Canadian Journal of Film Studies-Revue Canadienne d'Études Cinématographiques is a distinguished publication dedicated to the exploration of film studies within the context of Canadian cinema and global visual arts. Published by University of Toronto Press Inc., this journal offers a platform for innovative and critical scholarship, having achieved a notable Q2 ranking in the Visual Arts and Performing Arts category for 2023, with an impressive Scopus rank of 207 out of 667, positioning it in the 68th percentile among peers. With a continuous publication record since its established years from 1998 to 2001 and 2004 to 2024, it has become an essential resource for researchers, professionals, and students interested in the evolving landscape of film and cinema. The journal not only addresses theoretical perspectives but also engages with contemporary practices, thereby fostering a deeper understanding of cinematic arts. Despite not offering open access, it remains a vital repository of knowledge for those seeking to advance their studies and contribute to the discourse in film studies.

Literary Imagination, published by Oxford University Press, is an esteemed journal that delves into the intricate world of literature and literary theory. With the ISSN 1523-9012 and the E-ISSN 1752-6566, this journal serves as a pivotal platform for scholars and practitioners in the field, striving to advance the understanding of imaginative literature from various critical perspectives. Boasting a 2023 rank of #751 out of 1106 in the Arts and Humanities category on Scopus, and categorized in the Q3 quartile for literature and literary theory, the journal is recognized for its contribution to the academic discourse. It aims to foster a vibrant academic community through the publication of innovative research, critical essays, and interdisciplinary studies that engage with the complexities of literary creation from 2009 to 2024. While currently not an open access journal, its rich repository of scholarly work remains accessible to researchers, professionals, and students aiming to enrich their understanding of literary narratives and their theoretical frameworks.

Studies in Australasian Cinema is a premier scholarly journal published by ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, dedicated to the exploration of film and cinema within the Australasian context. With an ISSN of 1750-3175 and an E-ISSN of 1750-3183, this journal provides a vital platform for researchers, professionals, and students in the fields of Visual Arts and Performing Arts and Communication. Notably, it holds a prominent Q1 rank in Visual Arts and Performing Arts, reflecting its impact within the academic community. Although it is not an open access journal, its rigorous peer-review process ensures the highest quality of published research. Since its inception in 2007, Studies in Australasian Cinema has continued to contribute significantly to discourse surrounding film theory, criticism, and production, making it an essential read for anyone interested in the evolving landscape of Australasian cinema.

CINEASTE is a distinguished journal dedicated to the critical exploration of cinema, providing a platform for scholars, filmmakers, and enthusiasts to engage with the complexities of film studies. Established and published by CINEASTE, this periodical serves as a vital resource for those interested in the intersection of visual arts and performing arts. Although it is not currently offered as Open Access, CINEASTE remains a respected publication within the academic community, having been indexed in Scopus until 2016. With an ISSN of 0009-7004, it has established itself despite its lower ranking in the arts and humanities category, reflecting the competitive nature of this field. Researchers, students, and professionals alike will find ample opportunities for insightful discussion and scholarly contributions to the evolving landscape of cinematic discourse. CINEASTE continues to uphold its mission of enhancing film scholarship, making it a crucial reference point for anyone eager to deepen their understanding of cinema's artistic and cultural significance.

British and American Studies, published by EDITURA UNIV VEST, is a pivotal open-access journal that fosters scholarly discourse in the fields of Cultural Studies, Linguistics, and Literature. Established with the aim of bridging gaps between British and American socio-cultural contexts, the journal provides a platform for researchers, professionals, and students to explore complex themes through critical analysis and innovative perspectives. With its ISSN 1224-3086 and E-ISSN 2457-7715, the journal has maintained an impressive impact factor, achieving ranking in Q2 and Q3 quartiles as of 2023 across multiple categories, positioning itself as a relevant voice in the academic community. As an open-access publication since 2015, it endeavors to ensure that research is available to a broad audience, thereby enhancing the dissemination of knowledge within the humanities. As it converges towards its future goals from 2018 to 2024, "British and American Studies" continues to invite transformative and enterprising contributions that challenge existing paradigms and fuel academic inquiry.

The Journal of Chinese Cinemas, published by Routledge Journals, Taylor & Francis Ltd, is a leading platform dedicated to advancing the field of film studies with a focus on cinema from China. With an ISSN of 1750-8061 and an E-ISSN of 1750-807X, this journal provides a comprehensive examination of the cultural, social, and political dynamics inherent in Chinese cinema. Ranked in the Q3 category for Communication and Q1 for Visual Arts and Performing Arts in 2023, it stands out in the academic landscape, particularly noted for its innovative research and diverse discourse. It holds a respectable position in Scopus rankings, coming in at #219 within Visual Arts and Performing Arts, indicating its growing impact among scholars and practitioners alike. With its commitment to publishing high-quality research from 2012 onwards, the journal serves as an essential resource for researchers, professionals, and students eager to deepen their understanding of the evolving landscape of Chinese cinema.

Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

Eras is an esteemed journal published by the Monash University, School of Historical Studies, that serves as a vital platform for scholars and students in the field of historical research. With an ISSN of 1445-5218, this journal focuses on a diverse range of historical topics, promoting rigorous scholarship and critical discourse. Although currently not categorized under Open Access, Eras remains committed to disseminating knowledge and fostering an understanding of historical dynamics. Based in Monash, Victoria, Australia, this journal aims to engage a global audience of historians, researchers, and professionals by facilitating the exchange of innovative ideas and research findings. Its commitment to maintaining a high standard of academic discourse underscores its significant role in shaping the future of historical studies.

GERMANIC REVIEW, published by Routledge Journals, Taylor & Francis Ltd, stands as a prominent academic journal dedicated to the study of Germanic languages, literature, and cultural studies. With an ISSN of 0016-8890 and an E-ISSN of 1930-6962, this journal has been a valuable resource for researchers and scholars since its inception, encompassing a wide range of topics within its field. Despite its Q4 ranking in Cultural Studies and Q3 ranking in Literature and Literary Theory, the journal has grown steadily in reputation, with Scopus ranks placing it within the competitive landscape of Arts and Humanities. The journal publishes contributions that delve into historical and contemporary issues, fostering a deeper understanding of Germanic cultures. By bridging literary analysis with cultural discourse, GERMANIC REVIEW invites academics, professionals, and students alike to engage with critical themes and methodologies that redefine the boundaries of Germanic studies. As a subscription-based journal, it remains dedicated to promoting scholarly communication and advancing knowledge in the humanities.

Synthesis Philosophica is a distinguished open-access journal published by the Croatian Philosophical Society, dedicated to the field of philosophy. Since its inception in 1997 and transitioning to a fully open-access model in 2005, the journal has consistently aimed to foster scholarly discourse and disseminate innovative research. With an ISSN of 0352-7875, it ranks within the 30th percentile in the Scopus database, positioning it at Q4 in the philosophy category for 2023, with a total of 806 ranked journals. The journal is based in Zagreb, Croatia, and serves as a platform for philosophers worldwide to explore theoretical and practical dimensions of philosophical inquiry. By promoting rigorous analysis and diverse perspectives, Synthesis Philosophica plays a vital role in enriching the philosophical landscape and supporting the academic community through its commitment to accessible research.