Studies in European Cinema is an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the multifaceted realms of European cinema and its contextual relevance. With an ISSN of 1741-1548 and an E-ISSN of 2040-0594, this journal provides a dynamic platform for researchers and practitioners in the fields of Communication, Visual Arts, and Performing Arts. As reflected by its recent Scopus rankings, it holds a respectable position in the Arts and Humanities with an 84th percentile rank, indicating its significance and impact in the scholarly community. While not entirely open access, Studies in European Cinema seeks to foster critical discourse and analysis from 2004 to 2024, covering a broad spectrum of topics related to film studies, cultural representations, and the evolving narratives within European cinematic practices. Engaging with diverse theoretical frameworks, the journal aims to contribute to the vibrant dialogue surrounding European cinema, making it an essential resource for academics, filmmakers, and students alike who are passionate about exploring cinematic expression in a European context.

EIGHTEENTH-CENTURY LIFE is a prominent academic journal published by DUKE UNIVERSITY PRESS, focusing on the interdisciplinary study of the 18th century through the lenses of Cultural Studies, History, Literature, and the Visual Arts and Performing Arts. With an established history since 1977, this journal serves as a vital platform for scholars and students to publish innovative research and critical discourse, shedding light on the complex social, political, and artistic currents of the 18th century. Despite its current ranking in the lower quartiles according to Scopus, the journal continues to foster scholarly dialogue and contribute to the understanding of this pivotal era in Western history. Its accessible yet scholarly articles make it a valuable resource for researchers, educators, and students alike, facilitating engagement with 18th-century studies from various disciplinary perspectives.

The Journal of Victorian Culture, published by Oxford University Press, is an esteemed academic journal that explores the multifaceted cultural landscape of the Victorian era. With a publication history spanning from 1996 to 2024, this journal serves as a critical platform for scholars and practitioners in the fields of Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts. It currently holds notable rankings, including Q3 in Cultural Studies and History, and Q2 in Literature, making it a prominent resource in these disciplines. Targeted at an audience that includes dedicated researchers, professionals, and students, the journal promotes interdisciplinary exploration and innovation, encouraging contributors to engage deeply with Victorian themes and their influence on contemporary culture. For those interested in cutting-edge discussions and insights, the Journal of Victorian Culture provides access to rich, scholarly content that is indispensable for understanding the era's impact on modern artistic and social paradigms.

Cinema: Journal of Philosophy and the Moving Image is a distinguished open-access journal dedicated to the critical analysis of cinema through the lenses of philosophy and cultural theory. Published by the esteemed New University of Lisbon's IFILNOVA - Nova Philosophy Institute, this journal has been a crucial platform for the dissemination of innovative and interdisciplinary research since its establishment in 2010. With an ISSN of 1647-8991 and a significant presence in both Communication and Visual Arts categories, it currently holds a Q4 ranking in 2023, reflecting its growing role in the academic discourse of its field. While the journal has a modest impact as indicated by its Scopus rankings, it serves as a vital resource for researchers, professionals, and students interested in the intersection of philosophy and the moving image, fostering rich dialogues about cinema's impact on society and culture. Situated in Portugal, Cinema invites submissions that challenge conventional perceptions, engaging with both contemporary and historical contexts of film and imagery, thereby playing an essential role in expanding the horizons of film studies.

RENAISSANCE QUARTERLY, published by Cambridge University Press, is a premier academic journal dedicated to the exploration and scholarship of Renaissance studies, encompassing history, literature, and the visual and performing arts. With an impressive impact factor reflecting its scholarly significance, it holds a distinguished position in the prestigious Q2 quartile across various categories, including History, Literature and Literary Theory, and Visual Arts and Performing Arts as of 2023. The journal caters to a broad audience of researchers, professionals, and students eager to engage deeply with Renaissance scholarship through a curated collection of articles, reviews, and critical essays. Although it does not provide open access options, RENAISSANCE QUARTERLY plays an essential role in advancing the academic discourse of the Renaissance period, fostering connections within the global scholarly community. Since its inception in 1971, it has continuously contributed valuable insights and perspectives on the multifaceted dimensions of Renaissance culture, making it a vital resource for anyone invested in this rich field of study.

