STAND is a distinguished academic journal dedicated to the critical analysis and exploration of literature and literary theory, published by the reputable STAND collective. With a history of publication spanning from 2002 to 2017, this journal offers an invaluable platform for scholars, researchers, and students engaged in the arts and humanities. Although coverage has been discontinued in Scopus, the journal has maintained a notable rank of #620 out of 793 in its category, placing it in the 21st percentile among its peers. STAND seeks to foster scholarly discourse, presenting articles that push the boundaries of literary criticism and theory, enriching the academic landscape of literature studies. While it operates under a traditional access model, it remains a vital resource for those looking to deepen their understanding of literary practices and critical methodologies, with contributions from influential voices in the field.

Religion and the Arts is a distinguished scholarly journal published by BRILL, based in the Netherlands, with a dedicated focus on the interdisciplinary exploration of religion and its interplay with various artistic expressions from historical and contemporary perspectives. Established in 1996, this journal serves as a vital platform for researchers, professionals, and students interested in Cultural Studies, History, Religious Studies, and the Visual and Performing Arts. Despite its current classification in the Q4 category across multiple fields, it remains committed to advancing academic discourse and fostering innovative approaches to understanding the complex relationships between spirituality and artistic creation. With its ISSN 1079-9265 and E-ISSN 1568-5292, the journal invites submissions that contribute to enriching this dynamic field, ensuring that a diverse range of voices and perspectives are represented. Although not an Open Access publication, the journal’s content continues to be pivotal for scholarly engagement and is essential reading for those dedicated to the study of art's profound connections with religious traditions.

Literature and Aesthetics, published by the Sydney Society for Literature and Aesthetics, is a distinguished journal that explores the interplay between literary and aesthetic theory, offering a platform for scholarly discourse on a diverse range of topics related to literature, art, and culture. With a focus on both contemporary and historical perspectives, the journal aims to deepen our understanding of aesthetic experiences and their relation to various literary forms. Although currently not an Open Access publication, it remains pivotal for researchers, professionals, and students keen on critical analyses and innovative thought in literature studies. Based in Australia, the journal serves as a vital resource, encouraging submissions from international scholars and contributing significantly to the global dialogue on aesthetics and literary theory.

Aisthesis-Pratiche Linguaggi e Saperi dell Estetico is a distinguished journal published by FIRENZE UNIV PRESS, dedicated to the exploration of aesthetics and its intersection with language, knowledge, and practices in the arts. Since its inception, the journal has embraced an Open Access model, facilitating widespread dissemination of research since 2008, appealing to a global audience and fostering an inclusive academic dialogue. With a focus spanning across Philosophy, Visual Arts, and Performing Arts, it has established itself as a significant contribution to the field, achieving a Q3 categorization in both Philosophy and Visual Arts and Performing Arts as of 2023. Ranked comfortably within the Scopus indexing, the journal currently sits at Rank #305 in Visual Arts and Performing Arts and Rank #475 in Philosophy, reflecting its growing influence. The converged years from 2017 to 2023 mark a period of robust scholarly engagement and innovative contributions. For researchers, professionals, and students alike, Aisthesis remains a vital resource for contemporary discourse in aesthetics and an essential platform for the exchange of ideas.

INFINI is a distinguished academic journal published by EDITIONS GALLIMARD, focused on the fields of Literature and Literary Theory. With a commitment to advancing scholarship, INFINI provides a platform for innovative research and critical discourse, contributing significantly to the literary discourse landscape since its inception. The journal, which has achieved a Q3 ranking in the 2023 category of Literature and Literary Theory, aims to foster a deeper understanding of literary texts, contexts, and theories through rigorous analysis and scholarly dialogue. Though it currently does not offer open access, INFINI remains an essential resource for researchers, professionals, and students dedicated to exploring the complexities of literature. By continuously publishing thought-provoking articles, INFINI plays a crucial role in shaping the future of literary studies. For more information or to submit your work, you can reach out to them at their address in Paris, France: 5 RUE SEBASTIEN-BOTTIN, 75328 PARIS, CEDEX 07, FRANCE.

