REVUE DES MUSEES DE FRANCE-REVUE DU LOUVRE, published by CONSEIL MUSEES NATIONAUX, serves as a vital resource in the fields of Conservation, Museology, and the Visual Arts. With its ISSN 1962-4271 and a dedicated focus on the interplay between historical artifacts and contemporary museum practices, the journal has established itself within the academic community despite its Q4 ranking in various categories as of 2023. The journal is particularly aimed at researchers, professionals, and students who are engaged in the study of museum practices and the preservation of cultural heritage, providing insights and discussions that are both scholarly and practical. Though the journal does not have open access options, it remains a pivotal outlet for innovative ideas and critical perspectives from the vibrant French museum landscape. The issues published since its convergence years from 2009 to 2016 and from 2018 to 2024 continue to foster rich dialogues around the evolving role of museums in society, making it an essential read for anyone invested in the future of cultural institutions.

Arte Individuo y Sociedad, published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, is a leading Open Access journal dedicated to advancing understanding in the realms of Visual Arts and Performing Arts. With an impressive impact factor that places it in the Q1 category of its field and a remarkable Scopus rank of #92 out of 667, this journal stands as a vital resource for scholars, practitioners, and students alike. Since its inception in 1988, the journal has championed the dissemination of innovative research and critical discourse, fostering a platform where creativity and academia intersect. The converged years from 2010 to 2024 signify a dynamic evolution of the journal, reflecting contemporary issues and developments in visual and performing arts. For those interested in exploring the complex interplay between art and society, Arte Individuo y Sociedad offers essential insights and diverse perspectives in an increasingly interconnected global landscape.

Lino - Revista Anual de Historia del Arte is a distinguished journal dedicated to advancing scholarly research in the fields of History and Visual Arts. Published by UNIV OVIEDO in Spain, this annual publication has been fostering academic dialogue since its inception in 2012 and continues to enrich the scholarly landscape through 2024. With its ISSN 0211-2574 and E-ISSN 2341-1139, the journal serves as an accessible repository for critical insights and innovative perspectives. As a member of the Q3 category in both History and Visual Arts and Performing Arts, it is poised to contribute significantly to ongoing discussions in these areas, despite its current standing in Scopus rankings. Lino's mission is to promote a deeper understanding of art history through rigorous research and high-quality publications that resonate with researchers, professionals, and students alike. The journal's commitment to scholarly excellence ensures that it remains a vital source of knowledge for those invested in the dynamic intersection of visual culture and historical analysis.

GOYA, published by the esteemed FUNDACION LAZARO GALDIANO, is a pivotal journal in the field of Visual Arts and Performing Arts. With an ISSN of 0017-2715, this Spanish journal serves as a critical platform for scholars, artists, and practitioners to engage with contemporary issues, trends, and methodologies in the arts. Since its inception, GOYA has strived to illuminate the intersection of artistic expression and cultural discourse, with coverage spanning from 2002 to 2024. The journal proudly holds a Q3 category ranking in the 2023 Scopus assessments for its field, reflecting its respected position among peers, with a notable rank of #377 out of 667. Though it does not follow an Open Access model, GOYA continues to contribute significantly to the academic landscape, enabling a deeper understanding of artistic practices and their societal implications. Researchers and students alike will find the journal an invaluable resource for insights and inspiration within the dynamic realm of the arts.

Laboratorio de Arte is an esteemed journal published by UNIV SEVILLA, EDITORIAL, specializing in the interdisciplinary fields of Arts and Humanities, Conservation, Museology, and Visual Arts. With an impactful presence in research since its inception, the journal has been open access since 2006, promoting the free dissemination of knowledge and fostering academic dialogue among scholars, professionals, and students. The journal adheres to rigorous academic standards, reflected in its categorization within the Q2 and Q3 quartiles across various disciplines, and its commendable rankings in Scopus make it an essential resource for those engaged in the arts. The h-index for this journal showcases its contribution to the field, further solidifying its importance in contemporary research. As it continues to evolve through 2023 and beyond, Laboratorio de Arte serves as a vital platform for innovative thoughts and practices within the vibrant landscape of artistic and cultural studies.

