Comparative Legal History is a premier scholarly journal published by Routledge Journals, Taylor & Francis Ltd, dedicated to advancing the understanding of legal systems through the lens of historical analysis. With an impressive impact factor reflecting its academic rigor, this journal has established itself as a vital resource for researchers, professionals, and students alike who seek to explore the intersections of law and history. The journal is ranked in the Q1 category in History and Q2 in Law, demonstrating its quality and relevance in these fields. Covering a wide array of subjects related to comparative legal studies from its inception in 2013, the journal publishes original research, critical essays, and discussions on historical legal practices and their contemporary implications. Comparative Legal History provides a unique platform for interdisciplinary scholarship, contributing significantly to the academic discourse in both history and law, making it an essential publication for anyone involved in these disciplines.

Asian Journal of Law and Society, published by Cambridge University Press, serves as a vital platform for scholarly discourse in the fields of law and social sciences. With an impressive 2023 impact factor placing it in the Q2 quartile in both law and sociology/political science categories, this journal is influential in shaping contemporary legal and sociological thought. Covering a broad range of topics, from legal frameworks in Asian contexts to the interplay between law and societal dynamics, the journal invites researchers, practitioners, and students to contribute original articles, critiques, and interdisciplinary analyses. Although it does not currently offer open access options, the Asian Journal of Law and Society continues to be recognized for its significant contributions, as reflected in its Scopus rankings, where it is positioned in the top 30% of law journals and around the 44% ranking in sociology and political science. This trajectory highlights its importance for anyone interested in understanding the complex legal landscapes and social structures across Asia.

The Bulletin of Medieval Canon Law-New Series is a premier journal dedicated to advancing the field of canon law during the medieval period. Published by the esteemed Catholic University of America Press, this journal provides a critical platform for scholars and researchers to explore the complexities of ecclesiastical law and its evolution throughout history. With an ISSN of 0146-2989 and an E-ISSN of 2372-2509, the Bulletin aims to disseminate high-quality research articles, book reviews, and critical essays that contribute to a deeper understanding of canon law's impact on society, governance, and religious practices. Although currently non-open access, the publications are accessible through academic databases, ensuring a wide reach among professionals and students alike. As canon law continues to play a crucial role in understanding historical legal frameworks, this journal serves as an essential resource for anyone interested in the intersection of law, history, and theology.

Law and History Review, published by Cambridge University Press, stands as a premier scholarly journal dedicated to advancing the interdisciplinary fields of law and history. With an ISSN of 0738-2480 and a robust E-ISSN of 1939-9022, this journal fosters a deeper understanding of legal systems through the lens of historical contexts. Notably categorized within the Q1 quartile in History and Q2 in Law as of 2023, the journal reflects a distinguished impact within the academic community, evidenced by its competitive Scopus rankings—221st out of 1,760 in Arts and Humanities for History and 436th out of 1,025 in Social Sciences for Law. Researchers, professionals, and students alike will find valuable insights in the journal's comprehensive analyses, which span from 1983 through to 2024. Though not open access, the journal is pivotal for those seeking to explore the dynamic interplay between legal traditions and historical narratives, reinforcing its importance in both legal and historical scholarship.

Law Text Culture is a pioneering academic journal published by the University of Wollongong, Australia, and is dedicated to the interdisciplinary exploration of law, text, and culture. With its mission to foster innovative scholarly inquiry, this journal serves as a vital platform for researchers, practitioners, and students interested in the intersection of legal studies, literature, and cultural analysis. The journal's ISSN is 1322-9060 and its E-ISSN is 2200-7121. Although currently not an open access journal, it aims to contribute significantly to academic discourse, inviting submissions that critique and elucidate the complex relationships between legal frameworks and cultural narratives. As a resource with the potential for high scholarly impact, Law Text Culture is positioned to address key contemporary issues facing the legal profession and its representation in various textual forms.

