dObras is a prestigious academic journal published by the Associação Brasileira de Estudos e Pesquisas em Moda, focusing on the dynamic intersections of fashion studies, cultural analysis, and design innovation. Since its establishment, the journal has embraced an Open Access model since 2007, ensuring that research contributions are available to a global readership without financial barriers. With an ISSN of 2358-0003 and E-ISSN 1982-0313, dObras serves as a crucial platform for scholars, practitioners, and students invested in contemporary and historical fashion discourse, making significant strides in the understanding of fashion as a cultural phenomenon. The journal welcomes contributions that not only further academic knowledge but also enhance practical applications within the fashion industry, fostering an interdisciplinary approach that is vital for today’s research landscape.

Costume - The Journal of the Costume Society is a premier academic journal published by Edinburgh University Press, dedicated to interdisciplinary research in the field of costume studies, fashion history, and cultural heritage. With an ISSN of 0590-8876 and an E-ISSN of 1749-6306, this journal has been a vital platform for scholars since its inception in 1965, continuing to address contemporary issues surrounding dress and identity up until 2024. Recognized for its contribution to History and categorically positioned in Q2 for this field and Q4 in Business, Management, and Accounting for 2023, Costume garners attention from both historians and fashion theorists alike, evidenced by its Scopus rankings of #714 in Arts and Humanities History and #190 in General Business, Management and Accounting. While it operates under a traditional access model, it remains a crucial resource for those engaged in the exploration of costume, fashion, and their societal impacts. With its rich scholarly discourse, Costume invites researchers, professionals, and students to contribute to and benefit from its extensive range of articles, illuminating the profound narratives that clothing narratives can tell.

Arts, published by MDPI, is an esteemed open-access journal dedicated to the interdisciplinary field of arts, encompassing visual arts, performance, literature, and related studies. Since its inception in 2012, Arts has provided a platform for researchers and practitioners to disseminate innovative ideas and critical research that enrich our understanding of cultural expressions and artistic practices. With its E-ISSN 2076-0752, the journal ensures wide accessibility and dissemination of knowledge, facilitating an inclusive dialogue among artists, scholars, and students from diverse backgrounds. The journal's commitment to quality and relevance in the humanities is reflected in its robust editorial standards and peer-review process, making it a valuable resource for those engaged in artistic research. Arts serves as an essential space for academics to explore contemporary challenges and advancements in the arts, highlighting its integral role in societal discourse and cultural development.

Bioscope-South Asian Screen Studies is an influential journal dedicated to advancing the field of screen studies in the South Asian context, published by SAGE Publications India Pvt Ltd. With an ISSN of 0974-9276 and an E-ISSN of 0976-352X, this journal spans a convergence of scholarly research from 2010 to 2024, providing a significant platform for interdisciplinary dialogue. Holding a Q3 rating in Communication and a Q2 rating in Visual Arts and Performing Arts in the 2023 category quartiles, it ranks 212th in its field on Scopus, reflecting its vital contribution to academic discourse. Bioscope aims to explore and critically analyze the rich tapestry of South Asian cinema, media, and performance arts, offering researchers, professionals, and students a valuable resource for deepening their understanding of regional and global cinematic narratives. Readers will find insightful articles that probe the cultural, social, and political dimensions of screen studies, making this journal an essential reference for anyone engaged in the evolving landscape of South Asian visual culture.

Jewish Film & New Media: An International Journal, published by Wayne State University Press, serves as a crucial platform for scholars and practitioners within the realms of Film Studies, Jewish Studies, and Media Studies. Since its inception, the journal has explored the intersection between Jewish culture and cinematic representation while also addressing contemporary media narratives. With an ISSN of 2169-0324 and E-ISSN 2169-0332, it is indexed in major databases, showcasing solid rankings in various disciplines, including a commendable Q2 rank in Visual Arts and Performing Arts. Despite its current Q4 categorizations in Anthropology and Communication, the journal is noted for its engaging contributions that sow rich discussions about Jewish identity, filmic expression, and media representation. Researchers and students alike benefit from the journal’s wealth of interdisciplinary scholarship, which spans converged years from 2013 to 2017 and 2019 to 2022, ensuring a robust timeline of critical inquiry. As an essential resource for understanding the nuances of Jewish film and new media, this journal occupies a unique niche, inviting contributions that push the boundaries of current academic dialogue.