ArtCultura-Revista de História Cultura e Arte, published by Universidade Federal de Uberlândia, is a leading peer-reviewed journal in the fields of cultural, historical, and artistic studies. With its commitment to Open Access publishing since 2007, the journal provides an invaluable platform for researchers, professionals, and students to disseminate and access high-quality research without financial barriers. The journal's dedication to scholarly excellence is reflected in its robust editorial process and diverse range of articles that delve into the intricate connections between art and culture, promoting interdisciplinary dialogue and global perspectives. Situated in Brazil, ArtCultura plays a pivotal role in enhancing the visibility of Latin American contributions to these vital fields, thereby fostering academic collaboration and cultural understanding. We invite you to explore the rich tapestry of ideas and insights published in our journal, located at AV PARA, 1720 CAMPUS UMUARAMA, UBERLANDIA 38400-902, BRAZIL.

OUD HOLLAND is a prestigious journal published by BRILL, focusing on the rich history and developments in the visual arts and performing arts. With a historical lineage dating back to its initial publication years from 1883 and periodic revivals until 2024, this journal has maintained its relevance amidst evolving artistic discourse. It holds an impressive standing in the Arts and Humanities field, ranking 338 out of 667 in the Visual Arts and Performing Arts category, positioning it comfortably within the 49th percentile. The journal disseminates critical research and insightful articles that cater to scholars, professionals, and students dedicated to advancing their understanding of artistic heritage and contemporary methodologies. Though currently not open access, OUD HOLLAND represents an invaluable resource for those committed to exploring the multifaceted dimensions of art, offering access to a wealth of knowledge grounded in meticulous research and scholarship.

Espacio Tiempo y Forma Serie VII-Historia del Arte, published by the Universidad Nacional de Educación a Distancia, stands as a pivotal open-access journal in the realm of Art History. Since its inception, it has steadily contributed to scholarly discourse by providing a platform for the publication of rigorous research that explores the intricate relationship between historical contexts and artistic expressions. With an Impact Factor reflecting its relevance, this journal occupies a critical niche within the Q3 categories of both History and Visual Arts and Performing Arts. Researchers and practitioners alike can benefit from the diverse range of articles published, which delve into various artistic movements and their socio-cultural implications. Operating from its base in Madrid, Spain, the journal continues to accept submissions through 2024, fostering an inclusive academic environment that nurtures the exchange of ideas. With its open-access model established since 2005, Espacio Tiempo y Forma enhances accessibility to vital research, inviting an engaged readership from around the globe.

Calle 14-Revista de Investigación en el Campo del Arte is an esteemed academic journal published by UNIV DISTRITAL FRANCISCO JOSE DE CALDAS, FAC ARTES ASAB, dedicated to advancing research in the vibrant and diverse field of the arts. Since its inception in 2007, this Open Access journal has provided a platform for scholars, practitioners, and students alike to engage with contemporary issues, methodologies, and innovations within artistic practice and theory. With an ISSN of 2011-3757 and an E-ISSN of 2145-0706, Calle 14 aims to foster interdisciplinary dialogue and encourages submissions that explore the intersection of art with culture, technology, and society. Despite the absence of an H-index, its commitment to accessibility and quality makes it a crucial resource for those seeking to deepen their understanding of artistic inquiry and its impact on the world today. Located in Bogotá, Colombia, Calle 14 is positioned at the crossroads of local and global artistic conversations, inviting contributions that reflect a range of voices and perspectives.

Arte y Ciudad-Revista de Investigacion is a prominent academic journal published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES. With its ISSN 2254-2930 and E-ISSN 2254-7673, this journal focuses on the interdisciplinary studies of art within urban contexts, catering to scholars, researchers, and practitioners interested in the intricate relationships between culture, creativity, and urbanization. The journal aims to foster innovative research that illuminates the role of art in shaping urban life and addresses contemporary challenges faced by cities. Through its commitment to high-quality scholarship, Arte y Ciudad serves as a vital platform for emerging and established voices in the field, enhancing dialogue and collaboration among academics and professionals. Although it operates under a traditional publishing model, the journal remains accessible, ensuring that its findings contribute meaningfully to ongoing discussions in art and urban studies.