CINEASTE is a distinguished journal dedicated to the critical exploration of cinema, providing a platform for scholars, filmmakers, and enthusiasts to engage with the complexities of film studies. Established and published by CINEASTE, this periodical serves as a vital resource for those interested in the intersection of visual arts and performing arts. Although it is not currently offered as Open Access, CINEASTE remains a respected publication within the academic community, having been indexed in Scopus until 2016. With an ISSN of 0009-7004, it has established itself despite its lower ranking in the arts and humanities category, reflecting the competitive nature of this field. Researchers, students, and professionals alike will find ample opportunities for insightful discussion and scholarly contributions to the evolving landscape of cinematic discourse. CINEASTE continues to uphold its mission of enhancing film scholarship, making it a crucial reference point for anyone eager to deepen their understanding of cinema's artistic and cultural significance.

REVUE INTERNATIONALE DE PHILOSOPHIE, published by REVUE INT PHILOSOPHIE, is a prestigious journal in the field of philosophy, based in Belgium. With an ISSN of 0048-8143 and an E-ISSN of 2033-0138, this journal has been a vital platform for philosophical discourse since its inception in 1983, successfully evolving through various phases until 2024. Despite currently being positioned in the Q4 category of Philosophy according to the 2023 rankings, it serves as an important venue for scholars and students alike, allowing for a diverse exploration of philosophical thought. Although it is not an Open Access publication, the journal fosters a rich environment for rigorous scholarly research and debate. By presenting articles that challenge and inspire, REVUE INTERNATIONALE DE PHILOSOPHIE ensures that it remains an essential resource for anyone engaged in philosophical inquiry.

Claridades-Revista de Filosofia is a distinguished open-access journal dedicated to the exploration of philosophical thought and discourse, published by the ASOC PROMOCION FILOSOFIA & CULTURA MALAGA-FICUM. Since its inception in 2009, the journal has been committed to providing a platform for innovative philosophical research and insights, fostering engagement within the academic community and beyond. Based in the culturally rich city of Malaga, Spain, the journal caters to the diverse landscape of philosophical inquiry, with a focus on nurturing academic exchange globally. Although the journal currently holds a Q4 ranking in Philosophy according to Scopus, it aims to elevate its impact and contribute significantly to contemporary philosophical debates. Researchers, professionals, and students alike will find a wealth of thought-provoking articles and discussions that not only enrich their understanding of the discipline but also encourage critical dialogue about the pressing philosophical issues of our time. With its dedicated mission and open access model, Claridades is poised to be an essential resource for anyone invested in the vibrant and evolving field of philosophy.

REVUE PHILOSOPHIQUE DE LA FRANCE ET DE L'ETRANGER is a distinguished academic journal published by PRESSES UNIV FRANCE, focusing primarily on the field of philosophy. Established in 1949 and continuing its legacy into 2023, this journal serves as a vital platform for scholarly dialogue and exploration of philosophical ideas that transcend national boundaries. While it currently holds a Q4 ranking in the philosophy category according to the latest Scopus assessments, its contributions remain significant in fostering a comprehensive understanding of various philosophical discourses. Based in France, at 6 AVENUE REILLE, 75685 PARIS CEDEX 14, this journal provides an essential resource for researchers, professionals, and students alike, despite not being an open-access publication. Each issue encourages a deeper engagement with contemporary philosophical thought while contributing to the academic community's ongoing discussions on fundamental philosophical questions.

Cinemas is a leading academic journal dedicated to the exploration and critical analysis of cinematic studies, visual arts, and the dynamic interplay of communication within these fields. Published by Université de Montréal's Program in Bioethics in Canada, this journal serves as a vital platform for researchers, professionals, and students interested in the multifaceted dimensions of cinema and its cultural ramifications. Despite its current positioning in the Q4 quartile of both the Communication and Visual Arts and Performing Arts categories, Cinemas is committed to fostering innovative discourse and scholarship, as evidenced by its inclusion in indexed databases such as Scopus. Covering a range of topics from theoretical frameworks to practical applications within the arts, the journal aims to bridge the gap between academia and the vibrant world of visual storytelling. With a focus on open access, although currently not provided, Cinemas aspires to increase the accessibility of its research to a broader audience, encouraging a rich dialogue that is instrumental to the evolving landscape of cinematic studies.

Studies in Russian and Soviet Cinema, published by Routledge Journals, Taylor & Francis Ltd, provides a critical forum for the exploration and analysis of cinematic practices, histories, and cultures from the Russian and Soviet eras. With its ISSN 1750-3132 and E-ISSN 1750-3140, this journal operates under the editorial guidance of leading scholars in the field, making significant contributions to the Visual Arts and Performing Arts and Communication categories, where it is ranked in the upper quartiles of its peer group. The journal spans a rich period of study, converging insights from 2006 to 2024, thereby allowing for an in-depth understanding of the evolution and impact of cinema in societal narratives. Researchers and enthusiasts alike will appreciate its dedication to illuminating the often-neglected cinematic treasures of Russia and the Soviet Union, promoting scholarly discourse through its rigorous analyses and diverse range of articles. This journal serves as an essential resource for anyone interested in the intersections of film, culture, and history.

The Southern Journal of Philosophy, published by Wiley, stands as a prestigious platform within the field of Philosophy, with a rich history dating back to 1963. As a Q1 journal, as classified in the 2023 category quartiles, it ranks favorably at #187 out of 806 in the Arts and Humanities field according to Scopus, placing it in the 76th percentile of its category. This esteemed journal not only publishes rigorous, peer-reviewed research, but also engages with critical philosophical discourse, fostering an inclusive environment for both established and emerging scholars. Although not an open access journal, it provides extensive coverage of vital philosophical topics, encouraging collaboration and intellectual exchange among researchers, professionals, and students alike. With its ongoing convergence of ideas leading into 2024 and beyond, the journal encourages submissions that push the boundaries of philosophical inquiry and contribute to the academic community.

Cinema: Journal of Philosophy and the Moving Image is a distinguished open-access journal dedicated to the critical analysis of cinema through the lenses of philosophy and cultural theory. Published by the esteemed New University of Lisbon's IFILNOVA - Nova Philosophy Institute, this journal has been a crucial platform for the dissemination of innovative and interdisciplinary research since its establishment in 2010. With an ISSN of 1647-8991 and a significant presence in both Communication and Visual Arts categories, it currently holds a Q4 ranking in 2023, reflecting its growing role in the academic discourse of its field. While the journal has a modest impact as indicated by its Scopus rankings, it serves as a vital resource for researchers, professionals, and students interested in the intersection of philosophy and the moving image, fostering rich dialogues about cinema's impact on society and culture. Situated in Portugal, Cinema invites submissions that challenge conventional perceptions, engaging with both contemporary and historical contexts of film and imagery, thereby playing an essential role in expanding the horizons of film studies.

Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

Hrvatski Filmski Ljetopis, published by the Croatian Film Clubs Association, serves as a pivotal academic journal in the field of film studies, celebrating and analyzing the rich cinematic heritage of Croatia and beyond. With an ISSN of 1330-7665, this journal caters to researchers, practitioners, and students who are passionate about the art of filmmaking, encompassing both theoretical discourse and practical implications. Although it is not currently available as an open-access publication, its curated content is of significant value to anyone interested in the evolution, critique, and history of film in a Croatian context, having previously been indexed in Scopus until coverage was discontinued. The journal operates out of Zagreb, Croatia, at the Croatian Film Clubs Association headquarters, and aims to foster scholarly dialogue while contributing to the broader field of national and international cinematography.