Religion and the Arts is a distinguished scholarly journal published by BRILL, based in the Netherlands, with a dedicated focus on the interdisciplinary exploration of religion and its interplay with various artistic expressions from historical and contemporary perspectives. Established in 1996, this journal serves as a vital platform for researchers, professionals, and students interested in Cultural Studies, History, Religious Studies, and the Visual and Performing Arts. Despite its current classification in the Q4 category across multiple fields, it remains committed to advancing academic discourse and fostering innovative approaches to understanding the complex relationships between spirituality and artistic creation. With its ISSN 1079-9265 and E-ISSN 1568-5292, the journal invites submissions that contribute to enriching this dynamic field, ensuring that a diverse range of voices and perspectives are represented. Although not an Open Access publication, the journal’s content continues to be pivotal for scholarly engagement and is essential reading for those dedicated to the study of art's profound connections with religious traditions.

Literature and Aesthetics, published by the Sydney Society for Literature and Aesthetics, is a distinguished journal that explores the interplay between literary and aesthetic theory, offering a platform for scholarly discourse on a diverse range of topics related to literature, art, and culture. With a focus on both contemporary and historical perspectives, the journal aims to deepen our understanding of aesthetic experiences and their relation to various literary forms. Although currently not an Open Access publication, it remains pivotal for researchers, professionals, and students keen on critical analyses and innovative thought in literature studies. Based in Australia, the journal serves as a vital resource, encouraging submissions from international scholars and contributing significantly to the global dialogue on aesthetics and literary theory.

Music Sound and the Moving Image is an esteemed journal published by Liverpool University Press, focusing on the intricate relationships between music, sound, and the moving image. Since its inception, the journal has aimed to foster a multidisciplinary discourse, engaging scholars and practitioners across the fields of musicology, media studies, and visual arts. With an ISSN of 1753-0768 and an E-ISSN of 1753-0776, it has solidified its presence in the academic community, evidenced by its diverse impact reflected in Scopus rankings, including Rank #63/180 in Music and Percentile 65th. The journal's classification in Q3 for Music and its active coverage from 2018 to 2024 enhances its relevance, making it a pivotal resource for researchers and creators who explore the dynamic interplay of sound and imagery. Although currently not available as Open Access, the journal offers a robust platform for peer-reviewed articles, contributing to the advancement of knowledge in this rapidly evolving field.

REVISTA DE ESTUDIOS HISPANICOS is a distinguished academic journal published in the United States, dedicated to the exploration of Hispanic studies through a multifaceted lens that encompasses literature, cultural studies, and the performing arts. Established to serve as a platform for innovative research and critical discourse, this journal presents a vibrant collection of peer-reviewed articles that contribute to the understanding of Hispanic cultures and their global impact. With an ISSN of 0034-818X, the journal operates from the esteemed Washington University in St. Louis, providing a scholarly refuge for researchers and students alike. Despite its Q4 status in Cultural Studies, it boasts commendable positions in both Literature and Literary Theory and Visual Arts and Performing Arts (Q3), reflecting its evolving influence in these fields. Although currently not an open-access publication, it remains accessible for institutional subscribers and dedicated scholars eager to delve into its rich content. The REVISTA DE ESTUDIOS HISPANICOS aims to foster dialogue and interdisciplinary research, making it an essential resource for anyone committed to advancing knowledge and appreciation of Hispanic heritage and arts.

Explorations in Renaissance Culture, published by BRILL, is a pivotal academic journal that delves into the multifaceted aspects of Renaissance studies, encompassing Cultural Studies, History, Literature and Literary Theory, Music, Philosophy, and the Visual Arts. Established in 1976 and operating without an open access model, the journal has evolved as a critical platform for scholars and enthusiasts alike, providing rigorous analysis and innovative perspectives on the cultural currents of the Renaissance era. With an ISSN of 0098-2474 and an E-ISSN of 2352-6963, it has garnered a respectable standing among academic peers, evidenced by its quartile ranking in the Q4 category across multiple fields as of 2023 and its Scopus rankings, which acknowledge its role within the broader arts and humanities disciplines. Based in the Netherlands, the journal plays a vital role in fostering scholarly dialogue and advancing research, making it an essential resource for researchers, professionals, and students committed to expanding their understanding of this transformative period in history.

