Ecumenica-Performance and Religion

Scope & Guideline

Advancing Scholarship at the Intersection of Faith and Art.

Introduction

Welcome to the Ecumenica-Performance and Religion information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Ecumenica-Performance and Religion, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN1942-4558
PublisherPENN STATE UNIV PRESS
Support Open AccessNo
Country-
TypeJournal
Convergefrom 2019 to 2024
AbbreviationECUMENICA / Ecumenica-Perform. Relig.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address820 NORTH UNIV DRIVE, U S B 1, STE C, UNIVERSITY PK, PA 16802

Aims and Scopes

Ecumenica - Performance and Religion is a journal that explores the intersection of performance studies and religious practices, with a focus on how these elements interact within diverse cultural contexts. The journal aims to foster discourse around the roles of performance in shaping and expressing religious beliefs, identities, and experiences.
  1. Interdisciplinary Exploration of Performance and Religion:
    The journal emphasizes an interdisciplinary approach, integrating insights from performance studies, religious studies, cultural studies, and anthropology to examine how performance acts as a medium for religious expression.
  2. Cultural Representation and Identity:
    A key focus is on how various performances represent cultural and religious identities, particularly in marginalized communities. This includes examining the role of performance in community building and cultural preservation.
  3. Contemporary Issues and Social Change:
    The journal addresses contemporary social issues through the lens of performance, exploring how performance can serve as a tool for activism, social change, and dialogue regarding faith and spirituality.
  4. Ritual and Performance:
    There is a strong emphasis on the study of rituals and their performative aspects, analyzing how rituals are enacted, interpreted, and transformed within different cultural and historical contexts.
  5. Ethical and Political Dimensions of Performance:
    The journal investigates the ethical implications of performances related to religion and spirituality, including the political dimensions of performance art and how it challenges or reinforces societal norms.
Ecumenica is currently witnessing a rise in interest in several emerging themes that reflect the evolving landscape of performance and religion. These trends indicate a shift towards more inclusive, intersectional, and contemporary approaches to the study of performance in religious contexts.
  1. Intersectionality in Performance:
    There is a growing emphasis on intersectionality, particularly in how race, gender, sexuality, and class intersect within performance and religious contexts. This trend highlights the diverse experiences and identities that shape religious performances.
  2. Digital and Virtual Performance:
    The impact of digital media on performance and religion is gaining traction, with an increasing number of studies exploring how online platforms and virtual spaces facilitate new forms of religious expression and community building.
  3. Environmental and Eco-Spirituality:
    Emerging themes around eco-spirituality and the relationship between performance and environmentalism reflect a heightened awareness of ecological issues within religious contexts, emphasizing sustainable practices and ecological consciousness.
  4. Contemporary Activism and Performance:
    Performance as a form of activism is increasingly prevalent in the journal, with a focus on how performances address social justice issues, challenge power structures, and contribute to community resilience.
  5. Global Perspectives on Performance and Religion:
    There is an expanding interest in global perspectives, particularly in how non-Western traditions and practices influence contemporary performance studies. This includes a focus on indigenous practices and global religious movements.

Declining or Waning

While Ecumenica continues to thrive in many areas, certain themes appear to be declining in prominence as the journal evolves. These waning themes reflect shifts in focus and the journal's adaptation to changing academic and cultural landscapes.
  1. Traditional Religious Narratives:
    There has been a noticeable decrease in the publication of papers that focus solely on traditional religious narratives without a performance aspect. This decline suggests a move towards more dynamic and contemporary interpretations of spirituality.
  2. Historical Performance Studies:
    Research centered around historical performances, particularly those that do not connect to current social issues or contemporary practices, has become less frequent, indicating a shift towards modern relevance in performance studies.
  3. Theatrical Representations of Religion:
    Papers that primarily analyze theatrical representations of religious themes without exploring their broader societal implications are appearing less often, reflecting a trend towards more interdisciplinary and critical analyses.
  4. Secularization of Religious Performance:
    There seems to be a waning interest in the secularization of religious performances, as the journal increasingly focuses on the interplay between sacred and secular realms rather than on their separation.

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