Artibus et Historiae is a distinguished academic journal published by IRSA PUBLISHING HOUSE, focusing on the fields of Visual Arts and Performing Arts within the broader scope of Arts and Humanities. With an ISSN of 0391-9064, this journal has become a crucial platform for the dissemination of scholarly research, critical discourse, and innovative ideas in art history and visual culture. Though its coverage in Scopus was discontinued in 2018, it maintained a respectable ranking of #279 out of 502 in its category, placing it in the 44th percentile. This positions Artibus et Historiae as a respected contributor to scholarly conversations in its field. Researchers, professionals, and students will find valuable insights and analyses that deepen their understanding of artistic practices and historical contexts. While not an open-access journal, it aims to bridge the gap between academia and broader audiences interested in the dynamic interplay of art and history.

GOYA, published by the esteemed FUNDACION LAZARO GALDIANO, is a pivotal journal in the field of Visual Arts and Performing Arts. With an ISSN of 0017-2715, this Spanish journal serves as a critical platform for scholars, artists, and practitioners to engage with contemporary issues, trends, and methodologies in the arts. Since its inception, GOYA has strived to illuminate the intersection of artistic expression and cultural discourse, with coverage spanning from 2002 to 2024. The journal proudly holds a Q3 category ranking in the 2023 Scopus assessments for its field, reflecting its respected position among peers, with a notable rank of #377 out of 667. Though it does not follow an Open Access model, GOYA continues to contribute significantly to the academic landscape, enabling a deeper understanding of artistic practices and their societal implications. Researchers and students alike will find the journal an invaluable resource for insights and inspiration within the dynamic realm of the arts.

Material Religion is a premier scholarly journal dedicated to examining the interplay between material culture and religious practices, published by Routledge Journals, Taylor & Francis Ltd, based in the United Kingdom. Since its inception in 2005, the journal has established itself as a vital resource in the fields of Religious Studies and Visual Arts and Performing Arts, holding a commendable Q2 quartile ranking and featuring a robust Scopus ranking that places it in the top 13% of its discipline. Designed to foster interdisciplinary dialogue, Material Religion offers a platform for innovative research that explores how material objects influence and are influenced by religious beliefs and practices. With no open access options, this journal continues to thrive as an essential reference for researchers, professionals, and students eager to understand the complexities of materiality in the context of religion and art. Positioned at the intersection of diverse academic fields, Material Religion not only contributes to scholarly discourse but also encourages critical reflections on how society engages with the material aspects of spirituality.

ARTIBUS ASIAE, published by ARTIBUS ASIAE, is a distinguished journal focused on the fields of Archeology and Visual Arts and Performing Arts. Based in Switzerland and with a history of converged years from 2002 to 2024, this journal serves as a vital platform for scholarly discourse and research dissemination within the arts and humanities. Although it currently does not offer open access, ARTIBUS ASIAE maintains a commitment to academic integrity and quality, as evidenced by its presence in Scopus rankings, which places it in the Q4 tier for both Archeology and its niche in the arts and humanities, while achieving a Q3 ranking in Visual Arts and Performing Arts. With an emphasis on advancing knowledge and understanding across various disciplines, ARTIBUS ASIAE is an essential resource for researchers, professionals, and students seeking to enrich their understanding and contribute to the ongoing dialogue in these significant areas of study.

Cahiers Balkaniques is a distinguished academic journal dedicated to the study of Balkan languages, cultures, and civilizations, published by the Institut National des Langues et Civilisations Orientales (INALCO). Since its inception in 2004, it has embraced an Open Access model, facilitating unrestricted access to its research articles, making it a vital resource for scholars and professionals in the fields of linguistics, cultural studies, and regional history. With ISSN 0290-7402 and E-ISSN 2261-4184, Cahiers Balkaniques serves as a crucial platform for disseminating research that explores the rich and diverse heritage of the Balkan region. Researchers, students, and professionals alike benefit from its commitment to fostering understanding and dialogue around the intricate social, political, and linguistic dynamics of the Balkans, solidifying its importance within the academic community.

