Studies in Russian and Soviet Cinema, published by Routledge Journals, Taylor & Francis Ltd, provides a critical forum for the exploration and analysis of cinematic practices, histories, and cultures from the Russian and Soviet eras. With its ISSN 1750-3132 and E-ISSN 1750-3140, this journal operates under the editorial guidance of leading scholars in the field, making significant contributions to the Visual Arts and Performing Arts and Communication categories, where it is ranked in the upper quartiles of its peer group. The journal spans a rich period of study, converging insights from 2006 to 2024, thereby allowing for an in-depth understanding of the evolution and impact of cinema in societal narratives. Researchers and enthusiasts alike will appreciate its dedication to illuminating the often-neglected cinematic treasures of Russia and the Soviet Union, promoting scholarly discourse through its rigorous analyses and diverse range of articles. This journal serves as an essential resource for anyone interested in the intersections of film, culture, and history.

POSITIF is a distinguished journal, published by POSITIF EDITIONS, focusing on the dynamic fields of Visual Arts and Performing Arts. With ISSN 0048-4911, this journal has been a significant contributor to the arts community since its establishment in 2002, and it continues to captivate readers with its upcoming issues projected until 2024. Based in the heart of France at 12 RUE PIERRE ET MARIE CURIE, 75005 PARIS, POSITIF serves as an invaluable platform for researchers, professionals, and students alike, promoting innovative discourse and critical analysis within the arts. Despite holding a Q4 category ranking in the 2023 classification and a Scopus rank of 637/667, its commitment to enhancing the understanding and appreciation of visual and performing arts remains steadfast. Researchers are invited to contribute to this growing body of knowledge, enriching the journal's scope and impact in a vibrant artistic landscape.

Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

Film Quarterly, published by University of California Press, stands as a leading academic journal in the field of visual arts and performing arts, boasting a prestigious Q1 ranking in the 2023 category quartiles. Since its inception in 1969, this quarterly publication has made significant contributions to the study and critique of cinema, attracting attention for its insightful articles, cutting-edge research, and comprehensive reviews that appeal to scholars, practitioners, and students alike. With an ISSN of 0015-1386 and an E-ISSN of 1533-8630, it serves as an essential resource for those seeking to enhance their understanding of film theory, history, and analysis. Although not open access, its articles are critical for researchers navigating the complex landscape of contemporary and historical film studies, underscoring its vital role in advancing scholarship within the discipline.

Studies in Eastern European Cinema is a distinguished journal dedicated to exploring the rich and diverse landscape of cinematic art in Eastern Europe. Published by Routledge Journals, Taylor & Francis Ltd, this journal has carved a unique niche since its inception in 2010, providing insightful analysis and fostering dialogue among scholars, professionals, and students in the fields of Communication and Visual Arts and Performing Arts. With a current impact factor reflected in its respective quartile rankings, which position it in Q4 in Communication and Q2 in Visual Arts and Performing Arts, the journal serves as an essential platform for research and discourse on the cinematic contributions of Eastern Europe. Featuring contributions that analyze historical contexts, artistic trends, and cultural implications, it aims to broaden the understanding of Eastern European cinema's role within the global film landscape. While it offers a traditional subscription model, its ongoing commitment from 2010 to 2024 ensures it remains at the forefront of academic inquiries, appealing to a growing audience dedicated to the appreciation and scholarship of Eastern European cinematic arts.

The Journal of Chinese Cinemas, published by Routledge Journals, Taylor & Francis Ltd, is a leading platform dedicated to advancing the field of film studies with a focus on cinema from China. With an ISSN of 1750-8061 and an E-ISSN of 1750-807X, this journal provides a comprehensive examination of the cultural, social, and political dynamics inherent in Chinese cinema. Ranked in the Q3 category for Communication and Q1 for Visual Arts and Performing Arts in 2023, it stands out in the academic landscape, particularly noted for its innovative research and diverse discourse. It holds a respectable position in Scopus rankings, coming in at #219 within Visual Arts and Performing Arts, indicating its growing impact among scholars and practitioners alike. With its commitment to publishing high-quality research from 2012 onwards, the journal serves as an essential resource for researchers, professionals, and students eager to deepen their understanding of the evolving landscape of Chinese cinema.

