NOVYI MIR, published by IZD STVO IZVESTIYA, is a distinguished journal that provides a platform for scholarly discourse in the humanities, literature, and cultural studies. With an ISSN of 0130-7673, this journal has made significant contributions to the academic community, particularly within Russia and Eastern Europe. Although it does not currently offer an open access model, its content is revered for its quality and depth, catering to researchers, professionals, and students alike. With a commitment to examining contemporary issues through a literary lens, NOVYI MIR is essential for those seeking to explore the intersection of culture and society. The journal's relevance is underscored by its esteemed reputation in literary circles, making it a vital resource for anyone dedicated to understanding the nuances of Russian literature and thought.

MEANJIN, an esteemed journal published by MEANJIN COMPANY LTD, is a key player in the realms of Cultural Studies, Literature and Literary Theory, and Sociology and Political Science. Based in Australia, this journal not only captures the nuances of the Australian cultural landscape but also engages with global discourses in the humanities and social sciences. With a history of converged publications stretching from 2002 to 2024, MEANJIN is committed to fostering interdisciplinary dialogue and showcasing diverse perspectives. Despite its current positioning in the Q4 category across various disciplines, it continues to contribute significantly to literary and cultural scholarship, inviting contributions that explore innovative and critical ideas. Researchers, academics, and students alike will find MEANJIN an invaluable resource for advancing their understanding of contemporary issues in these interconnected fields.

Georgia Review is a distinguished literary journal published by the University of Georgia, renowned for its commitment to showcasing a diverse array of creative writing, including poetry, fiction, and essays. With its ISSN number 0016-8386, the journal has fostered a vibrant community of writers and scholars since its inception, offering a platform for emerging and established voices alike. Although the journal's coverage in Scopus was discontinued in 2012, its influence within the literary field remains significant, bolstered by a rich tradition of insightful commentary and cultural critique reflective of contemporary issues. Access to the journal is available through traditional subscription models, making it a valuable resource for researchers, students, and literary enthusiasts aiming to explore the intersections of literature and society. The Georgia Review stands out for its rigorous editorial standards and its role in advancing the appreciation of the literary arts, cementing its importance within the landscape of American literary journals.

NEW ORLEANS REVIEW is a distinguished literary journal published by Loyola University that captures the essence of creativity and critical discourse in the realms of literature and the arts. Issued under the ISSN 0028-6400, this journal provides a platform for both emerging and established voices, fostering a rich dialogue among researchers and practitioners in the field. Through works that span various genres, NEW ORLEANS REVIEW not only contributes to the academic landscape but also engages with contemporary cultural narratives and social issues, making it an invaluable resource for scholars, students, and professionals alike. While access is not open, the journal's curated content and extensive insights into literary and visual arts merit attention within the competitive ranks of arts and humanities. Although it has been indexed in Scopus from 2002 to 2014 and has a varied impact reflected in its ranking percentile, its commitment to quality and innovative thinking remains steadfast, inviting critical engagement from its dedicated readership.

OXFORD LITERARY REVIEW, published by EDINBURGH UNIVERSITY PRESS, is a pivotal academic journal in the fields of Cultural Studies and Literature and Literary Theory. With an ISSN of 0305-1498 and an E-ISSN of 1757-1634, the journal has been a crucial forum for interdisciplinary dialogue since its inception in 1996, continuing to uphold its scholarly merit through 2024. Although it currently falls within the Q4 quartile rankings in both cultural studies and literary theory, it provides a unique platform for emerging voices and critical perspectives that enrich our understanding of literature's role in society. The journal operates without open access, encouraging subscription-based access to its rich archives and diverse range of articles. With growing interest in its contributions marked by its Scopus ranks—597th in Literature and Literary Theory and 1002nd in Cultural Studies—OXFORD LITERARY REVIEW remains an essential resource for researchers, professionals, and students seeking to explore contemporary issues in literary discourse.

