FONTES ARTIS MUSICAE

Scope & Guideline

Advancing the discourse in music and information sciences.

Introduction

Welcome to your portal for understanding FONTES ARTIS MUSICAE, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageMulti-Language
ISSN0015-6191
PublisherA-R EDITIONS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2002 to 2024
AbbreviationFONTES ARTIS MUSICAE / Fontes Artis Musicae
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address8551 RESEARCH WAY, STE 180, MIDDLETON, WI 53562

Aims and Scopes

The journal 'FONTES ARTIS MUSICAE' aims to explore the diverse dimensions of musicology, with a particular emphasis on historical, cultural, and pedagogical aspects of music. Its scope encompasses various methodologies and topics within the study of music, reflecting an interdisciplinary approach.
  1. Historical Musicology:
    The journal frequently publishes research that examines historical contexts and developments in music, including analyses of composers, music collections, and performance practices across different eras.
  2. Cultural Studies in Music:
    There is a consistent focus on the cultural implications of music, including studies of music in social contexts, the impact of colonialism on musical practices, and the role of music in identity formation.
  3. Pedagogical Approaches to Music Education:
    The journal emphasizes innovative teaching methodologies and the evolving landscape of music education, particularly in response to contemporary challenges such as the COVID-19 pandemic.
  4. Archival Research and Preservation:
    Research often highlights the importance of music archiving, cataloging, and preservation practices, showcasing efforts to document and sustain musical heritage, particularly in relation to indigenous and folk music.
  5. Interdisciplinary Methodologies:
    The journal employs a variety of methodologies, including data analysis, ethnomusicology, and sociomaterial perspectives, to deepen the understanding of musical phenomena in historical and contemporary contexts.
The journal 'FONTES ARTIS MUSICAE' has identified several emerging themes that reflect current trends in music research. These areas are gaining traction and are indicative of the evolving landscape of musicology.
  1. Digital Archiving and Cataloguing:
    There is a marked increase in research related to the digital archiving of music, including the cataloguing of traditional and historical music collections, highlighting the importance of technology in preserving musical heritage.
  2. Impact of Global Events on Music:
    Recent publications have begun to address the impact of global events, such as the COVID-19 pandemic, on music education and practice, showcasing a timely response to contemporary challenges faced by musicians and educators.
  3. Intersections of Music and Politics:
    Emerging themes increasingly explore the relationship between music and political contexts, including studies on how music functions within cultural politics and historical movements, reflecting a growing interest in the sociopolitical implications of musical expressions.
  4. Focus on Underrepresented Composers and Genres:
    There is a trend towards spotlighting lesser-known composers and musical genres, particularly those from marginalized communities, which enriches the discourse in music history and challenges traditional narratives.

Declining or Waning

While 'FONTES ARTIS MUSICAE' has robust areas of focus, certain themes have shown a decline in prominence over recent years. These waning topics may reflect shifting priorities in musicology or changes in scholarly interest.
  1. Traditional Music Studies:
    There has been a noticeable decrease in publications focusing solely on traditional music forms without the integration of contemporary methods or digital archiving practices. This shift suggests a move towards more interdisciplinary approaches rather than purely ethnomusicological studies.
  2. Music Theory and Analysis:
    Research centered on traditional music theory and analysis has seen a decline, possibly indicating a shift towards more applied and contextual studies that emphasize the cultural and social dimensions of music rather than theoretical frameworks.
  3. Nineteenth-century Music Focus:
    While still relevant, studies specifically dedicated to the music of the nineteenth century appear less frequently, as the journal seems to be pivoting towards exploring broader historical contexts and contemporary issues.

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