ART HISTORY is a prestigious journal published by Wiley, focusing on the dynamic and diverse field of visual arts and performing arts since its inception in 1978. With an ISSN of 0141-6790 and an E-ISSN of 1467-8365, the journal has established itself as a significant resource for researchers, professionals, and students interested in exploring the complexities of art across various epochs and cultures. Currently ranked in the Q3 category within the Visual Arts and Performing Arts sector and positioned at #132 out of 667 in Scopus rankings—representing the top 80th percentile—ART HISTORY delivers insightful scholarship that contributes to the understanding and appreciation of art history. Although it does not offer open access, the journal remains committed to publishing high-quality, peer-reviewed articles that delve into critical artistic practices, theories, and aesthetics. The journal's location in the United Kingdom further enhances its international reach and influence, making it a vital platform for advancing discourse in the arts.

Shakespeare is a prestigious academic journal published by Routledge Journals, Taylor & Francis Ltd, specializing in the fields of literature, literary theory, and the visual and performing arts. With an impact factor that reflects its authoritative contributions, this journal has garnered a notable Q1 ranking in both literature categories as of 2023, underscoring its significance in the scholarly discourse surrounding Shakespearean studies. Spanning from 2005 to 2024, it serves as a crucial platform for researchers, scholars, and students alike, facilitating the exploration of innovative perspectives and critical analyses rooted in Shakespeare's extensive influence. While currently not offering Open Access options, the journal remains dedicated to enhancing the richness of academic dialogue, making it an essential resource for those committed to the exploration of Shakespeare's works and their impact on contemporary arts and literature.

Ibsen Studies, published by ROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD, is an esteemed peer-reviewed journal dedicated to the exploration and critical analysis of the works and influence of playwright Henrik Ibsen. With an ISSN of 1502-1866 and E-ISSN of 1741-8720, this journal serves as a vital platform for scholars and researchers in the fields of Literature and Literary Theory and History, holding prestigious categorization in the 2023 quartiles—Q1 in Literature and Literary Theory and Q2 in History. The journal, which converges its focus from the year 2000 to 2024, features high-quality research that enriches our understanding of Ibsen’s legacy and his impact across various contexts. The journal's robust rankings in Scopus—placing it in the 73rd percentile for Literature and Literary Theory—underscore its significant contribution to academic discourse. Researchers, professionals, and students alike will find Ibsen Studies a critical resource for advancing their knowledge and engaging with contemporary scholarship on one of the most influential playwrights in modern drama.

RARITAN-A QUARTERLY REVIEW is a distinguished academic journal published by RARITAN-A QUARTERLY REVIEW and based in the United States, focusing on the diverse intersections of literature, philosophy, and the visual and performing arts. Operating since 2002, this publication aims to foster critical discourse and enrich the intellectual landscape by showcasing innovative scholarship from a variety of perspectives. Although currently ranked in the fourth quartile in its respective categories—literature and literary theory, philosophy, and visual arts and performing arts—RARITAN remains committed to elevating robust dialogues within the humanities. The journal appeals to a spectrum of scholars, professionals, and students who seek to explore the complexities of cultural and artistic expression. Submissions are encouraged to contribute to the journal’s evolving narrative while adhering to rigorous academic standards. With no open access option currently available, the journal maintains a traditional subscription model, ensuring quality and integrity in the dissemination of knowledge.

The Romanic Review, published by Duke University Press, stands as a significant scholarly platform in the field of Romance languages and literature. With its ISSN 0035-8118 and E-ISSN 2688-5220, this journal has been serving the academic community since its inception and will continue its contribution until 2024. Situated in the United States, it has carved out a vital niche in the Arts and Humanities, currently falling within the Q3 quartile as per the 2023 rankings. Although it operates under a traditional subscription model, its focus on disseminating critical and innovative research makes it an indispensable resource for scholars and students alike. The Romanic Review is dedicated to fostering academic discussions that bridge interdisciplinary gaps, making it a cornerstone reference for anyone engaged in the study of Romance cultures, linguistics, and literary studies.