SIGHT AND SOUND is a prestigious journal published by the British Film Institute, dedicated to the exploration of cinema and its cultural significance. With an ISSN of 0037-4806 and an E-ISSN matching the same, this journal has been a critical platform for film studies since its inception, contributing valuable insights to the realms of visual arts and performing arts. Despite its discontinuation in the Scopus database post-2021, SIGHT AND SOUND commands respect within its field, currently holding a Q3 rank among Visual Arts and Performing Arts journals. Operating from 21 Stephen Street, London W1P 1PL, England, it serves as a vital resource for researchers, professionals, and students looking to deepen their understanding of film theory, critique, and history. While access to its articles is not open, the journal continues to influence the discourse in film studies, making it a significant asset in academic and professional circles.

Trans-Form-Acao is a prominent Open Access journal published by UNESP-MARILIA, dedicated to the field of Philosophy. Since its inception in 1974, the journal has fostered a vibrant academic discourse within the humanities, encouraging scholars to share innovative ideas and critical analyses. With an ISSN of 0101-3173 and an E-ISSN of 1980-539X, it has gained significant recognition in Scopus, ranking #285 out of 806 in the Arts and Humanities category, placing it in the 64th percentile for philosophy journals (2023). The journal's commitment to accessibility and rigorous scholarship has positioned it within the Q3 quartile, reflecting its growing influence and esteem in philosophical studies. Scholarly contributions are welcome across a range of philosophical topics, making it an essential resource for researchers, professionals, and students alike who seek to engage with contemporary philosophical thought. For further details, please refer to their address at AV HYGINO MUZZI FILHO, 737, MARILIA, SP 17525-900, BRAZIL.

Dao: A Journal of Comparative Philosophy, published by Springer, stands as a preeminent platform in the field of comparative philosophy. Since its inception in 2003, this journal has cultivated an esteemed reputation, evidenced by its Q1 ranking in Philosophy and a commendable position within the top 67th percentile of arts and humanities disciplines according to Scopus metrics. The journal invites scholars to engage in a rich dialogue that reflects the diversity of philosophical thought across cultures, promoting interdisciplinary research and fostering an international academic community. Although it does not offer open access, its rigorous peer-review process ensures that each publication contributes significantly to the advancement of philosophical inquiry. Based in the Netherlands, Dao's commitment to exploring the intersections of Eastern and Western philosophical traditions remains vital during its ongoing coverage from 2007 to 2024. By publishing original research, review articles, and critical essays, Dao plays an essential role in shaping the discourse within the philosophical landscape, serving as a valuable resource for researchers, professionals, and students alike.

Anales del Seminario de Historia de la Filosofia, published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, is a distinguished open-access journal that has been contributing to the fields of History and Philosophy since 1980. With an ISSN of 0211-2337 and E-ISSN 1988-2564, it aims to provide a scholarly platform for the dissemination of original research and critical reviews pertinent to the historiography of philosophy and its influences on modern thought. The journal features a robust open-access model, ensuring that all published content is readily available to researchers, students, and professionals worldwide. The journal currently enjoys recognition within its field, classified within the Q3 quartile in History and Philosophy of Science and Q2 quartile in Philosophy as of 2023. Positioned within the heart of Spain, the journal facilitates international academic dialogue and invites submissions that explore the intersection of past philosophical contexts and contemporary issues. Whether you are a seasoned scholar or a budding philosopher, Anales del Seminario de Historia de la Filosofia aims to foster a deeper understanding of philosophical traditions and their ongoing relevance in today’s discourse.

Eikasia-Revista de Filosofia is a distinguished academic journal dedicated to the exploration and analysis of philosophical thought across various traditions and contemporary debates. Published by EIKASIA EDICIONES S L, this journal serves as a vital platform for scholars, professionals, and students interested in advancing philosophical discourse. With its ISSN 1885-5679, Eikasia is committed to maintaining high academic standards and fostering an open exchange of ideas within the philosophical community. Although the journal currently does not provide open access, it remains a significant resource for those seeking to deepen their understanding of philosophy and its applications in today's world. The journal's rigorous selection process ensures that only high-quality, impactful research is published, making it a valuable asset in the field of philosophy.

