BRAC-Barcelona Research Art Creation, published by HIPATIA PRESS, is a prominent open access journal dedicated to advancing scholarship in the fields of Visual Arts and Performing Arts. Since its inception in 2013, this journal has become a vital resource for researchers, practitioners, and students, offering a platform for innovative research and critical discourse in art creation. With an impressive impact factor represented by its Q2 ranking in the 2023 category of Visual Arts and Performing Arts, BRAC serves a pivotal role within the academic community, providing essential insights and contributions to the understanding and practice of art in contemporary society. The journal's commitment to open access ensures that significant research findings are readily available to a global audience, fostering interdisciplinary collaborations and the exchange of ideas across borders. As it converges from 2019 to 2024, BRAC continues to elevate artistic research and dialogue, making it an indispensable asset for those invested in the vibrant world of the arts.

Quintana-Revista do Departamento de Historia da Arte, published by the Universidade de Santiago de Compostela, is a distinguished academic journal that focuses on the critical analysis and exploration of visual arts and performing arts. With its ISSN 1579-7414 and E-ISSN 2340-0005, this journal serves as a vital platform for researchers, professionals, and students interested in the depth of art history and cultural discourse. Operating under a Q4 category in the realm of Visual Arts and Performing Arts, the journal is committed to fostering scholarly dialogue and advancing knowledge in the field. Though it currently does not offer open access options, it remains an invaluable resource for those aiming to contribute to and understand the evolving landscape of art history. The journal covers converged years from 2011 to 2012 and 2014 to 2024, highlighting its ongoing relevance and adaptability to contemporary discussions. As it continues to enhance its visibility and impact within the 20th percentile of its category according to Scopus rankings, Quintana invites contributions that deepen our understanding of artistic expression and cultural heritage.

The Journal of Science and Technology of the Arts, published by UNIV CATOLICA PORTUGUESA, is a pioneering open access journal dedicated to the interrelation of the arts and scientific advancements. Since its inception in 2009, it has served as a critical platform for disseminating innovative research across various disciplines, including Visual Arts, Performing Arts, Music, and Conservation. With its ISSN 1646-9798 and E-ISSN 2183-0088, the journal operates from Portugal, attracting a diverse international audience. Although it is currently ranked in Q4 for Arts and Humanities (miscellaneous) and Computer Science Applications, it has achieved notable Q3 rankings in Conservation, Music, and Visual Arts and Performing Arts as of 2023. The journal's impact is reflected in its Scopus rankings, which place it in the midst of its peers, showcasing its growing influence. Through its commitment to fostering interdisciplinary dialogue, the Journal of Science and Technology of the Arts is essential for researchers, professionals, and students interested in the innovative integration of arts and technology.

Iconographica is an esteemed journal published by SISMEL EDIZIONI GALLUZZO, dedicated to the exploration of cultural narratives through visual arts and performing arts. Based in Italy, this journal has been providing a platform for scholarly discourse from 2015 to 2023, and it serves as an important resource for researchers, professionals, and students interested in these interdisciplinary fields. Although indexed in the Q4 quartile for both Cultural Studies and Visual Arts, this journal offers valuable insights that encourage the examination and understanding of visual culture. While currently operating without an open access model, its rigorous peer-review process ensures high-quality academic contributions that reflect the evolving dynamics within these areas of study. Set against the backdrop of a rapidly transforming cultural landscape, Iconographica aims to foster engagement, inspire innovative perspectives, and cultivate a deeper appreciation for the interplay between culture and visual representation.

GESTA-INTERNATIONAL CENTER OF MEDIEVAL ART is a distinguished journal published by University of Chicago Press, focusing on the intricate and rich tapestry of medieval art. With the ISSN 0016-920X and E-ISSN 2169-3099, it serves as a vital resource for scholars and enthusiasts alike, examining the evolution and influence of visual arts during the medieval period. This journal is indexed in Scopus, showcasing its ranking of #188 out of 667 in the field of Arts and Humanities, placing it within the 71st percentile. Moreover, it holds a notable Q3 categorization in Visual Arts and Performing Arts as of 2023, reflecting its significant contribution to academic discourse. Although it is not an open-access journal, GESTA provides invaluable insights and critical analyses that engage a broad audience including researchers, professionals, and students dedicated to medieval studies. With publication converging from 2002 to 2006 and continuing from 2008 to 2024, GESTA is committed to promoting a deeper understanding of art's historical contexts, making it an essential addition to any academic library.