Aisthema-International Journal is a leading open-access publication that serves as a valuable platform for scholars and practitioners in various interdisciplinary fields. Established in 2014, this journal publishes innovative research and critical reviews that advance knowledge and inform best practices across a diverse range of topics. With its commitment to open access, Aisthema ensures that high-quality research is freely available to a global audience, thus promoting the dissemination of important findings. Published by AISTHEMA, INT JOURNAL in Naples, Campania, Italy, the journal is dedicated to fostering academic dialogue and collaboration among researchers, professionals, and students alike. By focusing on high-impact contributions that are relevant and rigorous, Aisthema continues to establish itself as a pivotal resource in the academic community.

Moving Image is a distinguished academic journal published by University of Minnesota Press, dedicated to the exploration and critical analysis of visual culture. With an ISSN of 1532-3978 and an E-ISSN of 1542-4235, this journal plays a vital role in advancing scholarship in the fields of Conservation, Visual Arts, and Performing Arts, offering insights from its notable publication history from 2013 to 2019 and again from 2021 to 2022. While it currently does not offer open access options, the journal is recognized as a crucial platform for disseminating research, reflected in its rankings—#442/667 in Visual Arts and Performing Arts and #87/103 in Conservation according to Scopus. Despite its placement in the Q4 quartile for both fields, Moving Image remains a key resource for scholars, students, and practitioners interested in the intricate dynamics of moving images in contemporary culture. Its commitment to fostering dialogue and innovation in visual studies ensures its relevance and influence within the academic community.

Journal of Global Fashion Marketing is a premier platform for scholarly discourse and research in the vibrant field of fashion marketing, published by Taylor & Francis Ltd. With its ISSN 2093-2685 and E-ISSN 2325-4483, this journal serves as an essential resource for academics and practitioners alike. It has earned a distinguished reputation, evidenced by its outstanding rankings, including Q1 in Cultural Studies and Q2 in Marketing for 2023, contributing significantly to the understanding of global fashion trends, consumer behavior, and strategic innovation. The journal provides rigorous peer-reviewed content that intersects with various disciplines, such as Management of Technology and Innovation, making it a vital source of knowledge for contemporary marketers and fashion industry leaders. Despite its current closed-access status, the high impact factor, along with its Scopus rankings—placing it in the 99th percentile among Cultural Studies—demonstrates its influence and commitment to advancing the discourse. The Journal of Global Fashion Marketing aims to disseminate impactful research that shapes the future of fashion marketing and strategies from 2010 to 2024, ensuring a cohesive understanding in an ever-evolving landscape.

Critical Studies in Fashion & Beauty is a pivotal academic journal published by INTELLECT LTD, dedicated to exploring the vibrant intersections of fashion, beauty, and cultural studies. Based in the United Kingdom, this journal is notable for its influential role in the Arts and Humanities, particularly within the categories of Visual Arts and Performing Arts. With an impressive ranking in the 2023 Scopus categories—achieving Q1 status in Visual Arts and Performing Arts and Q2 in Arts and Humanities (miscellaneous)—this journal serves as a vital platform for innovative research, critical discourse, and theoretical examination of contemporary issues in the realms of aesthetics and culture. Its contributions are essential for scholars, practitioners, and students who seek to deepen their understanding of the socio-cultural dimensions of fashion and beauty. The journal, which has been publishing since 2019, is poised to influence the field significantly through its commitment to rigorous academic inquiry and interdisciplinary approaches.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.