Synthesis-La Plata is an esteemed academic journal published by UNIV NAC LA PLATA, FAC HUMANIDADES & CIENCIAS EDUC, focusing on the fields of Arts, Humanities, and Social Sciences, with a particular emphasis on Literature, Literary Theory, and Linguistics. Since its inception in 2009, this Open Access journal has been dedicated to providing a platform for scholarly discourse and innovative research, allowing unrestricted access to a multitude of international studies. Although it experienced a hiatus in its Scopus coverage between 2012 and 2014, the journal continues to foster critical analysis and promotes interdisciplinary approaches within its domains. With an ISSN of 0328-1205 and an E-ISSN of 1851-779X, Synthesis-La Plata aims to reach a diverse readership, including researchers, educators, and students who seek to deepen their understanding of literary and linguistic dynamics. Despite its recent Scopus rankings indicating low percentiles, the journal remains a significant resource for scholarly inquiry in the humanities."

Journal of Contemporary Drama in English is a prestigious academic publication dedicated to the exploration of contemporary drama written in English. Published by WALTER DE GRUYTER GMBH in Germany, this journal serves as a vital resource for researchers, professionals, and students engaged in the fields of literature, literary theory, visual arts, and performing arts. With an impressive impact factor reflected in its Q2 ranking in both Literature and Literary Theory and Visual Arts and Performing Arts categories for 2023, the journal demonstrates its relevance and influence in academic discourse. It provides a platform for critical examination and innovative scholarship, covering a broad range of topics related to contemporary dramatic texts and performances. The journal is committed to fostering interdisciplinary dialogue and exploring the socio-cultural contexts of drama, making it an essential reference for anyone invested in the contemporary landscape of theatre and performance studies.

Studies in Musical Theatre, an esteemed journal published by INTELLECT LTD, is a vital resource for those immersed in the complex interplay of music, literature, and performance. This journal, with ISSN 1750-3159 and E-ISSN 1750-3167, boasts a robust academic reputation, evidenced by its presence in the second quartile (Q2) across the categories of Literature and Literary Theory, Music, and Visual Arts and Performing Arts as of 2023. With a Scopus ranking that positions it within the 63rd percentile in Literature and Literary Theory, and noteworthy rankings in other relevant fields, Studies in Musical Theatre provides scholars, students, and practitioners with a platform to explore innovative research and critical discourse. Addressing pivotal themes in musical theatre, it aims to foster an interdisciplinary approach that enhances understanding and appreciation of this dynamic art form. Though a traditional access model is employed, the journal’s commitment to the scholarly community ensures that it remains an essential tool for those dedicated to advancing the field.

THEATRE SURVEY, an esteemed journal published by Cambridge University Press, serves as a vital platform for innovative research in the realms of visual arts and performing arts. With an ISSN of 0040-5574 and an E-ISSN of 1475-4533, this journal has established itself as a prominent source for critical discourse and analysis since its inception in 1960. Currently categorized in the Q3 quartile for Visual Arts and Performing Arts, it ranks #239 out of 667 in Scopus, highlighting its relevance and impact in the field, positioned in the 64th percentile. Although it does not offer open access, the journal's rigorous peer-review process ensures the dissemination of high-quality scholarship crucial for researchers, professionals, and students alike. Based in Cambridge, England, THEATRE SURVEY aims to enrich the academic landscape with its comprehensive coverage of theatrical studies, theory, and practice, fostering a deeper understanding of the dynamic interplay between performance and society.

Shaw - The Journal of Bernard Shaw Studies, published by Penn State University Press, is a critical resource dedicated to the exploration and analysis of the works and impact of playwright George Bernard Shaw. As a leading journal in the field of literature and literary theory, it serves as a forum for interdisciplinary scholarship that engages with Shaw's plays, political writings, and cultural critiques. With an ISSN of 0741-5842 and an E-ISSN of 1529-1480, this journal is an invaluable platform for researchers and students seeking to deepen their understanding of Shaw's contributions to literature and society. Although it currently resides in the Q4 Quartile in the Literature and Literary Theory category, and holds a Scopus rank of #757 out of 1106, it reflects a growing interest in Shaw's relevance to contemporary discussions in literature. The journal has been converging from 2010 to 2024, ensuring a sustained dialogue around Shaw's legacy. While it is not currently an open-access publication, it continues to attract a diverse readership eager to delve into the complexities of Shaw's thought and artistry.