CINEFORUM is a distinguished journal published by the FEDERAZIONE ITALIANA CINEFORUM, focusing on the vibrant field of Visual Arts and Performing Arts. With an ISSN of 0009-7039, this journal serves as a significant platform for researchers and practitioners interested in critical discussions and analyses pertaining to cinema and performance. Although coverage in Scopus discontinued in 2020, CINEFORUM has established its standing with a category ranking in the Q4 quartile for Visual Arts, reflecting its niche yet passionate readership in the arts community. Based in Bergamo, Italy, the journal aims to foster a deeper understanding of cinematic and performative texts, offering insights and scholarly contributions that enhance the discourse within these artistic domains. Catering to an audience that includes researchers, professionals, and students, CINEFORUM remains an essential resource for those looking to explore the intersection of theory and practice in cinema and performing arts.

Studies in Australasian Cinema is a premier scholarly journal published by ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, dedicated to the exploration of film and cinema within the Australasian context. With an ISSN of 1750-3175 and an E-ISSN of 1750-3183, this journal provides a vital platform for researchers, professionals, and students in the fields of Visual Arts and Performing Arts and Communication. Notably, it holds a prominent Q1 rank in Visual Arts and Performing Arts, reflecting its impact within the academic community. Although it is not an open access journal, its rigorous peer-review process ensures the highest quality of published research. Since its inception in 2007, Studies in Australasian Cinema has continued to contribute significantly to discourse surrounding film theory, criticism, and production, making it an essential read for anyone interested in the evolving landscape of Australasian cinema.

Asian Cinema is a distinguished academic journal dedicated to exploring the vibrant landscape of cinema across Asia, published by INTELLECT LTD, a recognized name in scholarly publishing. With its ISSN 1059-440X and E-ISSN 2049-6710, this journal has carved a niche within the realms of Communication and Visual Arts and Performing Arts, holding a 2023 Q4 ranking in Communication and a more favorable Q2 ranking in Visual Arts and Performing Arts. Operating out of the UK, specifically at THE MILL, PARNALL RD, BRISTOL BS16 3JG, ENGLAND, Asian Cinema provides a platform for interdisciplinary dialogues, critiques, and analyses that contribute significantly to the understanding of cinema as a cultural artifact. Acknowledged for its robust contribution to scholarly research, the journal commands a Scopus rank of 151 out of 667 in Visual Arts and Performing Arts, placing it in the 77th percentile, while achieving a 366 out of 511 rank in Communication, reflecting its ongoing relevance in the field. Although it operates under a traditional access model, Asian Cinema remains vital for researchers, professionals, and students alike, enriching academic discourse and providing valuable insights into the rapidly evolving cinematic practices across Asia.

The Journal of Scandinavian Cinema, established in 2014 and published by INTELLECT LTD, serves as a premier platform dedicated to the interdisciplinary field of film studies with a specific focus on Scandinavian cinema. With an impressive Q2 category ranking in Visual Arts and Performing Arts for 2023, and a Scopus rank placing it in the top 62nd percentile of its category, this journal is instrumental in advancing scholarly dialogue within the arts community. The journal strives to explore and critique cinematic expressions from the Nordic countries, contributing to a nuanced understanding of cultural narratives and filmic innovations. Committed to fostering accessibility and engagement, it caters to a diverse audience including researchers, professionals, and students keen to delve into the artistic, cultural, and political dimensions of cinema. The Journal of Scandinavian Cinema is essential for anyone interested in the evolution and impact of film in the Scandinavian context, promising rich insights and a robust collection of scholarly articles.