemporary contexts or interdisciplinary methods. As scholars increasingly seek to connect folklore with modern narratives, traditional approaches may be viewed as less relevant.
  2. Static Historical Narratives:
    Research centered solely on static historical narratives, without consideration of their dynamic cultural implications or transformations, seems to be diminishing. The trend is moving towards a more fluid understanding of narratives that acknowledges change and adaptation.
  3. Single-Country Focus:
    The journal has seen a decline in studies that concentrate on folklore or narratives from a single country without comparative analysis. There is a growing preference for cross-cultural studies that examine narratives in a global context.
  4. Obituaries and Individual Biographies:
    While obituaries of notable figures in folklore studies have been published, the frequency of such articles has decreased, possibly indicating a shift towards more theoretical and broad-ranging research topics rather than biographical or commemorative pieces.
  5. Narrowly Defined Genre Studies:
    The focus on narrowly defined genres, such as specific types of fairy tales or fables without broader implications or connections to other narrative forms, seems to be waning as researchers pursue more comprehensive and integrative approaches.

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