JOURNAL OF BECKETT STUDIES, published by Edinburgh University Press, is a pivotal platform for scholarly discourse focused on the life and works of Samuel Beckett, exploring a diverse range of topics within literature, visual arts, and performing arts. With an ISSN of 0309-5207 and an E-ISSN of 1759-7811, this journal stands as a vital resource for researchers and practitioners alike, providing critical insights and innovative interpretations of Beckett’s oeuvre from 1996 to 2024. Despite being categorized in the Q4 quartile for both Literature and Literary Theory and Visual Arts and Performing Arts, the Journal plays a significant role in revealing the intricate connections between Beckett’s work and contemporary critical thought. As an essential focal point for interdisciplinary studies, it fosters an engaging academic environment that seeks to enhance understanding of Beckett’s impact on both past and present cultural landscapes. While currently not an open-access journal, it encourages contributions that push the boundaries of Beckett studies, making it a must-read for anyone invested in the evolving dialogue surrounding this iconic figure.

CINEASTE is a distinguished journal dedicated to the critical exploration of cinema, providing a platform for scholars, filmmakers, and enthusiasts to engage with the complexities of film studies. Established and published by CINEASTE, this periodical serves as a vital resource for those interested in the intersection of visual arts and performing arts. Although it is not currently offered as Open Access, CINEASTE remains a respected publication within the academic community, having been indexed in Scopus until 2016. With an ISSN of 0009-7004, it has established itself despite its lower ranking in the arts and humanities category, reflecting the competitive nature of this field. Researchers, students, and professionals alike will find ample opportunities for insightful discussion and scholarly contributions to the evolving landscape of cinematic discourse. CINEASTE continues to uphold its mission of enhancing film scholarship, making it a crucial reference point for anyone eager to deepen their understanding of cinema's artistic and cultural significance.

Studies in Philology is a distinguished peer-reviewed journal published by University of North Carolina Press, focusing on the fields of linguistics, literature, and literary theory. Established in 1972, the journal has consistently contributed to the scholarly discourse in its domains, showcasing a rich repository of research that meets the evolving needs of academic inquiry. With an ISSN of 0039-3738 and an E-ISSN of 1543-0383, it provides a platform for innovative studies that enhance understanding and foster critical engagement with texts and language. The journal is currently placed in the Q4 tier within linguistics and language and Q2 in literature and literary theory, reflecting its diverse and significant contributions to the arts and humanities. Although not an open-access journal, it continues to attract submissions from globally recognized scholars, making it a valuable resource for researchers, professionals, and students seeking to deepen their expertise and advance their studies. For more than four decades, Studies in Philology has played an integral role in fostering scholarly communication, and it remains committed to publishing pioneering articles that challenge conventional thinking and broaden the horizons of philological exploration.

MILLENNIUM FILM JOURNAL, published by MILLENNIUM FILM WORKSHOP INC, stands as a pivotal platform for exploration and discourse within the realm of film studies. With its ISSN 1064-5586, the journal has been noteworthy in delineating the complexities of visual arts and performing arts, contributing significantly to academic scholarship between the years 2009 to 2016, and in 2018. Though its coverage has been discontinued in Scopus, the journal has attained a respectable position within its category, ranking #320 out of 502 in the Arts and Humanities field. Researchers, professionals, and students alike are invited to engage with interdisciplinary discussions that illuminate the cultural and theoretical dimensions of cinema. While currently not offering open access options, the journal continues to serve as a vital resource for those deeply invested in the study of film, making it a respected voice in visual arts and performance research.

RARITAN-A QUARTERLY REVIEW is a distinguished academic journal published by RARITAN-A QUARTERLY REVIEW and based in the United States, focusing on the diverse intersections of literature, philosophy, and the visual and performing arts. Operating since 2002, this publication aims to foster critical discourse and enrich the intellectual landscape by showcasing innovative scholarship from a variety of perspectives. Although currently ranked in the fourth quartile in its respective categories—literature and literary theory, philosophy, and visual arts and performing arts—RARITAN remains committed to elevating robust dialogues within the humanities. The journal appeals to a spectrum of scholars, professionals, and students who seek to explore the complexities of cultural and artistic expression. Submissions are encouraged to contribute to the journal’s evolving narrative while adhering to rigorous academic standards. With no open access option currently available, the journal maintains a traditional subscription model, ensuring quality and integrity in the dissemination of knowledge.

