Costume-The Journal of the Costume Society

Scope & Guideline

Advancing Scholarship in Costume and Fashion Studies

Introduction

Welcome to the Costume-The Journal of the Costume Society information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Costume-The Journal of the Costume Society, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN0590-8876
PublisherEDINBURGH UNIV PRESS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Converge1965, from 1967 to 2024
AbbreviationCOSTUME / Costume
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressTHE TUN-HOLYROOD RD, 12 2F JACKSONS ENTRY, EDINBURGH EH8 8PJ, SCOTLAND

Aims and Scopes

The journal 'Costume - The Journal of the Costume Society' aims to explore the multifaceted nature of dress and fashion through historical, cultural, and social lenses. It serves as a platform for scholarly discussions that bridge theory and practice in costume studies, offering insights into the intricate relationships between clothing, identity, and society.
  1. Historical Analysis of Dress:
    The journal delves into the history of dress across various cultures and time periods, examining how clothing reflects societal changes, cultural practices, and historical events.
  2. Cultural and Social Contexts of Fashion:
    It emphasizes the role of fashion as a cultural artifact, exploring how dress is intertwined with issues of identity, gender, class, and ethnicity.
  3. Interdisciplinary Approaches:
    The journal encourages interdisciplinary research that incorporates perspectives from art history, sociology, anthropology, and textile studies, among others.
  4. Contemporary Fashion Studies:
    It also addresses contemporary issues in fashion, including sustainability, globalization, and the impact of digital technologies on dress and fashion culture.
  5. Methodological Innovations:
    The journal is committed to methodological diversity, including visual analysis, archival research, and fieldwork, to enrich the understanding of dress practices.
The journal has seen a rise in interest in certain themes that reflect current societal trends and academic discourse. These emerging areas of study highlight the journal's commitment to addressing contemporary issues in costume and fashion studies.
  1. Sustainability in Fashion:
    Recent publications have increasingly focused on sustainable fashion practices, reflecting a growing awareness of environmental issues and the ethical implications of clothing production.
  2. Diversity and Inclusion in Dress:
    There is an emerging emphasis on exploring diverse cultural expressions in dress, including LGBTQ+ identities, non-Western fashion narratives, and the representation of marginalized communities.
  3. Fashion as Resistance:
    Themes of costume as a form of protest or resistance are gaining prominence, exploring how dress can serve as a visual language for social movements and political statements.
  4. Digital and Virtual Fashion:
    The impact of digital technologies and virtual environments on fashion is becoming a significant area of inquiry, particularly in light of the rise of online fashion platforms and digital fashion representations.
  5. Interdisciplinary Dialogues:
    There is a trend towards interdisciplinary dialogues that incorporate perspectives from art history, cultural studies, and sociology to provide a richer understanding of dress and identity.

Declining or Waning

While 'Costume' continues to evolve, certain themes have shown a decline in prominence over recent years. This shift reflects changing interests in the field of costume studies and broader cultural conversations.
  1. Traditional Craft Techniques:
    There has been a noticeable decrease in articles focusing on traditional textile and craft techniques, as contemporary discussions increasingly favor modern fashion practices and sustainability.
  2. Historical Costume Reenactment:
    Research centered around historical reenactments and their relevance to modern dress has waned, possibly due to a growing focus on critical and theoretical approaches over performative aspects.
  3. Fashion and Celebrity Culture:
    The intersection of fashion with celebrity culture is less frequently explored, indicating a potential shift towards more academic and less commercialized discussions of dress.
  4. Regional Studies:
    While regional studies remain important, there appears to be a decrease in focused research on specific local dress practices, as more global or transnational themes gain traction.
  5. Gendered Approaches to Historical Dress:
    Themes surrounding strictly gendered analyses of historical dress seem to be diminishing, as scholars increasingly seek more nuanced and intersectional understandings of identity in fashion.

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