Global Media and China

Scope & Guideline

Unveiling Cultural Narratives through Global Media Perspectives

Introduction

Welcome to your portal for understanding Global Media and China, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN2059-4364
PublisherSAGE PUBLICATIONS LTD
Support Open AccessNo
Country-
Type-
Converge-
AbbreviationGLOB MEDIA CHINA / Glob. Media China
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address1 OLIVERS YARD, 55 CITY ROAD, LONDON EC1Y 1SP, ENGLAND

Aims and Scopes

The journal 'Global Media and China' aims to provide a platform for scholarly discourse on the intersections of media, culture, and society within the Chinese context. Its scope encompasses a variety of methodologies and perspectives, reflecting the complexities and dynamism of media practices in China and their global implications.
  1. Media and Cultural Studies:
    The journal focuses on the analysis of media practices, representations, and cultural phenomena within China, examining how these elements influence and reflect societal values and changes.
  2. Digital and Social Media Research:
    A significant emphasis is placed on the study of digital platforms and social media, particularly in understanding their role in shaping public discourse, identity, and community engagement in contemporary China.
  3. Political Economy of Media:
    The journal investigates the political dimensions of media, including state control, censorship, and the implications of media ownership and corporate practices on public communication and consumer behavior.
  4. Cross-Cultural and Global Perspectives:
    Research in this journal often includes comparative analyses that position Chinese media within broader global contexts, exploring themes of nationalism, globalization, and cultural exchange.
  5. Feminist and Gender Studies:
    There is a notable focus on feminist media studies, addressing issues of gender representation, activism, and the role of women in media production and consumption.
  6. Health Communication and Crisis Reporting:
    The journal frequently addresses health communication, particularly in the context of crises like the COVID-19 pandemic, analyzing media responses and public health messaging.
The landscape of media studies in China is rapidly evolving, with emerging themes reflecting both contemporary challenges and innovative practices. The following areas have gained traction in recent publications, indicating a shift towards more relevant and urgent topics.
  1. Platformization and Corporate Governance:
    Research on the platformization of media and its implications for governance and corporate responsibility has surged, highlighting the role of major tech companies in shaping public discourse.
  2. Health Communication During Crises:
    The COVID-19 pandemic has catalyzed a significant increase in studies focusing on health communication, public responses, and the role of media in crisis management.
  3. Feminist Media Production and Activism:
    There is an emerging focus on feminist practices within media production, exploring how women navigate and challenge traditional narratives and structures in the Chinese media landscape.
  4. Digital Nationalism and Global Perception:
    Themes surrounding digital nationalism and the global perception of China are increasingly prominent, reflecting a growing interest in how digital media shapes national identity and international relations.
  5. Ethnographic and Qualitative Approaches:
    An uptick in ethnographic studies and qualitative research methodologies suggests a trend towards deeper, contextually rich explorations of media practices and cultural phenomena in China.

Declining or Waning

While 'Global Media and China' continues to explore a diverse range of themes, certain areas of focus appear to be declining in prominence over recent years. This shift may reflect changing societal priorities, technological advancements, or evolving research interests.
  1. Traditional Media Analysis:
    There has been a noticeable decrease in papers focusing solely on traditional media formats, such as print newspapers and broadcast television, as digital and social media studies take precedence.
  2. Historical Media Studies:
    Research that examines historical perspectives on Chinese media is less frequent, possibly overshadowed by more contemporary analyses that address current trends and technologies.
  3. Generalized Studies on Media Effects:
    Broad, generalized studies on media effects without specific contextual grounding or case studies seem to be less common, with a shift towards more nuanced and context-specific examinations.
  4. Nostalgia and Cultural Memory:
    Themes exploring nostalgia or cultural memory in relation to media are less prevalent, as the focus shifts toward immediate socio-political issues and emerging digital practices.

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