ROMANISTISCHE ZEITSCHRIFT FUR LITERATURGESCHICHTE-CAHIERS D HISTOIRE DES LITTERATURES ROMANES, published by Universitätsverlag C Winter Heidelberg GmbH, represents a significant contribution to the field of literary studies, focusing on the intricate histories of Romance literatures. With an ISSN of 0343-379X and an E-ISSN of 2509-7474, this journal strives to foster critical discourse among scholars, professionals, and students interested in literature and literary theory. Although its coverage in Scopus was discontinued in 2018, and it currently lacks open access options, the journal's past contributions have established it as a noteworthy resource, with a Scopus rank that reflects its engagement with the arts and humanities. The journal's unique scope, which spans various periods and styles, encourages interdisciplinary approaches and invites submissions that explore the evolution and impact of Romance literature across cultures. As a critical platform for emerging and established voices in the field, the ROMANISTISCHE ZEITSCHRIFT continues to be a valuable asset for those dedicated to the scholarship of literary history.

Studies in Comics, published by INTELLECT LTD, is an esteemed journal situated at the intersection of Literature and Visual Arts, with a dedicated focus on the comic form. Operating since 2019, this journal has quickly established itself as a respected resource in both the Literary Theory and Visual Arts and Performing Arts categories, boasting a commendable Q2 ranking in 2023 within these fields. With an ISSN of 2040-3232 and an E-ISSN of 2040-3240, it provides a platform for rigorous scholarship that explores the multifaceted dimensions of comics, promoting interdisciplinary approaches that enrich understanding and foster dialogue among researchers, professionals, and students. With a notable position in the Scopus Ranks, being in the 84th percentile for Literature and 73rd for Visual Arts, the journal is committed to advancing the study of comics as a significant cultural artifact and artistic medium.

Literary Imagination, published by Oxford University Press, is an esteemed journal that delves into the intricate world of literature and literary theory. With the ISSN 1523-9012 and the E-ISSN 1752-6566, this journal serves as a pivotal platform for scholars and practitioners in the field, striving to advance the understanding of imaginative literature from various critical perspectives. Boasting a 2023 rank of #751 out of 1106 in the Arts and Humanities category on Scopus, and categorized in the Q3 quartile for literature and literary theory, the journal is recognized for its contribution to the academic discourse. It aims to foster a vibrant academic community through the publication of innovative research, critical essays, and interdisciplinary studies that engage with the complexities of literary creation from 2009 to 2024. While currently not an open access journal, its rich repository of scholarly work remains accessible to researchers, professionals, and students aiming to enrich their understanding of literary narratives and their theoretical frameworks.

The Dalhousie Review, a venerable publication based at Dalhousie University Press Ltd, is a cornerstone of Canadian literary and philosophical discourse. Established in 1973, this journal has continually provided a platform for critical thought and scholarship across multiple domains, including literature, literary theory, philosophy, and sociology. Although it currently holds a Q4 category ranking across its relevant fields, the journal is dedicated to fostering innovative dialogues and advancing research in these areas. Based in Halifax, Nova Scotia, Dalhousie Review welcomes contributions that explore the intersections of culture, society, and thought, making it an essential resource for researchers, professionals, and students alike. With its commitment to academic rigor, this journal invites the scholarly community to engage with its rich tradition of intellectual exploration, even as it navigates the contemporary landscape of literature and social sciences.

CAMBRIDGE QUARTERLY, published by Oxford University Press, stands as a dedicated outlet for scholarly discourse in the realm of Literature and Literary Theory. Since its inception in 1965, this journal has fostered a rich landscape for academic inquiry and discussion, with a commitment to exploring the intricate dynamics of literary studies up to 2024 and beyond. With an ISSN of 0008-199X and an E-ISSN of 1471-6836, CAMBRIDGE QUARTERLY offers a platform for innovative research, although it currently does not provide open access options. The journal is noted for its scholarly contributions, ranking in the Q4 quartile within its category based on the 2023 metrics, and holds the 635th rank in Scopus for Arts and Humanities specifically focused on Literature and Literary Theory, placing it in the 42nd percentile. As such, it appeals to researchers, professionals, and students alike, seeking to deepen their understanding of literary discourse and theoretical frameworks.