Early Popular Visual Culture, published by Routledge Journals, Taylor & Francis Ltd, is a pivotal academic journal dedicated to the interdisciplinary study of visual culture from historical and contemporary perspectives. Since its inception in 2009, this journal has carved out a niche within the academic landscape, achieving a notable Q2 ranking in Visual Arts and Performing Arts and Q3 in both Cultural Studies and History categories as of 2023. With an ISSN of 1746-0654 and E-ISSN of 1746-0662, it serves as a vital platform for scholars to disseminate cutting-edge research and critical analysis on visual phenomena that shape popular culture. The journal not only enhances scholarly discourse but also contributes significantly to the understanding of visual practices across different societies. Researchers, professionals, and students will find this journal invaluable for exploring the intricate interactions between visual culture and social contexts, thereby enriching their academic pursuits and insights.

JOURNAL OF PRE-RAPHAELITE STUDIES-NEW SERIES, an esteemed publication in the field of Arts and Humanities, is dedicated to advancing the scholarship on the Pre-Raphaelite movement and its broader implications within literature, visual arts, and cultural studies. Published by the JOURNAL PRE-RAPHAELITE STUDIES, this journal serves as a prominent platform for researchers, scholars, and students, facilitating the exploration and analysis of Pre-Raphaelite themes and their resonances in contemporary discourse. With an impressive ranking in Scopus, particularly in the categories of Literature and Literary Theory, as well as Visual Arts and Performing Arts, this journal remains vital for those looking to engage with critical perspectives in the arts. Although the journal ceased coverage in Scopus post-2019, it continues to uphold a commitment to high-quality scholarship. Contributions to the journal delve into both historical contexts and new interpretations of Pre-Raphaelite works, thus enriching the academic landscape and fostering a deeper understanding of this pivotal artistic movement. For further inquiries, please contact the editor, David Latham, at York University, Toronto.

Exemplaria: Medieval Early Modern Theory is a distinguished journal within the fields of Cultural Studies, Linguistics and Language, and Literature and Literary Theory, published by Routledge Journals, Taylor & Francis Ltd. With an impressive Q1 ranking in Literature and Literary Theory and notable placements in associated disciplines, this journal serves as an essential platform for scholars dedicated to exploring the complexities of medieval and early modern texts and contexts. Established with a vision to stimulate interdisciplinary dialogue, Exemplaria has evolved from its initial years (1989-1995) to a renewed focus (2002-2024), consistently fostering significant contributions that shape contemporary literary discourse. Although currently not open access, the journal ensures broad reach and engagement through its meticulously curated articles, reviews, and critical essays that challenge traditional narratives and advocate for innovative methodologies. With the journal's ISSN 1041-2573 and E-ISSN 1753-3074, researchers, professionals, and students interested in advancing their understanding of literary traditions are encouraged to explore its rich repository of knowledge, which reflects the dynamic interplay between historical texts and modern interpretations.

Sound Studies is a leading journal in the interdisciplinary field of sound research, embracing diverse aspects ranging from acoustic ecology to sound art and auditory culture. Published by Taylor & Francis Ltd, this journal boasts a significant impact within its scope, particularly in the Arts and Humanities, Cultural Studies, and Communication disciplines. With a Scopus ranking that places it in the top quartiles of its categories—ranking #24 out of 173 in General Arts and Humanities and #260 out of 1304 in Cultural Studies—it offers a robust platform for scholars and practitioners alike. The journal focuses on advancing theoretical and empirical knowledge, fostering dialogue across various domains of sound studies, and encouraging innovative research practices. Although it currently does not provide Open Access options, the journal remains a vital repository of cutting-edge scholarship from 2015 to 2024, making it an essential resource for researchers, professionals, and students seeking to deepen their understanding of the complex role that sound plays in human experience and society.

Organised Sound, published by Cambridge University Press, stands as a pivotal journal in the fields of Music and Computer Science Applications, reflecting its commitment to advancing interdisciplinary research related to sound and music technologies. Established in 1996, this biannual journal encourages the exploration of new forms of composition, performance, and listening practices using contemporary technological advancements. With an impressive Q1 ranking in Music and a notable place within the top 79th percentile of its category according to Scopus, Organised Sound provides a unique platform for researchers, practitioners, and artists to share innovative ideas and collaborate across disciplines. The journal's rigorous peer-review process ensures high-quality contributions that are informed by the latest theoretical and practical developments. Although currently not an open-access journal, it remains highly regarded for its scholarly depth and relevance in today’s rapidly evolving soundscape.