Hrvatski Filmski Ljetopis, published by the Croatian Film Clubs Association, serves as a pivotal academic journal in the field of film studies, celebrating and analyzing the rich cinematic heritage of Croatia and beyond. With an ISSN of 1330-7665, this journal caters to researchers, practitioners, and students who are passionate about the art of filmmaking, encompassing both theoretical discourse and practical implications. Although it is not currently available as an open-access publication, its curated content is of significant value to anyone interested in the evolution, critique, and history of film in a Croatian context, having previously been indexed in Scopus until coverage was discontinued. The journal operates out of Zagreb, Croatia, at the Croatian Film Clubs Association headquarters, and aims to foster scholarly dialogue while contributing to the broader field of national and international cinematography.

REVUE PHILOSOPHIQUE DE LOUVAIN is a distinguished academic journal dedicated to the exploration of philosophical discourse and thought, published by PEETERS in Belgium. With an ISSN of 0035-3841 and E-ISSN 1783-1768, this journal has been a significant contributor to the field of philosophy since its inception in 1973. Although it has been classified in Q4 in the 2023 Philosophy category with a Scopus rank of 488 out of 762, the journal has established a reputation for fostering rigorous dialogue and covering a diverse array of philosophical topics through comprehensive articles and critical essays. Despite a temporary discontinuation in Scopus coverage from 2019 to 2021, REVUE PHILOSOPHIQUE DE LOUVAIN remains a significant platform for scholars, professionals, and students looking to engage deeply with contemporary philosophical issues. The journal's commitment to philosophical inquiry is complemented by its accessible publication model, although it does not currently offer open access options. For those based in or visiting Leuven, Belgium, the journal's office is located at BONDGENOTENLAAN 153, B-3000 LEUVEN, BELGIUM, a hub of intellectual engagement in the heart of Europe.

Studies in Russian and Soviet Cinema, published by Routledge Journals, Taylor & Francis Ltd, provides a critical forum for the exploration and analysis of cinematic practices, histories, and cultures from the Russian and Soviet eras. With its ISSN 1750-3132 and E-ISSN 1750-3140, this journal operates under the editorial guidance of leading scholars in the field, making significant contributions to the Visual Arts and Performing Arts and Communication categories, where it is ranked in the upper quartiles of its peer group. The journal spans a rich period of study, converging insights from 2006 to 2024, thereby allowing for an in-depth understanding of the evolution and impact of cinema in societal narratives. Researchers and enthusiasts alike will appreciate its dedication to illuminating the often-neglected cinematic treasures of Russia and the Soviet Union, promoting scholarly discourse through its rigorous analyses and diverse range of articles. This journal serves as an essential resource for anyone interested in the intersections of film, culture, and history.

REVUE PHILOSOPHIQUE DE LA FRANCE ET DE L'ETRANGER is a distinguished academic journal published by PRESSES UNIV FRANCE, focusing primarily on the field of philosophy. Established in 1949 and continuing its legacy into 2023, this journal serves as a vital platform for scholarly dialogue and exploration of philosophical ideas that transcend national boundaries. While it currently holds a Q4 ranking in the philosophy category according to the latest Scopus assessments, its contributions remain significant in fostering a comprehensive understanding of various philosophical discourses. Based in France, at 6 AVENUE REILLE, 75685 PARIS CEDEX 14, this journal provides an essential resource for researchers, professionals, and students alike, despite not being an open-access publication. Each issue encourages a deeper engagement with contemporary philosophical thought while contributing to the academic community's ongoing discussions on fundamental philosophical questions.

Cinemas is a leading academic journal dedicated to the exploration and critical analysis of cinematic studies, visual arts, and the dynamic interplay of communication within these fields. Published by Université de Montréal's Program in Bioethics in Canada, this journal serves as a vital platform for researchers, professionals, and students interested in the multifaceted dimensions of cinema and its cultural ramifications. Despite its current positioning in the Q4 quartile of both the Communication and Visual Arts and Performing Arts categories, Cinemas is committed to fostering innovative discourse and scholarship, as evidenced by its inclusion in indexed databases such as Scopus. Covering a range of topics from theoretical frameworks to practical applications within the arts, the journal aims to bridge the gap between academia and the vibrant world of visual storytelling. With a focus on open access, although currently not provided, Cinemas aspires to increase the accessibility of its research to a broader audience, encouraging a rich dialogue that is instrumental to the evolving landscape of cinematic studies.