Third Text

Scope & Guideline

Connecting scholars and practitioners in transformative ways.

Introduction

Welcome to your portal for understanding Third Text, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN0952-8822
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Convergefrom 1987 to 2024
AbbreviationTHIRD TEXT / Third Text
Frequency6 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The journal 'Third Text' focuses on the interplay between contemporary art and critical theory, exploring themes of postcolonialism, identity, and the socio-political dimensions of art. It aims to provide a platform for diverse voices and perspectives, particularly from marginalized communities, and emphasizes the importance of contextualizing art within broader historical and cultural frameworks.
  1. Postcolonial Studies and Decolonization:
    The journal critically examines the effects of colonialism and ongoing colonial legacies in contemporary art practices, often highlighting the experiences and contributions of artists from formerly colonized nations.
  2. Intersectionality and Identity Politics:
    It explores the intersections of race, gender, sexuality, and class within artistic practices and representations, providing insights into how these identities shape and are shaped by art.
  3. Art as a Political Tool:
    'Third Text' investigates how art can function as a medium for political resistance and social change, often focusing on activist art movements and collective practices.
  4. Global Perspectives on Contemporary Art:
    The journal seeks to broaden the understanding of contemporary art by incorporating global perspectives, particularly from non-Western contexts, and analyzing how these perspectives challenge dominant narratives.
  5. Theoretical Interrogation of Art Practices:
    It encourages critical theoretical engagement with art, including discussions of aesthetics, representation, and the role of the viewer, often drawing from various philosophical and cultural theories.
Recent publications in 'Third Text' reveal a dynamic evolution of themes, reflecting contemporary socio-political issues and the ongoing transformation of art practices. The following emerging trends illustrate the journal's responsiveness to current global discourses.
  1. Environmental and Ecological Art:
    There is an increasing focus on how contemporary art engages with issues of climate change and ecological crises, reflecting a growing awareness of environmental concerns in artistic practices.
  2. Indigenous and Decolonial Art Practices:
    Emerging themes highlight the significance of indigenous voices and decolonial perspectives, as artists and scholars explore ways to reclaim narratives and challenge colonial histories.
  3. Digital and Technological Art Interventions:
    The integration of digital technologies and new media in art is gaining traction, with discussions surrounding how these mediums influence representation and interaction in contemporary art.
  4. Collective and Collaborative Art Practices:
    There is a notable trend towards papers that focus on collective art-making and community-based practices, reflecting a shift towards participatory art that fosters dialogue and engagement.
  5. Critical Gender Studies and Queer Theory:
    The journal increasingly addresses issues related to gender and sexuality, emphasizing queer perspectives and the politics of identity in contemporary art.

Declining or Waning

While 'Third Text' continues to engage with a wide range of contemporary art themes, certain areas appear to be diminishing in prominence. This may reflect changing priorities within the field or a shift in the types of discussions that are currently being prioritized.
  1. Traditional Art Historical Narratives:
    There is a noticeable decline in papers focusing solely on traditional art historical narratives, as the journal increasingly emphasizes contemporary issues and practices over historical analysis.
  2. Eurocentric Perspectives:
    The focus on Eurocentric art practices and critiques is waning, with a stronger emphasis on diverse and global viewpoints, indicating a shift away from Western-centric discourse.
  3. Formal Aesthetics without Context:
    Articles that solely address formal aesthetics, detached from political or social contexts, are less frequent, suggesting a move towards more integrated approaches that consider the broader implications of art.

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