Grotiana, a prestigious journal published by BRILL, stands as a vital resource for scholars and professionals engaged in the fields of History and Law. With its ISSN 0167-3831 and E-ISSN 1876-0759, this journal has been a beacon of academic inquiry since its inception, covering a diverse array of topics with an emphasis on legal history and historical jurisprudence. Grotiana holds a commendable impact within the academic community, reflected in its 2023 Scopus ranks indicating a 91st percentile in History and a 67th percentile in Law, underscoring its significance in interdisciplinary studies. Although not an open-access journal, it offers robust access options for institutions and individuals alike, facilitating research and knowledge dissemination. Scholars can benefit from its rich historical insights and rigorous legal analysis, contributing to the ongoing dialogue in these fields. With publishing cycles spanning from 1980 to 2024, Grotiana continues to uphold its commitment to excellence, making it a pivotal player for researchers, students, and professionals pursuing a deeper understanding of historical and legal frameworks.

The Australian and New Zealand Journal of Art, published by Taylor & Francis Ltd, stands as a critical platform for scholarly discourse in the fields of art, visual arts, and performing arts, contributing to the ongoing dialogue regarding contemporary artistic practices and methodologies across Australia and New Zealand. With an ISSN of 1443-4318 and an E-ISSN of 2203-1871, this journal invites submissions that strive for innovation and insightful critique, aiming to foster a deeper appreciation and understanding of diverse artistic expressions. Despite its classification in the fourth quartile under the Arts and Humanities categories, it continues to attract attention within its niche, as evidenced by its Scopus rankings, indicating its vital role in the academic landscape. The journal is committed to bridging the gap between research and practice, providing access to a wealth of interdisciplinary knowledge for researchers, professionals, and students alike.

ARTMargins, published by MIT Press, stands at the intersection of cultural studies, history, and the visual and performing arts. Since its inception in 2012, this journal has provided a platform for critical dialogue and scholarly inquiry into contemporary art and its socio-political contexts, exploring the margins of artistic practice and representation. With a current Q3 ranking in Cultural Studies and History, and a Q2 ranking in Visual Arts and Performing Arts, ARTMargins is recognized for its impactful contributions to its fields, despite facing significant competition. The journal caters to academics, professionals, and students eager to delve into nuanced analyses and interdisciplinary approaches that challenge traditional narratives. As an essential resource for those studying art's role in society, ARTMargins fosters a deeper understanding of how culture shapes and is shaped by ephemeral artistic expressions. While the journal operates under a subscription model, it remains committed to accessibility and wide-reaching discourse within the academic community.

Geohumanities is a leading journal dedicated to exploring the dynamic intersections between geography and the humanities. Published by Taylor & Francis Ltd, this interdisciplinary journal serves as a platform for innovative research that unravels the spatial dimensions of human culture and experiences. With an impact factor reflective of its robust academic reception, the journal is classified within the Q2 quartile across several categories, including Arts and Humanities, Geography, and Social Sciences, evidencing its significance in contemporary scholarly discourse. Since its inception in 2019, Geohumanities has aimed to foster dialogue between diverse disciplinary perspectives, enhancing the understanding of social, cultural, and environmental issues through a geographical lens. As it prepares for 2024 and beyond, the journal invites researchers, professionals, and students to contribute their findings and insights, making it an essential resource for anyone interested in the humanities within geographical contexts. For access options and more details, please visit the journal's webpage.

ARS Orientalis is a distinguished academic journal published by the Smithsonian Institution's Freer Gallery of Art, specializing in the fields of archaeology, cultural studies, and the visual and performing arts. With an ISSN of 0571-1371, this journal contributes significantly to scholarly discourse, having established a robust timeline of publication since its inception, notably from 2001 to 2006, 2010 to 2012, 2014 to 2017, and resuming again from 2022 to 2023. Though currently not open access, it maintains a respectable standing in the academic community with a categorization into Q3 quartiles across several disciplines, highlighting its relevance amid rigorous scholarly evaluation. The journal is particularly valuable for researchers, professionals, and students who seek to explore interdisciplinary connections within its scope. Situated in the United States, it aims to disseminate insightful research that bridges the gap between traditional scholarship and contemporary studies in visual culture and archaeological findings.