Science Fiction Film and Television, published by LIVERPOOL UNIV PRESS, is a leading academic journal that explores the rich intersection of science fiction with cinematic and television narratives. With an ISSN of 1754-3770 and E-ISSN 1754-3789, this journal provides a platform for critically engaging with both historical and contemporary works within the genre, offering insights into its cultural significance, aesthetic innovations, and societal impacts. As part of the communication and visual arts fields, it is recognized in the Scopus ranking, achieving an impressive percentile of 87th in Visual Arts and Performing Arts, and maintaining a respectable rank within communication studies. Since its inception in 2018, it aims to foster dialogues among scholars, professionals, and students, making substantial contributions to the understanding of science fiction as a vital cultural phenomenon. With access options that cater to a broad audience, Science Fiction Film and Television is essential reading for those interested in exploring the innovative potentials and narratives of science fiction across media.

Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.

Etica & Cine is a distinguished open-access journal published by the University of Buenos Aires, Faculty of Psychology, dedicated to the interdisciplinary field of ethics in cinema and visual culture. With the ISSN 2250-5660 and E-ISSN 2250-5415, this journal has been a vital platform for researchers, professionals, and students since its inception in 2011, providing a space for critical discourse surrounding the ethical dimensions of film and media. The journal aims to foster scholarly dialogue by publishing high-quality articles that explore the philosophical, social, and psychological implications of filmic representations. While the journal's H-index is yet to be established, its commitment to open access ensures that valuable insights are readily available to a global audience, thus enhancing its significance in academic and professional circles. As the conversation around ethics in cinema continues to evolve, Etica & Cine stands as an essential resource for anyone engaged in this vital area of study.

Short Film Studies is a leading journal dedicated to the exploration and analysis of short films, published by INTELLECT LTD. Since its inception in 2014, this esteemed journal has carved a niche within the realm of Visual Arts and Performing Arts, providing a critical platform for scholars, practitioners, and enthusiasts alike to engage with the unique characteristics and cultural implications of short film as a distinct medium. Despite its current position in the Q4 quartile, the journal is steadfast in its commitment to enhancing scholarly discourse and understanding in this dynamic field. With a growing repository of research, Short Film Studies aims to bridge theoretical insights with practical examination, facilitating a deeper appreciation of cinematic innovation. Its accessibility through conventional channels underscores its significance, should you wish to engage with cutting-edge research and trends. As a vibrant component of the academic landscape, this journal promises valuable contributions that resonate with researchers, professionals, and students pursuing knowledge of filmic artistry.

Empedocles-European Journal for the Philosophy of Communication is a distinguished academic journal published by INTELLECT LTD that serves as a critical platform for exploring the intersections of communication, linguistics, and philosophy. With an ISSN of 1757-1952 and E-ISSN 1757-1960, the journal is indexed within the prestigious Scopus database, showcasing significant rankings in various categories, including Q3 in Philosophy and Q4 in Communication and Linguistics for 2023. This positioning highlights the journal's commitment to fostering scholarly discussions and advancing research in these vital fields. Although it operates without an open access model, it remains an essential resource for researchers, practitioners, and students interested in the nuanced dynamics of communication and its philosophical underpinnings. Published from the United Kingdom, Empedocles provides a unique lens through which to examine contemporary issues in both the social and human sciences, making it a valuable addition to any academic library.

Visual Resources, an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, serves as a vital platform for scholarly research in the fields of Museology and Visual Arts and Performing Arts. With an ISSN of 0197-3762 and an E-ISSN of 1477-2809, this journal has navigated the academic landscape since its inception in 1980, continuing to amplify critical dialogues up to 2024. Positioning itself within category quartiles as Q3 for both museology and visual arts, the journal ranks at #302/667 in the Visual Arts and Performing Arts category and #41/83 in Museology according to Scopus, reflecting a significant yet competitive standing. Although not designated as Open Access, the publication remains accessible through institutional subscriptions, catering to a diverse audience of researchers, professionals, and students. By disseminating pioneering research and innovative methodologies pertinent to visual culture and museum practices, Visual Resources plays an indispensable role in advancing knowledge in its disciplines and connects academia with contemporary practice.

American Art, published by University of Chicago Press, is a leading journal in the fields of cultural studies and visual arts, with a notable impact in both academic and professional circles. Since its inception in 1996, the journal has provided a robust platform for scholarly discourse, showcasing a diverse array of research that examines the evolution, context, and significance of American art and its cultural implications. With an impressive Q2 ranking in Visual Arts and Performing Arts and a Q3 ranking in Cultural Studies for 2023, American Art remains a vital resource for researchers, professionals, and students alike, facilitating a deeper understanding of the intricacies within American artistic practices. While currently not offering open access, the journal is accessible through various academic databases, ensuring reach to a wide audience dedicated to the intersection of art and culture. The journal's commitment to innovative scholarship makes it an indispensable resource for anyone seeking to explore the dynamic landscape of American art.

Adaptation: The Journal of Literature on Screen Studies, published by Oxford University Press, stands at the forefront of interdisciplinary scholarship, blending the realms of literature, visual arts, and performing arts. This esteemed journal addresses the evolving relationship between literature and its adaptation into various screen formats, providing a vital platform for researchers, professionals, and students interested in the adaptation process across different media. With a commendable 2023 impact factor reflected by its recognition in the Q1 quartile categories for Literature and Literary Theory as well as Visual Arts and Performing Arts, it ranks in the top tiers of its field, showcasing its influence and reach. The journal is dedicated to exploring theoretical and practical approaches to adaptation, ensuring that voices from diverse perspectives are heard. Although it operates under traditional access models, the insights offered in its publications are invaluable for those looking to deepen their understanding of how literature translates into screen narratives. With coverage spanning from 2010 to 2024, Adaptation continues to be a pivotal reference point for innovative scholarship and critical discourse.

Film-Philosophy is an esteemed academic journal published by Edinburgh University Press, specializing in the intersection of film studies and philosophical discourse. Since its launch in 1998, this Open Access journal has provided a platform for scholarly debates and innovative research, allowing for free and unrestricted access to its content, which has significantly contributed to the global dialogue on visual culture. With a commendable impact illustrated by its Q1 ranking in Visual Arts and Performing Arts and Q2 in Philosophy, the journal sits within the top quartile of its field. Operating from the United Kingdom, Film-Philosophy is committed to fostering a multidisciplinary approach, inviting contributions from researchers, professionals, and students alike. By engaging with critical theories and the aesthetics of cinema, the journal stands as a vital resource for understanding the philosophical implications of film and its cultural significance.