Miranda (ISSN: 2108-6559, E-ISSN: 2108-6559) is a distinguished open access journal published by UNIV TOULOUSE II-JEAN JAURES, dedicated to advancing knowledge across various fields of the humanities and social sciences. Since its establishment in 2010 as an open access platform, Miranda has aimed to foster inclusive academic discourse by providing unrestricted access to high-quality research. With its commitment to accessibility and scholarly excellence, this journal serves as an essential resource for researchers, professionals, and students seeking to enrich their understanding and engage with contemporary issues within their disciplines. The journal prides itself on its rigorous peer-review process and aims to publish original research, reviews, and interdisciplinary studies that contribute to the evolving landscape of humanities and social science research. Located in Toulouse, France, Miranda is poised to make a significant impact in its field and invites contributions that reflect diverse perspectives and innovative research methodologies.

The Australian and New Zealand Journal of Art, published by Taylor & Francis Ltd, stands as a critical platform for scholarly discourse in the fields of art, visual arts, and performing arts, contributing to the ongoing dialogue regarding contemporary artistic practices and methodologies across Australia and New Zealand. With an ISSN of 1443-4318 and an E-ISSN of 2203-1871, this journal invites submissions that strive for innovation and insightful critique, aiming to foster a deeper appreciation and understanding of diverse artistic expressions. Despite its classification in the fourth quartile under the Arts and Humanities categories, it continues to attract attention within its niche, as evidenced by its Scopus rankings, indicating its vital role in the academic landscape. The journal is committed to bridging the gap between research and practice, providing access to a wealth of interdisciplinary knowledge for researchers, professionals, and students alike.

Journal of Aesthetics and Phenomenology, published by Routledge Journals, Taylor & Francis Ltd, is a significant resource within the field of philosophy, focusing specifically on the intricate relationship between aesthetics and phenomology. Since its inception in 2014, this journal has fostered critical dialogue among scholars, highlighting contemporary debates and innovative theoretical perspectives. With an ISSN of 2053-9320 and E-ISSN of 2053-9339, the journal offers a platform for researchers to contribute original articles that delve into the complexities of human experience and artistic expression. Although currently categorized in Q3 in Philosophy and positioned at Rank #630/806 in the Scopus rankings, it consistently attracts submissions from promising scholars eager to engage with its themes. While not an open access journal, it provides valuable insights into aesthetic theory and philosophy, appealing to students, researchers, and professionals alike, who are keen on exploring the nuances of these interrelated fields.

Tercio Creciente is a distinguished academic journal published by UNIV JAEN, SERV PUBLICACIONES, focusing on innovative research and discourse in the fields of humanities and social sciences. Since its inception as an Open Access publication in 2012, Tercio Creciente has aimed to democratize knowledge and foster greater accessibility to scholarly works, thereby enhancing the academic community’s engagement with contemporary issues. With a commitment to rigorous peer review and high-quality contributions, the journal serves as a critical platform for researchers, professionals, and students keen on exploring multidisciplinary perspectives. Located at CAMPUS LAGUNILLAS S-N, EDIFICIO BIBLIOTECA, 2A PLANTA, JAEN 23071, SPAIN, Tercio Creciente aspires to advance scholarly communication and contribute meaningfully to the evolving landscape of its respective fields.

ARTMargins, published by MIT Press, stands at the intersection of cultural studies, history, and the visual and performing arts. Since its inception in 2012, this journal has provided a platform for critical dialogue and scholarly inquiry into contemporary art and its socio-political contexts, exploring the margins of artistic practice and representation. With a current Q3 ranking in Cultural Studies and History, and a Q2 ranking in Visual Arts and Performing Arts, ARTMargins is recognized for its impactful contributions to its fields, despite facing significant competition. The journal caters to academics, professionals, and students eager to delve into nuanced analyses and interdisciplinary approaches that challenge traditional narratives. As an essential resource for those studying art's role in society, ARTMargins fosters a deeper understanding of how culture shapes and is shaped by ephemeral artistic expressions. While the journal operates under a subscription model, it remains committed to accessibility and wide-reaching discourse within the academic community.

