The Journal of Aesthetics and Art Criticism, published by Oxford University Press, stands as a premier platform for scholarly discourse in the realms of music, philosophy, and the visual and performing arts. Established in 1996 and continuing through 2024, this journal has achieved remarkable recognition, being ranked in the Q1 category across several disciplines, and securing prestigious positions in various Scopus rankings: 29th in Music, 50th in Visual Arts and Performing Arts, and 151st in Philosophy, showcasing its essential contribution to arts and humanities scholarship. While not an open-access journal, its rich repository of articles offers invaluable insights for researchers, professionals, and students alike, fostering a deeper understanding of aesthetics and critical theory. The journal's commitment to interdisciplinary approaches opens pathways for innovative dialogue, making it an indispensable resource for anyone engaged in the study and appreciation of the arts.

Arte Individuo y Sociedad, published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, is a leading Open Access journal dedicated to advancing understanding in the realms of Visual Arts and Performing Arts. With an impressive impact factor that places it in the Q1 category of its field and a remarkable Scopus rank of #92 out of 667, this journal stands as a vital resource for scholars, practitioners, and students alike. Since its inception in 1988, the journal has championed the dissemination of innovative research and critical discourse, fostering a platform where creativity and academia intersect. The converged years from 2010 to 2024 signify a dynamic evolution of the journal, reflecting contemporary issues and developments in visual and performing arts. For those interested in exploring the complex interplay between art and society, Arte Individuo y Sociedad offers essential insights and diverse perspectives in an increasingly interconnected global landscape.

Quintana-Revista do Departamento de Historia da Arte, published by the Universidade de Santiago de Compostela, is a distinguished academic journal that focuses on the critical analysis and exploration of visual arts and performing arts. With its ISSN 1579-7414 and E-ISSN 2340-0005, this journal serves as a vital platform for researchers, professionals, and students interested in the depth of art history and cultural discourse. Operating under a Q4 category in the realm of Visual Arts and Performing Arts, the journal is committed to fostering scholarly dialogue and advancing knowledge in the field. Though it currently does not offer open access options, it remains an invaluable resource for those aiming to contribute to and understand the evolving landscape of art history. The journal covers converged years from 2011 to 2012 and 2014 to 2024, highlighting its ongoing relevance and adaptability to contemporary discussions. As it continues to enhance its visibility and impact within the 20th percentile of its category according to Scopus rankings, Quintana invites contributions that deepen our understanding of artistic expression and cultural heritage.

BRAC-Barcelona Research Art Creation, published by HIPATIA PRESS, is a prominent open access journal dedicated to advancing scholarship in the fields of Visual Arts and Performing Arts. Since its inception in 2013, this journal has become a vital resource for researchers, practitioners, and students, offering a platform for innovative research and critical discourse in art creation. With an impressive impact factor represented by its Q2 ranking in the 2023 category of Visual Arts and Performing Arts, BRAC serves a pivotal role within the academic community, providing essential insights and contributions to the understanding and practice of art in contemporary society. The journal's commitment to open access ensures that significant research findings are readily available to a global audience, fostering interdisciplinary collaborations and the exchange of ideas across borders. As it converges from 2019 to 2024, BRAC continues to elevate artistic research and dialogue, making it an indispensable asset for those invested in the vibrant world of the arts.

STORIA DELL ARTE is a notable journal dedicated to the rich exploration of art history and its varied facets, published by LUCA EDITORI ARTE ROMA. With an ISSN of 0392-4513, this publication serves as a vital resource for researchers, professionals, and students in the fields of Visual Arts and Performing Arts. Although the journal's coverage in Scopus has been discontinued from 2014, it has been recognized in the Scopus ranking as positioned within the 31st percentile among 374 entries in its category, highlighting its relevance in the realm of arts and humanities. While it does not offer open access, the journal's commitment to enriching the discourse on art history makes it an essential read for anyone interested in visual culture and historical contexts. Based in the heart of Rome, at VIA NOVELLA, 22, ROMA 00199 RM, ITALY, STORIA DELL ARTE continues to inspire scholarly discussion and contribute valuable insights to the academic community.