KENYON REVIEW is a distinguished literary journal published by Kenyon College, nestled in the heart of Gambier, Ohio. Since its inception, the journal has served as a vital platform for emerging and established voices in the field, contributing significantly to the discourse in Literature and Literary Theory. With its ISSN 0163-075X and E-ISSN 2327-8307, the journal not only showcases a rich tapestry of literary criticism, poetry, and fiction but also emphasizes innovative perspectives on the evolution of literary studies. Though it has encountered fluctuations in its presence, as indicated by its current placement in Q4 quartile within its field and a Scopus rank of #1055 out of 1106, the journal retains its commitment to academic excellence. The KENYON REVIEW is essential reading for researchers, professionals, and students seeking to deepen their understanding of contemporary literary trends and theories. Its comprehensive approach ensures a diverse array of scholarly contributions, making it a pivotal resource in the arts and humanities.

Wasafiri, published by Routledge Journals, Taylor & Francis Ltd, stands as a pivotal platform in the fields of Cultural Studies and Literature and Literary Theory. With a proud publication history extending from 1984 to 2024, this esteemed journal delivers critical insights and cutting-edge research that explore the intersections of culture, literature, and global discourse. Renowned for its academic rigor, Wasafiri holds a Q3 ranking in both its categories as of 2023, showcasing its solid contributions to the scholarly community, reflected in its respectable Scopus rankings—evidencing its relevance and authority, particularly in the literature field. While available through subscription, the journal emphasizes the dissemination of diverse voices and innovative scholarship, appealing to researchers, professionals, and students eager to deepen their understanding of contemporary cultural narratives. Positioned in the United Kingdom, Wasafiri continues to foster vibrant dialogues that challenge conventional paradigms, making it an invaluable resource for anyone engaged in the humanities.

RARITAN-A QUARTERLY REVIEW is a distinguished academic journal published by RARITAN-A QUARTERLY REVIEW and based in the United States, focusing on the diverse intersections of literature, philosophy, and the visual and performing arts. Operating since 2002, this publication aims to foster critical discourse and enrich the intellectual landscape by showcasing innovative scholarship from a variety of perspectives. Although currently ranked in the fourth quartile in its respective categories—literature and literary theory, philosophy, and visual arts and performing arts—RARITAN remains committed to elevating robust dialogues within the humanities. The journal appeals to a spectrum of scholars, professionals, and students who seek to explore the complexities of cultural and artistic expression. Submissions are encouraged to contribute to the journal’s evolving narrative while adhering to rigorous academic standards. With no open access option currently available, the journal maintains a traditional subscription model, ensuring quality and integrity in the dissemination of knowledge.

CAMBRIDGE QUARTERLY, published by Oxford University Press, stands as a dedicated outlet for scholarly discourse in the realm of Literature and Literary Theory. Since its inception in 1965, this journal has fostered a rich landscape for academic inquiry and discussion, with a commitment to exploring the intricate dynamics of literary studies up to 2024 and beyond. With an ISSN of 0008-199X and an E-ISSN of 1471-6836, CAMBRIDGE QUARTERLY offers a platform for innovative research, although it currently does not provide open access options. The journal is noted for its scholarly contributions, ranking in the Q4 quartile within its category based on the 2023 metrics, and holds the 635th rank in Scopus for Arts and Humanities specifically focused on Literature and Literary Theory, placing it in the 42nd percentile. As such, it appeals to researchers, professionals, and students alike, seeking to deepen their understanding of literary discourse and theoretical frameworks.

AMERICAN POETRY REVIEW, published by Old City Publishing Inc, is a prominent journal dedicated to the exploration and celebration of poetry within the broader field of literature and literary theory. With an ISSN of 0360-3709 and an E-ISSN of 2162-4984, this journal serves as a critical platform for both emerging and established voices in poetry, showcasing a diverse array of poetic forms and critical essays that enrich the discourse surrounding this vital art form. Despite its Q4 ranking in the 2023 Literature and Literary Theory category, the AMERICAN POETRY REVIEW plays a crucial role in democratizing literary criticism and fostering collaboration among poets, scholars, and enthusiasts. The journal not only emphasizes the innovative potential of poetry but also provides insights into its cultural significance, aligning with the ongoing academic trends towards inclusive and interdisciplinary approaches in literature studies. Although it does not offer open access options, the publication continues to engage a dedicated audience from its headquarters in Philadelphia, PA, striving to elevate the visibility of contemporary poetry and its practitioners.