Feminist Media Histories

Scope & Guideline

Engaging with the Past to Transform the Future.

Introduction

Welcome to your portal for understanding Feminist Media Histories, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN-
PublisherUNIV CALIFORNIA PRESS, JOURNALS DIV
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationFEM MEDIA HIST / Fem. Media Hist.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address155 GRAND AVENUE, STE 400, OAKLAND, CA 94612-3764

Aims and Scopes

Feminist Media Histories aims to explore the intersections of gender, media, and history through a feminist lens. The journal emphasizes innovative methodologies and critical analyses that challenge traditional narratives in media studies.
  1. Feminist Archival Practices:
    The journal focuses on the creation and curation of feminist archives, emphasizing how archival work can contribute to feminist world-making and healing.
  2. Intersectionality in Media:
    It highlights the importance of intersectionality, addressing how various identities (race, gender, sexuality) converge in media representations and practices.
  3. Activism and Representation:
    The journal examines the role of media in feminist activism, exploring how representation in film and media can influence social movements and cultural narratives.
  4. Historical Analysis of Women in Media:
    It provides critical historical analyses of women's contributions to media, exploring both past and contemporary figures and movements.
  5. Digital Media and Feminism:
    The scope includes discussions on the impact of digital media on feminist practices, exploring how technology affects representation and community-building.
Feminist Media Histories is currently highlighting several emerging themes that reflect the evolving landscape of feminist media studies. These trends indicate a keen interest in innovative methodologies and contemporary issues.
  1. Community and Care in Media:
    Recent publications increasingly focus on themes of community and care, emphasizing how media can foster connections and support networks among marginalized groups.
  2. Queer and Trans Perspectives:
    There is a growing emphasis on queer and trans narratives within feminist media, exploring how these identities contribute to and reshape feminist discourse.
  3. Decolonial Feminism:
    Emerging themes around decolonial feminism are becoming more prevalent, examining how colonial histories impact contemporary media practices and representations.
  4. Digital Activism:
    The journal is increasingly addressing the role of digital media in feminist activism, highlighting how social media platforms are utilized for advocacy and community building.
  5. Curation as a Feminist Practice:
    The practice of curation is being explored as a feminist act, with discussions on how curatorial choices can influence representation and narrative in media.

Declining or Waning

While the journal consistently explores new themes, certain areas of focus appear to be declining in prominence. This shift may reflect changes in the broader academic discourse surrounding feminist media studies.
  1. Traditional Film Studies:
    There seems to be a waning interest in traditional film studies that do not incorporate feminist or intersectional perspectives, as newer publications prioritize more contemporary and inclusive approaches.
  2. Historical Biographies of Male Figures:
    The focus on biographical studies of male figures in media history is decreasing, indicating a shift towards more diverse narratives that center women and marginalized voices.
  3. Purely Technical Analyses:
    Analyses that focus solely on technical aspects of film or media production without a feminist critique are appearing less frequently, as the journal emphasizes socio-political contexts.

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