CounterText-A Journal for the Study of the Post-Literary

Scope & Guideline

Engaging Critical Perspectives on Contemporary Narratives

Introduction

Delve into the academic richness of CounterText-A Journal for the Study of the Post-Literary with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN2056-4406
PublisherEDINBURGH UNIV PRESS
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 2015 to 2024
AbbreviationCOUNTERTEXT / CounterText
Frequency3 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressTHE TUN-HOLYROOD RD, 12 2F JACKSONS ENTRY, EDINBURGH EH8 8PJ, SCOTLAND

Aims and Scopes

CounterText-A Journal for the Study of the Post-Literary is dedicated to exploring the intersections of literature, critical theory, and contemporary cultural phenomena. The journal aims to provide a platform for innovative scholarship that challenges traditional literary analysis and embraces the complexities of post-literary discourse.
  1. Post-Literary Critique:
    The journal focuses on critiques of literary practices and theories in the context of post-literary frameworks, examining how literature interacts with contemporary cultural and technological shifts.
  2. Interdisciplinary Approaches:
    It promotes interdisciplinary research that blends literary studies with fields such as philosophy, cultural studies, and media theory, fostering a diverse range of methodologies and perspectives.
  3. Essayistic Forms:
    CounterText emphasizes the essay as a significant form of discourse, exploring its evolution and its role in contemporary thought, especially in relation to themes of temporality, identity, and personal narrative.
  4. Mimesis and Representation:
    The journal investigates concepts of mimesis and representation, particularly how they relate to current societal issues and artistic expressions, providing critical insights into the processes of becoming and identity.
  5. Posthumanism and Environmental Discourse:
    It engages with posthumanist theories and environmental critiques, exploring how literature reflects and responds to ecological crises and the changing nature of humanity in relation to technology and the non-human world.
Recent publications in CounterText highlight emerging themes and trends that reflect the journal's responsiveness to contemporary cultural and theoretical developments.
  1. Temporalities in Literature:
    A growing interest in the concept of temporality, particularly how it influences narrative structures and reader engagement, is evident. This theme reflects broader philosophical inquiries into time in the digital age.
  2. Digital and Post-Internet Narratives:
    The journal has increasingly published works exploring post-internet aesthetics and narratives, indicating a trend towards understanding literature in the context of digital culture and technological influence.
  3. Personal and Experiential Essays:
    There is a notable rise in the publication of personal essays that blend subjective experience with critical analysis, highlighting the significance of individual narratives in broader cultural discussions.
  4. Posthumanist Perspectives:
    Emerging themes related to posthumanism are increasingly prominent, reflecting a critical engagement with the implications of technology and non-human entities in contemporary literature and art.
  5. Intermedial Practices:
    The journal is also focusing on intermedial practices that blur the lines between different artistic forms, such as the interplay between visual art, literature, and performance, showcasing a commitment to innovative and hybrid textual forms.

Declining or Waning

While CounterText continues to evolve, certain themes have become less prominent in recent publications, indicating a potential waning of interest or relevance in specific areas of inquiry.
  1. Traditional Literary Canon:
    There appears to be a diminishing focus on canonical literary texts and traditional literary analysis, as the journal shifts towards more contemporary and experimental forms of writing and critique.
  2. Historical Literary Contexts:
    Research that heavily emphasizes historical contexts of literary works is less frequently published, suggesting a move away from conventional historical literary studies towards more immediate and pressing cultural critiques.
  3. Biographical Criticism:
    The journal seems to have reduced publication of biographical analyses of authors, indicating a preference for theoretical and conceptual investigations over individual author-centered narratives.
  4. Static Genre Studies:
    Studies that adhere strictly to conventional genre classifications are becoming less common, as the journal embraces hybrid forms and experimental approaches that transcend traditional genre boundaries.
  5. Nostalgic Literary Criticism:
    There is a noticeable decline in papers that engage in nostalgic readings of literature, reflecting a contemporary focus on urgent socio-political issues rather than retrospective literary appreciation.

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