RENAISSANCE QUARTERLY, published by Cambridge University Press, is a premier academic journal dedicated to the exploration and scholarship of Renaissance studies, encompassing history, literature, and the visual and performing arts. With an impressive impact factor reflecting its scholarly significance, it holds a distinguished position in the prestigious Q2 quartile across various categories, including History, Literature and Literary Theory, and Visual Arts and Performing Arts as of 2023. The journal caters to a broad audience of researchers, professionals, and students eager to engage deeply with Renaissance scholarship through a curated collection of articles, reviews, and critical essays. Although it does not provide open access options, RENAISSANCE QUARTERLY plays an essential role in advancing the academic discourse of the Renaissance period, fostering connections within the global scholarly community. Since its inception in 1971, it has continuously contributed valuable insights and perspectives on the multifaceted dimensions of Renaissance culture, making it a vital resource for anyone invested in this rich field of study.

RIVISTA DI STORIA E LETTERATURA RELIGIOSA, published by CASA EDITRICE LEO S OLSCHKI, is an esteemed Italian journal dedicated to the interdisciplinary exploration of religious literature and its historical contexts. With an ISSN of 0035-6573 and an E-ISSN of 2035-7583, this journal serves as a platform for scholarly dialogue among researchers, professionals, and students in the fields of Literature, Religious Studies, and the Visual and Performing Arts. Although classified in the Q4 quartile for its categories in 2023, the journal presents a unique opportunity for contributors to engage deeply with underrepresented narratives and theories, thus fostering a richer understanding of the intersections between literature and religion. While currently not available as open access, the journal's poignant insights and rigorous scholarship make it a critical resource for those seeking to deepen their knowledge in these rich and diverse fields.

LOGOS - A Journal of Catholic Thought and Culture is a distinguished publication dedicated to exploring the intersection of Catholicism with contemporary cultural, literary, and philosophical discourse. Established in 2002 and published by the University of St. Thomas, Center for Catholic Studies, this journal serves as a vital platform for scholars and practitioners involved in the study of religion, culture, and the humanities. With its ISSN 1091-6687 and E-ISSN 1533-791X, LOGOS features rigorous peer-reviewed articles that delve into critical discussions in the realms of Cultural Studies, Literature and Literary Theory, Philosophy, and Religious Studies. The journal is currently positioned in the Q3 quartile for Cultural Studies and Philosophy, and Q2 for Literature and Literary Theory and Religious Studies, reflecting its significant contribution to these fields. Although LOGOS does not offer Open Access options, its scholarly output is essential for those seeking to engage with Catholic thought in a dynamic cultural landscape. Join a community of researchers, professionals, and students as you navigate the rich intellects that shape Catholic culture today.

Material Religion is a premier scholarly journal dedicated to examining the interplay between material culture and religious practices, published by Routledge Journals, Taylor & Francis Ltd, based in the United Kingdom. Since its inception in 2005, the journal has established itself as a vital resource in the fields of Religious Studies and Visual Arts and Performing Arts, holding a commendable Q2 quartile ranking and featuring a robust Scopus ranking that places it in the top 13% of its discipline. Designed to foster interdisciplinary dialogue, Material Religion offers a platform for innovative research that explores how material objects influence and are influenced by religious beliefs and practices. With no open access options, this journal continues to thrive as an essential reference for researchers, professionals, and students eager to understand the complexities of materiality in the context of religion and art. Positioned at the intersection of diverse academic fields, Material Religion not only contributes to scholarly discourse but also encourages critical reflections on how society engages with the material aspects of spirituality.

Umeni-Art is a prominent journal in the field of visual arts and performing arts, published by the Institute of Art History, Academy of Sciences, Czech Republic. With its ISSN 0049-5123 and E-ISSN 1804-6509, the journal has established itself as a critical platform for scholarly discourse and artistic expression since its inception in 2002. Although currently classified in Q4 within the Arts and Humanities category, it aims to elevate the understanding and appreciation of the arts through rigorous research and innovative perspectives. The journal's Scopus ranking places it at Rank #573/667, reflecting its growing contribution to the field and expanding reach within the artistic community. With a focus on fostering collaboration among researchers, practitioners, and students, Umeni-Art seeks to enrich the academic landscape with significant findings and discussions that inspire future research and creative endeavors. While it does not offer open access, the journal remains a valuable resource for those vested in exploring the dynamic interplay between art, culture, and society in the contemporary context.