NEW LITERARY HISTORY

Scope & Guideline

Fostering Innovative Theories in Literary History

Introduction

Welcome to your portal for understanding NEW LITERARY HISTORY, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0028-6087
PublisherJOHNS HOPKINS UNIV PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Converge1983, from 2002 to 2024
AbbreviationNEW LITERARY HIST / New Lit. Hist.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressJOURNALS PUBLISHING DIVISION, 2715 NORTH CHARLES ST, BALTIMORE, MD 21218-4363

Aims and Scopes

NEW LITERARY HISTORY focuses on the intersection of literature, philosophy, and critical theory, exploring how these domains influence and shape one another. The journal aims to foster interdisciplinary dialogue and advance understanding of literary practices in various cultural and historical contexts.
  1. Interdisciplinary Literary Criticism:
    The journal engages with various critical theories and methodologies, including formalism, psychoanalysis, and post-critique, to analyze literary texts and their broader implications.
  2. Ethics and Literature:
    A significant area of focus is the ethical dimensions of literature, examining how narratives engage with moral philosophy and social issues.
  3. Cultural and Historical Contexts:
    NEW LITERARY HISTORY emphasizes the importance of historical context in literary analysis, often exploring how literature reflects and critiques societal norms and historical events.
  4. Emerging Technologies and Literature:
    The journal investigates the impact of technology on literary production and consumption, including themes like cybernetics, digital humanities, and the role of computational methods in literary studies.
  5. Polymathy and Intellectual History:
    The exploration of polymathic figures and the interrelation between various fields of knowledge is a recurring theme, highlighting how these connections inform literary discourse.
NEW LITERARY HISTORY has recently expanded its horizons to incorporate contemporary issues and interdisciplinary themes that reflect current societal challenges and intellectual debates. This evolution indicates a responsiveness to the dynamic landscape of literary studies.
  1. Cybernetics and Digital Humanities:
    A growing trend is the exploration of cybernetic theory and digital methodologies, emphasizing how technology reshapes literary analysis and the reading experience.
  2. Queer Theory and Race Studies:
    Recent publications highlight the intersection of queer theory with race studies, reflecting an increasing focus on identity politics and marginalized voices in literature.
  3. Ethics in Literature:
    The ethical implications of literary narratives are increasingly scrutinized, particularly in relation to contemporary issues such as trauma, colonialism, and social justice.
  4. Climate Fiction and Environmental Narratives:
    There is an emerging interest in climate fiction and the ways literature can engage with ecological concerns, reflecting a growing awareness of environmental crises.
  5. Polymathy and Interdisciplinary Approaches:
    The journal is witnessing a resurgence in the exploration of polymathy, connecting literature with various fields such as science, philosophy, and cultural studies, fostering a richer intellectual discourse.

Declining or Waning

While NEW LITERARY HISTORY has consistently explored a wide range of themes, certain areas have seen a decline in focus over recent years. This shift may reflect broader changes in literary studies and cultural discourse.
  1. Traditional Historical Narratives:
    There appears to be a waning interest in conventional historical literary studies that do not incorporate contemporary theoretical frameworks or interdisciplinary approaches.
  2. Singular Author Studies:
    Research centered on individual authors without engaging in broader cultural or theoretical contexts is becoming less prominent, as the journal increasingly favors collective or thematic explorations.
  3. Static Literary Forms:
    The examination of fixed literary forms, such as traditional poetry or prose without consideration of their evolving contexts or technological influences, is less frequently addressed.
  4. Canonical Texts in Isolation:
    There is a noticeable reduction in analyses that focus solely on canonical texts without placing them within a larger socio-political or ethical discourse.

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