ARTIBUS ASIAE, published by ARTIBUS ASIAE, is a distinguished journal focused on the fields of Archeology and Visual Arts and Performing Arts. Based in Switzerland and with a history of converged years from 2002 to 2024, this journal serves as a vital platform for scholarly discourse and research dissemination within the arts and humanities. Although it currently does not offer open access, ARTIBUS ASIAE maintains a commitment to academic integrity and quality, as evidenced by its presence in Scopus rankings, which places it in the Q4 tier for both Archeology and its niche in the arts and humanities, while achieving a Q3 ranking in Visual Arts and Performing Arts. With an emphasis on advancing knowledge and understanding across various disciplines, ARTIBUS ASIAE is an essential resource for researchers, professionals, and students seeking to enrich their understanding and contribute to the ongoing dialogue in these significant areas of study.

Convivium - Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean, published by Masarykova University, is a dedicated platform for scholarly discourse in the fields of Classics, History, and the Visual Arts and Performing Arts. Since its inception in 2017, this journal has aimed to enrich our understanding of the intricate cultural interconnections between medieval Europe, Byzantium, and the Mediterranean region, standing as an important resource for researchers, professionals, and students alike. While the journal is published in an open-access format, enabling wider dissemination of knowledge, it currently holds a respectable Q3 quartile ranking across its categories in 2023, reflecting its increasing reputation in the academic community. Although the journal is based in Belgium, its scholarly reach is truly international, as evidenced by its varied contributions. Engage with Convivium to explore the rich tapestry of medieval art and thought, and contribute to the ongoing dialogue about our shared cultural heritage.

Welcome to the International Journal of Arts and Technology, a distinguished publication by InderScience Enterprises Ltd., based in Switzerland. With an ISSN of 1754-8853 and an E-ISSN of 1754-8861, this journal serves as a pivotal platform at the intersection of arts and technology. It aims to foster interdisciplinary research that explores innovative practices in Visual Arts and Performing Arts, as well as in the realm of Computer Science Applications. Recognized for its contributions with a Q2 ranking in Visual Arts and Performing Arts and a solid reputation in the Q4 tier of Computer Science Applications, the journal showcases high-caliber research with an impressive 88th percentile ranking in Arts and Humanities. Although not currently open access, the journal provides a unique avenue for professionals, researchers, and students eager to engage with contemporary findings and emerging trends that shape the future of art and technology. With publication provisions spanning from 2008 to 2017 and from 2019 to 2024, this journal promises to be a vital resource for anyone passionate about the continual evolution within these dynamic fields.

Journal of Aesthetics & Culture, published by TAYLOR & FRANCIS LTD, is a prestigious Open Access journal that has been serving the academic community since its inception in 2009. Based in the United Kingdom, this journal aims to explore, document, and critically engage with themes in Cultural Studies, Philosophy, and the Visual and Performing Arts. Notable for its impact, the journal holds a Q3 ranking in Cultural Studies and Philosophy, and a Q2 ranking in Visual Arts and Performing Arts as of 2023. With its Scopus rankings placing it within the top 17% of Visual Arts and Performing Arts journals and top 31% in Philosophy, it stands as a vital resource for researchers and practitioners alike. Covering a broad range of contemporary issues and inviting innovative perspectives, the Journal of Aesthetics & Culture plays a crucial role in shaping critical discourse within its fields and fostering an understanding of the intricate interplay between aesthetics and societal contexts.

Artibus et Historiae is a distinguished academic journal published by IRSA PUBLISHING HOUSE, focusing on the fields of Visual Arts and Performing Arts within the broader scope of Arts and Humanities. With an ISSN of 0391-9064, this journal has become a crucial platform for the dissemination of scholarly research, critical discourse, and innovative ideas in art history and visual culture. Though its coverage in Scopus was discontinued in 2018, it maintained a respectable ranking of #279 out of 502 in its category, placing it in the 44th percentile. This positions Artibus et Historiae as a respected contributor to scholarly conversations in its field. Researchers, professionals, and students will find valuable insights and analyses that deepen their understanding of artistic practices and historical contexts. While not an open-access journal, it aims to bridge the gap between academia and broader audiences interested in the dynamic interplay of art and history.