The Journal of Aesthetics and Art Criticism, published by Oxford University Press, stands as a premier platform for scholarly discourse in the realms of music, philosophy, and the visual and performing arts. Established in 1996 and continuing through 2024, this journal has achieved remarkable recognition, being ranked in the Q1 category across several disciplines, and securing prestigious positions in various Scopus rankings: 29th in Music, 50th in Visual Arts and Performing Arts, and 151st in Philosophy, showcasing its essential contribution to arts and humanities scholarship. While not an open-access journal, its rich repository of articles offers invaluable insights for researchers, professionals, and students alike, fostering a deeper understanding of aesthetics and critical theory. The journal's commitment to interdisciplinary approaches opens pathways for innovative dialogue, making it an indispensable resource for anyone engaged in the study and appreciation of the arts.

OCTOBER is a seminal journal published by MIT PRESS that spans a diverse array of interdisciplinary themes within the humanities, specifically focusing on literature and literary theory, music, and the visual arts and performing arts. Established in 2002, this journal has become a cornerstone for scholars and practitioners seeking critical discourse and innovative research across its converged fields, maintaining a respectable impact factor that attests to its influence in academic circles. While OCTOBER currently does not offer open access, it provides valuable insights and analysis that drive contemporary thought and discussion, positioned in the Q2 and Q3 quartiles of Scopus rankings. The journal’s commitment to high-quality scholarship makes it an essential resource for those looking to deepen their understanding of cultural and artistic practices, reflecting the evolving landscape of the arts and humanities from a rigorously theoretical perspective.

Arte Individuo y Sociedad, published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, is a leading Open Access journal dedicated to advancing understanding in the realms of Visual Arts and Performing Arts. With an impressive impact factor that places it in the Q1 category of its field and a remarkable Scopus rank of #92 out of 667, this journal stands as a vital resource for scholars, practitioners, and students alike. Since its inception in 1988, the journal has championed the dissemination of innovative research and critical discourse, fostering a platform where creativity and academia intersect. The converged years from 2010 to 2024 signify a dynamic evolution of the journal, reflecting contemporary issues and developments in visual and performing arts. For those interested in exploring the complex interplay between art and society, Arte Individuo y Sociedad offers essential insights and diverse perspectives in an increasingly interconnected global landscape.

BRITISH JOURNAL OF AESTHETICS is a prestigious academic publication focusing on the diverse and intricate field of aesthetics and philosophy. Published by Oxford University Press, this journal has established itself as a leading platform for scholarly discourse since its inception in 1960, boasting an impressive Q1 ranking in Philosophy for 2023. With its commitment to publishing rigorous research and critical analyses, it addresses essential questions encountered in contemporary aesthetic thought, making significant contributions to both theoretical and practical dimensions in the field. While the journal is not open access, its subscription-based model ensures high quality and peer-reviewed content that serves researchers, professionals, and students eager to explore and engage with cutting-edge ideas and discussions in aesthetics. With an extensive archival depth projected through to 2024, BRITISH JOURNAL OF AESTHETICS remains an invaluable resource for anyone committed to the advancement of aesthetic knowledge.

Arts, published by MDPI, is an esteemed open-access journal dedicated to the interdisciplinary field of arts, encompassing visual arts, performance, literature, and related studies. Since its inception in 2012, Arts has provided a platform for researchers and practitioners to disseminate innovative ideas and critical research that enrich our understanding of cultural expressions and artistic practices. With its E-ISSN 2076-0752, the journal ensures wide accessibility and dissemination of knowledge, facilitating an inclusive dialogue among artists, scholars, and students from diverse backgrounds. The journal's commitment to quality and relevance in the humanities is reflected in its robust editorial standards and peer-review process, making it a valuable resource for those engaged in artistic research. Arts serves as an essential space for academics to explore contemporary challenges and advancements in the arts, highlighting its integral role in societal discourse and cultural development.