TEMPO, a renowned journal published by Cambridge University Press, is dedicated to the expansive field of music studies. With its rich history dating back to 1939, the journal has significantly evolved, offering researchers, professionals, and students a platform to explore diverse musical perspectives and innovations. Serving as a vital resource in its category, TEMPO is currently positioned in the Q2 quartile within the field of Music, reflecting its quality and academic influence. Although it operates under a traditional subscription model, its impactful contributions to music scholarship are underscored by its active engagement with contemporary issues in musicology, performance, and education. Researchers can rely on TEMPO for cutting-edge analyses, reviews, and critical discourse that shape the understanding of music in society.

Musicology Today, published by SCIENDO, is a pivotal journal in the field of musicology, presenting a platform for scholars, researchers, and practitioners to disseminate their findings and engage with current trends in music research. With its ISSN 1734-1663 and E-ISSN 2353-5733, the journal aims to provide a comprehensive overview of various aspects of music, including theory, history, and ethnomusicology, fostering a multidisciplinary dialogue among its contributors. Located in Warsaw, Mazovia, Poland, this journal is not only committed to high academic standards but also to promoting open access to knowledge, thereby enhancing accessibility for a global audience. As it continues to bolster its reputation in the academic community, Musicology Today plays an essential role in shaping the future of music scholarship and invites the engagement of seasoned researchers and emerging voices alike.

ASIAN MUSIC is a distinguished academic journal published by University of Texas Press, focusing on the rich and diverse musical traditions of Asia. With an ISSN of 0044-9202 and an E-ISSN of 1553-5630, this journal serves as a key platform for interdisciplinary research that encompasses musicology, ethnomusicology, and cultural studies related to Asian music practices. While ASIAN MUSIC is not an open-access journal, it provides valuable insights and scholarly articles that contribute significantly to the understanding of music’s role within Asian cultures. The journal originally covered works from 2002 to 2010 and has a reputation for fostering discussions that celebrate the intricacies of sound, performance, and society. Targeting researchers, professionals, and students alike, ASIAN MUSIC stands as a crucial resource for those engaged in the study of music in its multifaceted context.

MUSIKFORSCHUNG is a distinguished journal in the field of music studies, published by NEUWERK-BUCH UND MUSIKALIENHANDLUNG in Germany. With its ISSN 0027-4801, the journal caters to scholars, practitioners, and students interested in the diverse realms of musicology. Although it is currently not an Open Access publication, MUSIKFORSCHUNG plays a vital role in the academic landscape by disseminating research and critical discourse on music from various historical and contemporary perspectives. The journal has established its worth in the academic community, being categorized in the Q4 quartile in Music for 2023 and holding a rank of #169 out of 180 in the Scopus Arts and Humanities Music category, placing it within the 6th percentile. With publication activities spanning from 2002 to 2013 and resuming in 2016 through to 2024, MUSIKFORSCHUNG continues to be a crucial resource for those dedicated to advancing music scholarship. Set in the cultural heart of Kassel, Germany, the journal invites contributions that foster an understanding of music's impact on society and culture.

Arti Musices is a distinguished open-access journal published by the Croatian Musicological Society since 2007, dedicated to advancing the field of musicology and related arts and humanities disciplines. Operating from Zagreb, Croatia, this journal aims to provide a platform for scholarly communication, fostering international dialogue among researchers, musicologists, and practitioners. Although it has a current Scopus ranking in the bottom quartile within its category (Q4 in Music), it offers a unique perspective on the musicological landscape, particularly from a regional standpoint. Researchers seeking to contribute to or glean insights from this evolving field will find that Arti Musices serves an important role in disseminating innovative ideas and empirical research. The journal accepts submissions across a broad spectrum of music-related topics, inviting contributions that reflect the complexities and cultural contexts of music today.

