Moving Image is a distinguished academic journal published by University of Minnesota Press, dedicated to the exploration and critical analysis of visual culture. With an ISSN of 1532-3978 and an E-ISSN of 1542-4235, this journal plays a vital role in advancing scholarship in the fields of Conservation, Visual Arts, and Performing Arts, offering insights from its notable publication history from 2013 to 2019 and again from 2021 to 2022. While it currently does not offer open access options, the journal is recognized as a crucial platform for disseminating research, reflected in its rankings—#442/667 in Visual Arts and Performing Arts and #87/103 in Conservation according to Scopus. Despite its placement in the Q4 quartile for both fields, Moving Image remains a key resource for scholars, students, and practitioners interested in the intricate dynamics of moving images in contemporary culture. Its commitment to fostering dialogue and innovation in visual studies ensures its relevance and influence within the academic community.

Arts, published by MDPI, is an esteemed open-access journal dedicated to the interdisciplinary field of arts, encompassing visual arts, performance, literature, and related studies. Since its inception in 2012, Arts has provided a platform for researchers and practitioners to disseminate innovative ideas and critical research that enrich our understanding of cultural expressions and artistic practices. With its E-ISSN 2076-0752, the journal ensures wide accessibility and dissemination of knowledge, facilitating an inclusive dialogue among artists, scholars, and students from diverse backgrounds. The journal's commitment to quality and relevance in the humanities is reflected in its robust editorial standards and peer-review process, making it a valuable resource for those engaged in artistic research. Arts serves as an essential space for academics to explore contemporary challenges and advancements in the arts, highlighting its integral role in societal discourse and cultural development.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.

Bioscope-South Asian Screen Studies is an influential journal dedicated to advancing the field of screen studies in the South Asian context, published by SAGE Publications India Pvt Ltd. With an ISSN of 0974-9276 and an E-ISSN of 0976-352X, this journal spans a convergence of scholarly research from 2010 to 2024, providing a significant platform for interdisciplinary dialogue. Holding a Q3 rating in Communication and a Q2 rating in Visual Arts and Performing Arts in the 2023 category quartiles, it ranks 212th in its field on Scopus, reflecting its vital contribution to academic discourse. Bioscope aims to explore and critically analyze the rich tapestry of South Asian cinema, media, and performance arts, offering researchers, professionals, and students a valuable resource for deepening their understanding of regional and global cinematic narratives. Readers will find insightful articles that probe the cultural, social, and political dimensions of screen studies, making this journal an essential reference for anyone engaged in the evolving landscape of South Asian visual culture.

Asian Diasporic Visual Cultures and the Americas is a pioneering journal published by BRILL, dedicated to exploring the intersections of visual culture, identity, and diaspora within the context of the Americas. With an ISSN of 2352-3077 and E-ISSN of 2352-3085, this journal has established itself as a significant resource for academics, researchers, and students interested in the visual arts and their broader social implications. Since its inception in 2015, the journal has been committed to fostering interdisciplinary dialogue, providing a platform for innovative research that examines how Asian diasporic communities express their identities through visual mediums. Despite its relatively recent establishment, it endeavors to challenge and expand the narratives related to visual arts in a diverse and globalized world. Though the journal currently does not offer open access options, it remains a vital asset for those engaged in understanding the critical dynamics of race, ethnicity, and culture in contemporary visual practices. Converging insights from both the arts and social sciences, this journal invites contributions that illuminate the complexities of diasporic experiences, making it a pertinent choice for those aiming to contribute to this evolving field.

Dress - The Journal of the Costume Society of America, published by Routledge Journals, Taylor & Francis Ltd, serves as a premier platform for scholarship in the field of costume and fashion studies. Established in 1975, this journal has evolved significantly, covering a comprehensive spectrum of topics from historical textiles to contemporary fashion impacts. With its Q2 ranking in both Visual Arts and Performing Arts categories as of 2023, it boasts a reputable standing among its peers, positioned at a 38th percentile in Scopus rankings for Arts and Humanities. Although currently not Open Access, the journal aims to foster peer-reviewed research that not only enhances academic discourse but also informs practical applications in the arts and cultural industries. The combination of rigorous scholarship and a dedication to the rich cultural narratives of dress places Dress at the forefront of costume research, making it an invaluable resource for researchers, professionals, and students alike who are passionate about exploring the complex interplay of clothing, identity, and society.

Journal of Global Fashion Marketing is a premier platform for scholarly discourse and research in the vibrant field of fashion marketing, published by Taylor & Francis Ltd. With its ISSN 2093-2685 and E-ISSN 2325-4483, this journal serves as an essential resource for academics and practitioners alike. It has earned a distinguished reputation, evidenced by its outstanding rankings, including Q1 in Cultural Studies and Q2 in Marketing for 2023, contributing significantly to the understanding of global fashion trends, consumer behavior, and strategic innovation. The journal provides rigorous peer-reviewed content that intersects with various disciplines, such as Management of Technology and Innovation, making it a vital source of knowledge for contemporary marketers and fashion industry leaders. Despite its current closed-access status, the high impact factor, along with its Scopus rankings—placing it in the 99th percentile among Cultural Studies—demonstrates its influence and commitment to advancing the discourse. The Journal of Global Fashion Marketing aims to disseminate impactful research that shapes the future of fashion marketing and strategies from 2010 to 2024, ensuring a cohesive understanding in an ever-evolving landscape.

JOURNAL OF AMERICAN CULTURE is a distinguished academic journal published by Wiley, focusing on the rich tapestry of American culture through various lenses including history, literature, visual arts, and cultural studies. Established in 1996 and continuing its scholarly contributions through 2024, the journal serves as a vital platform for researchers, professionals, and students to disseminate their work and engage with critical discussions surrounding American cultural narratives. With an impressive impact reflected in its 2023 quartile rankings — Q2 in Literature and Literary Theory and Q3 in Cultural Studies, History, and Visual Arts and Performing Arts — the journal enhances scholarly dialogue across diverse disciplines. Although it does not offer Open Access options, its rigorous peer-review process ensures high-quality research dissemination. It is a go-to resource for those aiming to explore the evolving dynamics of American culture within a global context.

dObras is a prestigious academic journal published by the Associação Brasileira de Estudos e Pesquisas em Moda, focusing on the dynamic intersections of fashion studies, cultural analysis, and design innovation. Since its establishment, the journal has embraced an Open Access model since 2007, ensuring that research contributions are available to a global readership without financial barriers. With an ISSN of 2358-0003 and E-ISSN 1982-0313, dObras serves as a crucial platform for scholars, practitioners, and students invested in contemporary and historical fashion discourse, making significant strides in the understanding of fashion as a cultural phenomenon. The journal welcomes contributions that not only further academic knowledge but also enhance practical applications within the fashion industry, fostering an interdisciplinary approach that is vital for today’s research landscape.