Ecumenica-Performance and Religion is a distinguished journal published by Penn State University Press, focusing on the intersection of performance studies and religious discourse. Since its inception, the journal has dedicated itself to fostering critical dialogue among scholars, practitioners, and students interested in understanding how religious themes manifest through performance arts. Although it operates on a non-open access model, the journal's contributions are pivotal in advancing research in the realms of visual arts, music, and religious studies, as evidenced by its respectable Scopus rankings. With its convergence period spanning from 2019 to 2024, Ecumenica offers a platform for innovative scholarship that explores the complex relationships between religion and performance, pushing the boundaries of contemporary academic discourse. This journal is essential for any researcher or student aiming to deepen their understanding of the dynamic interplay between these multifaceted fields.

Journal of Aesthetics & Culture, published by TAYLOR & FRANCIS LTD, is a prestigious Open Access journal that has been serving the academic community since its inception in 2009. Based in the United Kingdom, this journal aims to explore, document, and critically engage with themes in Cultural Studies, Philosophy, and the Visual and Performing Arts. Notable for its impact, the journal holds a Q3 ranking in Cultural Studies and Philosophy, and a Q2 ranking in Visual Arts and Performing Arts as of 2023. With its Scopus rankings placing it within the top 17% of Visual Arts and Performing Arts journals and top 31% in Philosophy, it stands as a vital resource for researchers and practitioners alike. Covering a broad range of contemporary issues and inviting innovative perspectives, the Journal of Aesthetics & Culture plays a crucial role in shaping critical discourse within its fields and fostering an understanding of the intricate interplay between aesthetics and societal contexts.

Umeni-Art is a prominent journal in the field of visual arts and performing arts, published by the Institute of Art History, Academy of Sciences, Czech Republic. With its ISSN 0049-5123 and E-ISSN 1804-6509, the journal has established itself as a critical platform for scholarly discourse and artistic expression since its inception in 2002. Although currently classified in Q4 within the Arts and Humanities category, it aims to elevate the understanding and appreciation of the arts through rigorous research and innovative perspectives. The journal's Scopus ranking places it at Rank #573/667, reflecting its growing contribution to the field and expanding reach within the artistic community. With a focus on fostering collaboration among researchers, practitioners, and students, Umeni-Art seeks to enrich the academic landscape with significant findings and discussions that inspire future research and creative endeavors. While it does not offer open access, the journal remains a valuable resource for those vested in exploring the dynamic interplay between art, culture, and society in the contemporary context.

The Journal of Science and Technology of the Arts, published by UNIV CATOLICA PORTUGUESA, is a pioneering open access journal dedicated to the interrelation of the arts and scientific advancements. Since its inception in 2009, it has served as a critical platform for disseminating innovative research across various disciplines, including Visual Arts, Performing Arts, Music, and Conservation. With its ISSN 1646-9798 and E-ISSN 2183-0088, the journal operates from Portugal, attracting a diverse international audience. Although it is currently ranked in Q4 for Arts and Humanities (miscellaneous) and Computer Science Applications, it has achieved notable Q3 rankings in Conservation, Music, and Visual Arts and Performing Arts as of 2023. The journal's impact is reflected in its Scopus rankings, which place it in the midst of its peers, showcasing its growing influence. Through its commitment to fostering interdisciplinary dialogue, the Journal of Science and Technology of the Arts is essential for researchers, professionals, and students interested in the innovative integration of arts and technology.

Radovi Instituta za Povijest Umjetnosti-Journal of the Institute of Art History is a distinguished academic journal dedicated to the exploration and critical analysis of art history, with a special emphasis on the visual arts and performing arts. Published by INST POVIJEST UMJETNOSTI-INST ART HISTORY in Croatia, this journal provides an essential platform for researchers and practitioners to disseminate their findings and engage in scholarly discourse. Since its transition to Open Access in 2008, it has significantly increased the accessibility of its content, fostering a global exchange of ideas. The journal is indexed in notable databases, reflecting its impact within its field, with a current ranking that places it in the Q4 category for History and in Q3 for Visual Arts and Performing Arts. As it spans its converged years from 2015 to 2024, Radovi is poised to expand its influence and continue contributing to the understanding of art historical narratives. Researchers, professionals, and students alike will find this journal a valuable resource for contemporary discussions and theoretical advancements in the study of art.