Castilla-Estudios de Literatura is an esteemed academic journal published by EDICIONES UNIV VALLADOLID, dedicated to the exploration and analysis of literature and literary theory. With an ISSN of 1989-7383 and an E-ISSN of 1989-7383, this journal has provided Open Access content since 2009, ensuring wide accessibility to its scholarly materials. Hailing from Spain, specifically based at JUAN MAMBRILLA 14, VALLADOLID 47003, SPAIN, it has become a notable platform for researchers and scholars, achieving a respectable Q3 ranking in the 2023 category of Literature and Literary Theory, along with a Scopus rank of #637 out of 1106 in the Arts and Humanities. Covering a converging period from 2013 to 2024, this journal embraces a diverse range of literary analysis, aiming to foster critical discourse among academics, professionals, and students globally. Its commitment to high-quality research and open dissemination makes it an invaluable resource for those engaged in the literary field.

Atelier, published by UNIV PARIS X-PARIS-NANTERRE, is a cutting-edge academic journal dedicated to the exploration of contemporary artistic practices and interdisciplinary research. With its ISSN 2109-9103, this journal stands as a vital resource in the field of art and design, encouraging innovation and critical dialogue among scholars, practitioners, and students alike. While the impact factor reflects its growing influence, Atelier remains committed to providing a platform for insightful discussions surrounding aesthetics, cultural theory, and the evolving landscapes of the arts. Located in the vibrant academic setting of Nanterre, France, Atelier seeks to foster a community dedicated to the synthesis of knowledge and practice, emphasizing the importance of collaboration across disciplines. The journal attracts contributions from a diverse range of voices, ensuring a rich tapestry of ideas that challenge conventional narratives and inspire future scholarship.

Ben Jonson Journal, published by Edinburgh University Press, is a distinguished academic periodical dedicated to the examination of the works and contributions of the esteemed playwright and poet, Ben Jonson. Since its inception in 1996, this journal has served as a vital platform for interdisciplinary research in the fields of literature and literary theory, fostering a deeper understanding of Jonson’s impact on the literary canon and cultural discourse. With an ISSN of 1079-3453 and an E-ISSN of 1755-165X, the journal occupies a notable position in the academic landscape, currently ranked in the Q4 category of the Scopus Arts and Humanities Literature and Literary Theory metrics and holding a percentile rank of 77th. Although it does not offer open access, the journal is committed to embracing rigorous scholarly standards and advancing critical dialogue among researchers, professionals, and students alike. Its geographical roots in the United Kingdom only amplify its relevance in the global literary community, making the Ben Jonson Journal an essential resource for those seeking to explore the complexities of early modern literature.

RENAISSANCE AND REFORMATION is a distinguished academic journal that serves as a vital resource in the fields of history, literature, arts, and philosophy, with a specific focus on the expansive cultural shifts from the Renaissance to the Reformation. Published in Canada, this journal provides scholars, students, and professionals with an avenue to explore the intricate dynamics that shaped early modern thought and practice. While it is not an open access publication, it maintains a commitment to high academic standards, reflected in its diverse range of quartile placements across various categories, including Q3 in Literature and Literary Theory and Q4 in History. The journal is crucial for advancing scholarly discourse on early modern studies and facilitates a deeper understanding of the cultural and intellectual transformations that occurred during this pivotal historical period. RENAISSANCE AND REFORMATION continues to attract contributions from leading researchers and emerging scholars alike, making it an essential read for anyone invested in the complexities of historical thought and artistic expression.

OCTOBER is a seminal journal published by MIT PRESS that spans a diverse array of interdisciplinary themes within the humanities, specifically focusing on literature and literary theory, music, and the visual arts and performing arts. Established in 2002, this journal has become a cornerstone for scholars and practitioners seeking critical discourse and innovative research across its converged fields, maintaining a respectable impact factor that attests to its influence in academic circles. While OCTOBER currently does not offer open access, it provides valuable insights and analysis that drive contemporary thought and discussion, positioned in the Q2 and Q3 quartiles of Scopus rankings. The journal’s commitment to high-quality scholarship makes it an essential resource for those looking to deepen their understanding of cultural and artistic practices, reflecting the evolving landscape of the arts and humanities from a rigorously theoretical perspective.