Cinemas

Scope & Guideline

Cultivating a Dialogue on the Future of Cinematic Arts

Introduction

Welcome to the Cinemas information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Cinemas, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageMulti-Language
ISSN1181-6945
PublisherUNIV MONTREAL, PROGRAMMES BIOETHIQUE
Support Open AccessNo
CountryCanada
TypeJournal
Converge2018, from 2021 to 2024
AbbreviationCINEMAS / Cinemas
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressSUCCURSALE CENTRE-VILLE, PO BOX 6128, MONTREAL, QC H3C 3J7, CANADA

Aims and Scopes

The journal 'Cinemas' is dedicated to exploring the multifaceted dimensions of cinema and its intersection with cultural narratives, societal issues, and historical contexts. It aims to provide a platform for critical analysis and theoretical exploration of film as an art form and a medium of communication.
  1. Cultural and Historical Analysis of Cinema:
    The journal emphasizes the examination of films within their cultural and historical frameworks, analyzing how cinema reflects and shapes societal narratives.
  2. Interdisciplinary Approaches to Film Studies:
    Cinemas promotes interdisciplinary methodologies, integrating perspectives from philosophy, sociology, ethics, and aesthetics to enrich film analysis.
  3. Focus on Representation and Identity:
    A consistent theme is the exploration of representation in film, including issues of gender, race, and sexuality, and how these elements influence audience perception and engagement.
  4. Ethics and Aesthetics in Film:
    The journal explores the ethical implications of cinematic narratives and aesthetics, encouraging discussions on how films can provoke moral and philosophical inquiries.
  5. Innovative Film Techniques and Theories:
    Cinemas also delves into the technical aspects of filmmaking, including the use of new technologies and innovative narrative structures, to understand their impact on storytelling.
The journal 'Cinemas' has seen a rise in interest in several new and emerging themes that reflect contemporary issues and innovative approaches in film studies. These trends indicate a growing engagement with current societal challenges and advancements in technology.
  1. Nostalgia and Memory in Cinema:
    Recent publications reflect a significant focus on nostalgia and memory, exploring how films address historical trauma, collective memory, and personal nostalgia as a narrative device.
  2. Queer Cinema and Representation:
    There is an increasing emphasis on queer cinema and its representations, reflecting broader societal conversations about gender identity and sexual orientation, as well as the politics of visibility in film.
  3. Ecological and Environmental Themes:
    Emerging research addresses ecological concerns within cinema, focusing on how films depict environmental issues and the relationship between nature and technology, aligning with global awareness of climate change.
  4. Digital Technologies and New Media:
    The impact of digital technologies and new media on filmmaking and audience engagement is a growing area of interest, examining how innovations like virtual reality and mobile cinema transform cinematic experiences.
  5. Global Cinema and Transnational Narratives:
    There is a notable trend towards exploring global cinema and transnational narratives, highlighting how films from various cultures interact and inform each other, reflecting the complexities of globalization.

Declining or Waning

Over recent years, certain themes within the journal 'Cinemas' have shown a decline in prominence, suggesting a shift in research focus or a saturation of topics. These waning themes may indicate changing interests within the academic community or the evolution of cinema studies.
  1. Traditional Film Criticism:
    There has been a noticeable decrease in papers focused on traditional film criticism, which often emphasized canonical texts and established theories, as newer interdisciplinary approaches gain traction.
  2. Historical Film Genres:
    Research centered on specific historical film genres, such as classic Hollywood or European art cinema, appears to be declining, possibly overshadowed by more contemporary and innovative film studies.
  3. Linear Narrative Structures:
    The exploration of linear narrative structures in film is less frequently addressed, as scholars increasingly focus on non-linear storytelling and experimental forms of narrative.
  4. Mainstream Cinema Focus:
    There is a reduction in analyses centered on mainstream commercial cinema, with more scholars gravitating towards independent, avant-garde, and global cinema, reflecting a broader interest in diverse cinematic voices.
  5. Static Theoretical Frameworks:
    Research employing static or singular theoretical frameworks is diminishing, indicating a shift towards more dynamic and hybrid approaches that combine various theories and methodologies.

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