Danza e Ricerca-Laboratorio di Studi Scritture Visioni

Scope & Guideline

Unveiling New Perspectives in Dance and Visual Studies

Introduction

Welcome to your portal for understanding Danza e Ricerca-Laboratorio di Studi Scritture Visioni, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageItalian
ISSN2036-1599
PublisherUNIV STUDI BOLOGNA, DIPT MUSICA & SPETTACOLO
Support Open AccessNo
CountryItaly
TypeJournal
Convergefrom 2019 to 2023
AbbreviationDANZA RIC / Danza Ric.
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressVIA GALLIERA 3-40121, BOLOGNA 00000, ITALY

Aims and Scopes

The journal 'Danza e Ricerca-Laboratorio di Studi Scritture Visioni' focuses on the multifaceted dimensions of dance, exploring its historical, theoretical, and practical aspects through diverse scholarly lenses. Its primary aims and scopes include:
  1. Interdisciplinary Approach to Dance Studies:
    The journal emphasizes an interdisciplinary methodology, integrating perspectives from history, philosophy, performance studies, and cultural analysis to deepen the understanding of dance as a complex art form.
  2. Historical Contextualization:
    A significant focus is placed on the historical evolution of dance, particularly in relation to significant figures, movements, and cultural contexts, enabling a richer appreciation of dance's role in societal narratives.
  3. Critical Analysis of Dance Practices:
    The journal promotes critical discourse surrounding contemporary and historical dance practices, encouraging authors to investigate the implications of choreography, performance, and audience engagement.
  4. Exploration of Dance Notation and Theory:
    A unique contribution of the journal lies in its exploration of dance notation systems and theoretical frameworks, which provide foundational tools for documenting and analyzing dance.
  5. Cultural and Political Dimensions of Dance:
    The journal investigates how dance intersects with cultural identity, politics, and social movements, highlighting dance as a medium of expression and communication.
  6. Focus on Italian Dance Heritage:
    There is a consistent emphasis on the Italian dance scene, celebrating local traditions, innovations, and influential figures, which adds a distinctive regional context to the scholarship.
Recent publications indicate a dynamic shift towards innovative themes and areas of inquiry in dance studies. The following emerging themes are gaining traction:
  1. Intersection of Dance and Accessibility:
    There is a growing interest in the accessibility of dance, examining how practices can be made more inclusive and how this impacts both performance and audience engagement.
  2. Cultural Memory and Dance Archives:
    An emerging focus on the relationship between dance, memory, and archiving highlights the importance of preserving dance heritage while interrogating its relevance in contemporary contexts.
  3. Dance as a Political and Social Commentary:
    Recent works explore dance as a vehicle for political expression and social commentary, reflecting its potential to engage with current sociopolitical issues and movements.
  4. Experiential and Sensory Approaches to Dance:
    The journal is increasingly publishing research that emphasizes the sensory and experiential aspects of dance, bridging the gap between visual and non-visual experiences.
  5. Women’s Contributions to Dance History:
    There is a notable trend towards recognizing and documenting women's roles in the evolution of dance, addressing historical oversight and enriching the narrative of dance history.

Declining or Waning

While the journal continues to thrive in various areas, certain themes appear to be diminishing in frequency or significance. These waning scopes include:
  1. Traditional Ballet Narratives:
    There seems to be a decline in the focus on traditional narratives surrounding classical ballet, potentially reflecting a broader shift towards contemporary dance forms and practices.
  2. Historical Biographies of Lesser-Known Figures:
    The publication of detailed biographies of less prominent historical figures in dance has decreased, possibly indicating a shift towards more recognized contributors or broader thematic explorations.
  3. Technical Aspects of Dance Training:
    There is a noticeable reduction in articles specifically addressing the technical training of dancers, suggesting a move away from purely instructional content towards more theoretical and conceptual discussions.

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