CONTEMPORARY THEATRE REVIEW is a leading journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of theatre, performance studies, and contemporary visual arts. With a Q2 ranking in both Visual Arts and Performing Arts, this journal has established itself as a significant platform for scholarly discourse and critical analysis since its inception in 1992, particularly from 1994 through 2024. Researchers, practitioners, and students engaging with the evolving landscape of theatre will find this journal an essential resource for innovative research, reviews, and theoretical papers. The journal invites contributions that explore diverse themes in contemporary performance, ensuring it remains at the forefront of the academic and professional dialogue within the performing arts community.

ZEITSCHRIFT FUR KUNSTGESCHICHTE is a prestigious journal dedicated to the study of art history, offering insightful analyses and discussions that enrich the understanding of visual arts and performing arts. Published by DEUTSCHER KUNSTVERLAG GMBH in Germany, this journal has established itself as a significant platform for researchers and professionals alike since its inception. With a print ISSN of 0044-2992 and an e-ISSN of 2569-1619, it spans a comprehensive range of topics in art history, reflecting both traditional and contemporary perspectives. Although categorized in the Q4 quartile for Visual Arts and Performing Arts, the journal contributes to a rich dialogue within its field, aiming to foster academic discourse and promote scholarly research. Its scope has evolved notably from converged years starting in 1975 and gathering strength from 2001 to 2024, and it is committed to serving as an essential resource for students, academics, and practitioners in the arts. While not offering open access, the journal maintains a rigorous peer-review process to ensure high-quality submissions that advance knowledge and stimulate critical thought.

REVIEW-LITERATURE AND ARTS OF THE AMERICAS, published by Routledge Journals, Taylor & Francis Ltd, serves as a vital platform for the exploration of literary and artistic expressions across the Americas. With an ISSN of 0890-5762 and an E-ISSN of 1743-0666, this journal has been dedicated to fostering scholarly discussion since its inception in 1968, addressing interdisciplinary themes that span literature, visual arts, and performing arts. Despite its current Q4 rankings in both Literature and Literary Theory as well as Visual Arts and Performing Arts, the journal remains committed to elevating critical discourse and offering a nurturing environment for emerging voices in the field. Access to the journal is through subscription, highlighting its focused audience of researchers, professionals, and students who seek to deepen their understanding of the cultural dynamics of the Americas. By engaging with diverse scholarly perspectives, REVIEW-LITERATURE AND ARTS OF THE AMERICAS aims to contribute to the ongoing dialogue about the significance of art and literature in societal contexts, making it an important resource for anyone interested in this rich and vibrant area of study.

Publications of the English Goethe Society is a distinguished scholarly journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the rich contributions of Johann Wolfgang von Goethe to literature and cultural studies. With an ISSN of 0959-3683 and an E-ISSN of 1749-6284, this journal has established itself as a significant platform for critical analysis and discourse from 1990 to 1993 and again from 2011 to 2024. Despite being classified in the Q4 quartile in the field of Literature and Literary Theory, it offers valuable insights and fosters academic dialogue that is crucial for researchers, educators, and students alike. The journal is based in the United Kingdom and is committed to exploring both historical and contemporary interpretations of Goethe's work. Although it does not offer Open Access options, its contributions to the field are invaluable, particularly for those interested in deepening their understanding of literary texts and theoretical frameworks in the humanities.

Limite-Revista de Estudios Portugueses y de la Lusofonia, published by the Universidad de Extremadura, Facultad de Filosofía y Letras, is a prominent academic journal dedicated to the study of Portuguese and Lusophone literature, culture, and linguistics. With an ISSN of 1888-4067 and an E-ISSN of 2253-7929, this journal serves as a vital platform for researchers, scholars, and students interested in the rich tapestry of Portuguese-speaking countries and their contributions to global culture. With a strong commitment to fostering interdisciplinary dialogue, Limite aims to publish innovative research that examines historical contexts, contemporary issues, and social dynamics within the Lusophone world. The journal upholds high academic standards and is indexed in various databases, enhancing its visibility and impact within the scholarly community. While currently not providing open access, Limite continues to be a key resource for anyone seeking to explore and deepen their understanding of Portuguese studies, making it an indispensable addition to academic libraries and personal collections alike.

