FONTES ARTIS MUSICAE
Scope & Guideline
Exploring the intersections of music, scholarship, and creativity.
Introduction
Aims and Scopes
- Historical Musicology:
The journal frequently publishes research that examines historical contexts and developments in music, including analyses of composers, music collections, and performance practices across different eras. - Cultural Studies in Music:
There is a consistent focus on the cultural implications of music, including studies of music in social contexts, the impact of colonialism on musical practices, and the role of music in identity formation. - Pedagogical Approaches to Music Education:
The journal emphasizes innovative teaching methodologies and the evolving landscape of music education, particularly in response to contemporary challenges such as the COVID-19 pandemic. - Archival Research and Preservation:
Research often highlights the importance of music archiving, cataloging, and preservation practices, showcasing efforts to document and sustain musical heritage, particularly in relation to indigenous and folk music. - Interdisciplinary Methodologies:
The journal employs a variety of methodologies, including data analysis, ethnomusicology, and sociomaterial perspectives, to deepen the understanding of musical phenomena in historical and contemporary contexts.
Trending and Emerging
- Digital Archiving and Cataloguing:
There is a marked increase in research related to the digital archiving of music, including the cataloguing of traditional and historical music collections, highlighting the importance of technology in preserving musical heritage. - Impact of Global Events on Music:
Recent publications have begun to address the impact of global events, such as the COVID-19 pandemic, on music education and practice, showcasing a timely response to contemporary challenges faced by musicians and educators. - Intersections of Music and Politics:
Emerging themes increasingly explore the relationship between music and political contexts, including studies on how music functions within cultural politics and historical movements, reflecting a growing interest in the sociopolitical implications of musical expressions. - Focus on Underrepresented Composers and Genres:
There is a trend towards spotlighting lesser-known composers and musical genres, particularly those from marginalized communities, which enriches the discourse in music history and challenges traditional narratives.
Declining or Waning
- Traditional Music Studies:
There has been a noticeable decrease in publications focusing solely on traditional music forms without the integration of contemporary methods or digital archiving practices. This shift suggests a move towards more interdisciplinary approaches rather than purely ethnomusicological studies. - Music Theory and Analysis:
Research centered on traditional music theory and analysis has seen a decline, possibly indicating a shift towards more applied and contextual studies that emphasize the cultural and social dimensions of music rather than theoretical frameworks. - Nineteenth-century Music Focus:
While still relevant, studies specifically dedicated to the music of the nineteenth century appear less frequently, as the journal seems to be pivoting towards exploring broader historical contexts and contemporary issues.
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