Escritura e Imagen is a distinguished academic journal published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, focusing on the dynamic interplay of literature, visual arts, and philosophy. With its ISSN 1885-5687 and E-ISSN 1988-2416, this journal has rapidly emerged as a vital resource in the fields of Arts and Humanities, particularly excelling in Literature and Literary Theory where it ranks in the top Q1 category. Operating from Spain, it provides a platform for innovative research and discourse, bridging traditional boundaries of artistic expression. Furthermore, it holds impressive Scopus rankings, with notable performance across various categories, reflecting its commitment to scholarly excellence. Although currently not open access, the journal offers nuanced insights and critical perspectives essential for researchers, professionals, and students who wish to delve into contemporary cultural studies and interdisciplinary dialogue.

Urdimento-Revista de Estudos em Artes Cenicas, published by UNIV ESTADO SANTA CATARINA-UDESC, is a leading open-access journal dedicated to the field of performing arts studies. With an ISSN of 1414-5731 and an E-ISSN of 2358-6958, this journal has been freely accessible since 1997, promoting the dissemination of innovative research and critical analysis in visual and performing arts. Hailing from Florianopolis, Brazil, Urdimento invites submissions that explore a variety of interdisciplinary approaches, reflecting the journal’s commitment to enriching the academic discourse within the arts and humanities. Despite its emerging ranking at the 23rd percentile in Scopus’s classification, Urdimento serves as a vital platform for researchers, students, and professionals in the field, facilitating scholarly exchange and fostering new ideas. As the journal converges its focus from 2021 to 2024, it aims to provide inclusive and diverse perspectives on contemporary artistic practices and theories.

JAMES JOYCE QUARTERLY is a distinguished journal devoted to the scholarship and exploration of the works of James Joyce, a pivotal figure in modern literature. Published by University of Tulsa, this journal plays a vital role in fostering a deeper understanding of Joyce's contributions to literary theory and narrative innovation. The journal does not currently offer Open Access options, yet it continually engages with both established scholars and emerging voices in the field. With its ISSN 0021-4183 and E-ISSN 1938-6036, the JAMES JOYCE QUARTERLY has established itself within the literature and literary theory landscape, earning a 2023 Scopus rank of #842 out of 1,106 in its category, which places it in the 23rd percentile. Engaging readers from its inception in 1989 and through various publication cycles, this quarterly invites contributions that challenge, critique, and expand upon Joycean studies. As a Q4 journal, it serves as an accessible platform for emerging research in literary scholarship, making it an invaluable resource for researchers, professionals, and students seeking to delve deeper into the nuances of Joyce's literary prowess.

CAHIERS VICTORIENS & EDOUARDIENS, published by Université de Montpellier, is a prominent open-access journal dedicated to the exploration and analysis of Victorian and Edwardian literature and culture. Since its establishment, the journal has become an invaluable resource for scholars, researchers, and students interested in the rich tapestry of this influential period in literary history. With its roots tracing back to 1990 and covering significant contributions from 2002 to 2024, it showcases a diverse range of articles and critical essays that delve into the cultural, social, and literary contexts of the 19th and early 20th centuries. Although ranked in the lower quartiles of cultural studies and literature, the journal provides significant insights and contributes to ongoing academic discussions. Its commitment to open access since 2011 ensures that its research is freely available, fostering a global conversation among academia. Located in the heart of France, CAHIERS VICTORIENS & EDOUARDIENS invites you to engage with and contribute to the ongoing scholarly discourse on Victorian and Edwardian studies.

ROMANTISME is a distinguished academic journal published by EDITIONS SEDES, focusing on the rich interdisciplinary exploration of Romanticism in its various manifestations through history, literature, and the arts. Serving as a significant conduit for scholarly discourse, ROMANTISME invites researchers and practitioners to delve into comparative studies that bridge cultural, historical, and artistic insights. Though it holds a Q4 category ranking across multiple fields, including Cultural Studies, History, and Literature and Literary Theory, its commitment to advancing the understanding of the Romantic era remains strong. The journal, with an ISSN of 0048-8593 and an E-ISSN of 1957-7958, does not currently offer Open Access, but is accessible through various academic institutions, ensuring its content reaches a broad audience keen on enhancing their knowledge in this niche yet impactful scholarly domain. With its headquarters in Paris, France, ROMANTISME is poised to contribute significantly to the academic landscape from 1981 to 2024, making it a vital resource for students and researchers alike keen to interrogate the lasting legacy of Romantic thought and its relevance today.