Urdimento-Revista de Estudos em Artes Cenicas, published by UNIV ESTADO SANTA CATARINA-UDESC, is a leading open-access journal dedicated to the field of performing arts studies. With an ISSN of 1414-5731 and an E-ISSN of 2358-6958, this journal has been freely accessible since 1997, promoting the dissemination of innovative research and critical analysis in visual and performing arts. Hailing from Florianopolis, Brazil, Urdimento invites submissions that explore a variety of interdisciplinary approaches, reflecting the journal’s commitment to enriching the academic discourse within the arts and humanities. Despite its emerging ranking at the 23rd percentile in Scopus’s classification, Urdimento serves as a vital platform for researchers, students, and professionals in the field, facilitating scholarly exchange and fostering new ideas. As the journal converges its focus from 2021 to 2024, it aims to provide inclusive and diverse perspectives on contemporary artistic practices and theories.

Shakespeare is a prestigious academic journal published by Routledge Journals, Taylor & Francis Ltd, specializing in the fields of literature, literary theory, and the visual and performing arts. With an impact factor that reflects its authoritative contributions, this journal has garnered a notable Q1 ranking in both literature categories as of 2023, underscoring its significance in the scholarly discourse surrounding Shakespearean studies. Spanning from 2005 to 2024, it serves as a crucial platform for researchers, scholars, and students alike, facilitating the exploration of innovative perspectives and critical analyses rooted in Shakespeare's extensive influence. While currently not offering Open Access options, the journal remains dedicated to enhancing the richness of academic dialogue, making it an essential resource for those committed to the exploration of Shakespeare's works and their impact on contemporary arts and literature.

Studi Pasoliniani-Rivista Internazionale is a distinguished academic journal dedicated to the exploration of the works and influence of Pier Paolo Pasolini, an eminent figure in Italian literature and cinema. Published by Fabrizio Serra Editore in Italy, this journal adheres to a multidisciplinary approach that encompasses critical analyses in linguistics, literature, and literary theory, making it a valuable resource for researchers and scholars seeking to deepen their understanding of Pasolini's legacy. Currently, Studi Pasoliniani holds a Q4 quartile ranking in both Linguistics and Language and Literature and Literary Theory, reflecting its commitment to fostering scholarly discourse within these fields. Although the journal does not operate under an open access model, its publication from 2019 to 2023 assures that its content remains relevant and beneficial for academic inquiry. Researchers, professionals, and students alike will find this journal an indispensable venue for engaging with contemporary interpretations and critiques of Pasolini's oeuvre, amidst the rich cultural and historical contexts that inform his work.

RICERCHE DI STORIA DELL ARTE is a prominent academic journal published by NUOVA ITALIA SCIENTIFICA SPA, dedicated to the exploration and analysis of art history. With an ISSN of 0392-7202, the journal has been a significant platform for researchers and scholars since its inception, converging its content through the years from 2009 to 2024. Situated in Italy, it focuses on the visual arts and performing arts domains, holding a Q4 quartile ranking in the 2023 category. Although it operates under a traditional subscription model, it curates a variety of studies and papers that contribute valuable insights into the historical context and development of art. This publication is particularly essential for academics, professionals, and students seeking to deepen their understanding of art history and its relevance in contemporary discussions.

Cinema: Journal of Philosophy and the Moving Image is a distinguished open-access journal dedicated to the critical analysis of cinema through the lenses of philosophy and cultural theory. Published by the esteemed New University of Lisbon's IFILNOVA - Nova Philosophy Institute, this journal has been a crucial platform for the dissemination of innovative and interdisciplinary research since its establishment in 2010. With an ISSN of 1647-8991 and a significant presence in both Communication and Visual Arts categories, it currently holds a Q4 ranking in 2023, reflecting its growing role in the academic discourse of its field. While the journal has a modest impact as indicated by its Scopus rankings, it serves as a vital resource for researchers, professionals, and students interested in the intersection of philosophy and the moving image, fostering rich dialogues about cinema's impact on society and culture. Situated in Portugal, Cinema invites submissions that challenge conventional perceptions, engaging with both contemporary and historical contexts of film and imagery, thereby playing an essential role in expanding the horizons of film studies.