JOURNAL OF PRE-RAPHAELITE STUDIES-NEW SERIES, an esteemed publication in the field of Arts and Humanities, is dedicated to advancing the scholarship on the Pre-Raphaelite movement and its broader implications within literature, visual arts, and cultural studies. Published by the JOURNAL PRE-RAPHAELITE STUDIES, this journal serves as a prominent platform for researchers, scholars, and students, facilitating the exploration and analysis of Pre-Raphaelite themes and their resonances in contemporary discourse. With an impressive ranking in Scopus, particularly in the categories of Literature and Literary Theory, as well as Visual Arts and Performing Arts, this journal remains vital for those looking to engage with critical perspectives in the arts. Although the journal ceased coverage in Scopus post-2019, it continues to uphold a commitment to high-quality scholarship. Contributions to the journal delve into both historical contexts and new interpretations of Pre-Raphaelite works, thus enriching the academic landscape and fostering a deeper understanding of this pivotal artistic movement. For further inquiries, please contact the editor, David Latham, at York University, Toronto.

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico is a distinguished journal published by FIRENZE UNIV PRESS, dedicated to the exploration of aesthetics and its intersection with language, knowledge, and practices in the arts. Since its inception, the journal has embraced an Open Access model, facilitating widespread dissemination of research since 2008, appealing to a global audience and fostering an inclusive academic dialogue. With a focus spanning across Philosophy, Visual Arts, and Performing Arts, it has established itself as a significant contribution to the field, achieving a Q3 categorization in both Philosophy and Visual Arts and Performing Arts as of 2023. Ranked comfortably within the Scopus indexing, the journal currently sits at Rank #305 in Visual Arts and Performing Arts and Rank #475 in Philosophy, reflecting its growing influence. The converged years from 2017 to 2023 mark a period of robust scholarly engagement and innovative contributions. For researchers, professionals, and students alike, Aisthesis remains a vital resource for contemporary discourse in aesthetics and an essential platform for the exchange of ideas.

Acoustics is a dynamic, peer-reviewed open access journal published by MDPI, dedicated to advancing the field of acoustics since its inception in 2019. With an E-ISSN of 2624-599X, this journal serves as a pivotal platform for researchers, professionals, and students engaged in the study of sound, its generation, transmission, and reception, as well as its applications across various domains, such as engineering, environmental science, and health. Based in Switzerland, Acoustics has quickly established its reputation, achieving a commendable Q2 ranking in the Acoustics and Ultrasonics category, as well as a noteworthy 16th position out of 44 in Scopus ranking, placing it in the 64th percentile among its peers. The journal aims to provide a comprehensive understanding of acoustic phenomena through interdisciplinary collaborations and innovative research, while ensuring immediate and free access to all published articles. For those vested in the ever-evolving landscape of acoustics, this journal represents a crucial resource for the latest developments and findings in the field.

NEUE RUNDSCHAU is a prominent journal published by S Fischer Verlag GmbH, specializing in the fields of literature and literary theory, as well as visual arts and performing arts. With its roots tracing back to its inception in 1969, this journal has evolved significantly, providing a platform for critical discourse and innovative scholarship in the arts and humanities. Although it experienced coverage changes, the journal remains a vital resource for researchers and academics, contributing to the rich dialogue surrounding cultural studies and artistic expression. Furthermore, while it is not available through open access, NEUE RUNDSCHAU offers essential insights into contemporary literary trends and artistic movements, ensuring its relevance and importance within the academic sphere. With Scopus rankings including a position in the 16th percentile for literature and literary theory, and a 10th percentile placement in cultural studies, the journal embodies a commitment to quality scholarly contributions, making it an invaluable asset for students, professionals, and researchers alike.

STAND is a distinguished academic journal dedicated to the critical analysis and exploration of literature and literary theory, published by the reputable STAND collective. With a history of publication spanning from 2002 to 2017, this journal offers an invaluable platform for scholars, researchers, and students engaged in the arts and humanities. Although coverage has been discontinued in Scopus, the journal has maintained a notable rank of #620 out of 793 in its category, placing it in the 21st percentile among its peers. STAND seeks to foster scholarly discourse, presenting articles that push the boundaries of literary criticism and theory, enriching the academic landscape of literature studies. While it operates under a traditional access model, it remains a vital resource for those looking to deepen their understanding of literary practices and critical methodologies, with contributions from influential voices in the field.