THEATRE RESEARCH INTERNATIONAL, published by Cambridge University Press, stands as a vital academic journal dedicated to the dynamic and multifaceted field of theatre studies. With its ISSN 0307-8833 and E-ISSN 1474-0672, this journal has been a cornerstone of scholarly discourse since its inception in 1970, continuing to provide valuable insights through 2024. Ranked in the Q2 quartile for both Literature and Literary Theory and Visual Arts and Performing Arts, it boasts impressive performance metrics reflected in its Scopus rankings at the 72nd and 62nd percentiles, respectively. The journal aims to illuminate the interplay between theatre and its cultural, social, and historical contexts, fostering a platform for both established and emerging voices in the field. While the journal is not Open Access, it ensures rigorous peer-reviewed content that engages researchers, professionals, and students alike, making it indispensable for anyone seeking to broaden their understanding and contribute to theatre research.

Classical Receptions Journal, published by Oxford University Press, is a leading scholarly periodical that engages with the intersection of classical studies and contemporary culture. With its ISSN 1759-5134 and E-ISSN 1759-5142, the journal has established itself as a notable platform for innovative research that examines how classical texts, themes, and ideas continue to resonate in modern contexts. With a scope that includes the realms of Arts and Humanities, Classics, and Cultural Studies, this journal is ranked in the Q2 category for Classics and Q3 for both Arts and Humanities and Cultural Studies, demonstrating its significant impact in the field. Researchers and students will find a wealth of peer-reviewed articles that not only explore historical reception but also inspire new conversations and methodologies. The journal's commitment to publishing quality scholarship makes it an essential resource for anyone interested in the ongoing relevance of classical antiquity in today’s world, from its home base in the United Kingdom at Great Clarendon St, Oxford.

THEATRE HISTORY STUDIES, published by University of Alabama Press, serves as an essential platform for scholarly discourse and research in the fields of Cultural Studies and Visual Arts and Performing Arts. With an ISSN of 0733-2033, this journal offers critical insights into the evolution of theatre and performance, positioning itself as a valuable resource for researchers and practitioners alike. Despite its niche focus, it holds a commendable ranking in Scopus, reflecting its cultural significance and academic rigor—ranked #356 out of 667 in Visual Arts and Performing Arts and #911 out of 1304 in Cultural Studies. The journal has published continuously from 2002 to 2012, and again in 2014 to 2019, as well as from 2021 to 2023, consistently fostering a rich dialogue around artistic practices and historical contexts. Although not open access, its articles are pivotal for advancing knowledge and inspiring new perspectives in the interplay of theatre, culture, and society. For those dedicated to understanding the intricate tapestry of performance studies, THEATRE HISTORY STUDIES is a must-read.

Early Theatre is a pioneering journal dedicated to the study of early modern drama and theatre, published by ITER, a recognized leader in scholarly publishing. With its ISSN number 1206-9078, the journal aims to foster a deeper understanding of the rich history and cultural significance of theatrical traditions prior to the 18th century. Although it does not have an open access model, Early Theatre provides invaluable insights through rigorous peer-reviewed articles, reviews, and critical essays that underscore its commitment to academic excellence. The journal serves as an essential resource for researchers, professionals, and students interested in the intersections of literature, performance studies, and history. By publishing cutting-edge research, it plays a crucial role in enhancing scholarly dialogue and advancing the field of early theatre studies. The journal’s physical address is located at UNIV TORONTO LIBRARIES, STE 7009 130 ST GEORGE ST, TORONTO, ON M5S 1A5, CANADA, and it champions future scholarship that contributes to the ongoing conversation surrounding theatrical arts from the early modern period.

THEATRE JOURNAL, published by the Johns Hopkins University Press, stands as a distinguished platform within the realms of literature and performing arts. With an ISSN of 0192-2882 and an E-ISSN of 1086-332X, this journal has made significant strides since its inception, with coverage extending from 2002 to 2024. It proudly holds a Q2 quartile ranking in both Literature and Literary Theory and Visual Arts and Performing Arts, positioning itself among the top-tier publications in its field, as indicated by its Scopus ranks at the 69th and 59th percentiles respectively. While the journal is not available as open access, it remains a crucial resource for researchers, professionals, and students committed to advancing the understanding of theatrical studies. The Theatre Journal seeks to inspire critical dialogue and innovation regarding the dynamics of theatre, making it an invaluable asset for anyone invested in theatrical scholarship and performance practices.