Opus is an esteemed open-access journal published by the Associação Nacional de Pesquisa e Pós-Graduação em Música in Brazil, focusing on the field of music studies. With an ISSN of 1517-7017, Opus has been dedicated to fostering innovative research since its inception and has embraced the open-access model since 2009, ensuring that its findings are readily accessible to scholars and enthusiasts globally. The journal has achieved a commendable Q2 ranking in Music as of 2023, showcasing its impact and relevance within the arts and humanities. Although currently ranked #130 out of 180 in Scopus in the music category, Opus maintains a commitment to enhancing the scholarly discourse in musicology through empirical studies, theoretical analyses, and interdisciplinary approaches. The journal's convergence over the years, from 2017 to 2024, reflects its dedication to evolving educational and research methodologies in music. Situated in the vibrant academic landscape of Campinas, SP, Brazil, Opus invites researchers, professionals, and students to contribute to its mission of exploring the multifaceted dimensions of music.

The Journal of the Musical Arts in Africa is a premier academic publication dedicated to exploring the rich and diverse musical traditions of the African continent. Published by ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, this journal offers a vital platform for researchers, professionals, and students in the field of musicology. With an ISSN of 1812-1004 and E-ISSN of 2070-626X, the journal has established itself as a significant contributor to the scholarly discourse surrounding African musical practices. With an impact factor reflecting its growing influence, the Journal of the Musical Arts in Africa is categorized in the Q3 quartile of music journals according to the latest metrics, placing it among an essential cadre of publications in the field. The journal invites original research articles, reviews, and critical essays that aim to expand the understanding of music as an integral part of African culture. It has been continuously publishing since 2004 and encompasses a wide range of topics, making it a must-read for anyone interested in the intersections of music, culture, and identity on the African continent. The journal stands as a testament to the vibrant musical heritage of Africa and encourages scholarly contributions that highlight the importance of music in reflecting and shaping societal values.

MUSICAL TIMES is a distinguished journal dedicated to the exploration and dissemination of scholarly works in the realm of music, serving as an essential resource for researchers, professionals, and students alike. Published by MUSICAL TIMES PUBLICATIONS LTD, this journal has built a robust reputation within the arts and humanities, specifically focusing on music studies, with an impactful reach indicated by its Scopus ranking at #73 out of 106 in the field. Though access to this journal is not open, its curated content, which spans various facets of musicology and contemporary music discourse, enriches the academic community by encouraging insightful discussions and critical analyses. With its historical roots tracing back to its inception, MUSICAL TIMES aims to foster a deeper understanding of music's cultural, social, and artistic dimensions, making it a valued publication for those engaged in the scholarly pursuit of music.

LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA stands as a prominent scholarly journal dedicated to the profound and diverse traditions of Latin American music. Published by University of Texas Press, this journal offers a platform for critical analysis, innovative research, and the dissemination of knowledge concerning the rich cultural heritage of Latin America. Although it currently does not provide open access options, the journal has made significant contributions to the field since its establishment, engaging a wide array of interdisciplinary perspectives. With coverage spanning from 2002 to 2009, the journal has been central to fostering scholarly dialogue and expanding the academic understanding of Latin American musicology, serving as an essential resource for researchers, professionals, and students alike. The journal is vital for those exploring the intersections of music, culture, and identity within the vibrant landscapes of Latin America.

MUSIK IN BAYERN is a distinguished journal devoted to the study of music within the rich cultural context of Bavaria, published by HANS SCHNEIDER. With the ISSN 0937-583X, this publication serves as an essential resource for researchers, professionals, and students interested in the historical and contemporary musical landscape of the region. Spanning topics from traditional Bavarian folk music to modern interpretations, the journal aims to foster a deeper understanding and appreciation of Bavarian music in a global context. Although the journal's coverage in Scopus has been discontinued, it remains an essential platform for scholarly communication and analysis in music studies. While MUSIK IN BAYERN operates under a subscription model, it continues to hold significance as an intellectual resource for advancing research in musicology.