Journal of the Institute of Conservation is a leading academic journal dedicated to advancing the field of conservation, published by Routledge Journals, Taylor & Francis Ltd. With an impressive Q1 ranking in Conservation and a Scopus rank of #21 out of 103 in the Arts and Humanities category, this journal plays a pivotal role in disseminating high-quality research that shapes conservation practices and policies. Spanning the years from 2009 to 2024, it serves as a vital platform for scholars and practitioners alike, offering innovative perspectives on materials science, museology, and media technology. Accessible solely through institutional subscriptions, the journal invites contributions that engage with contemporary issues in conservation, ensuring that all articles foster interdisciplinary dialogue and enhance professional standards within the field. The Journal of the Institute of Conservation is thus essential for those committed to preserving our cultural and natural heritage.

Visual Resources, an esteemed journal published by Routledge Journals, Taylor & Francis Ltd, serves as a vital platform for scholarly research in the fields of Museology and Visual Arts and Performing Arts. With an ISSN of 0197-3762 and an E-ISSN of 1477-2809, this journal has navigated the academic landscape since its inception in 1980, continuing to amplify critical dialogues up to 2024. Positioning itself within category quartiles as Q3 for both museology and visual arts, the journal ranks at #302/667 in the Visual Arts and Performing Arts category and #41/83 in Museology according to Scopus, reflecting a significant yet competitive standing. Although not designated as Open Access, the publication remains accessible through institutional subscriptions, catering to a diverse audience of researchers, professionals, and students. By disseminating pioneering research and innovative methodologies pertinent to visual culture and museum practices, Visual Resources plays an indispensable role in advancing knowledge in its disciplines and connects academia with contemporary practice.

Quiroga-Revista de Patrimonio Iberoamericano, published by UNIV GRANADA, is a distinguished open-access journal dedicated to the fields of conservation, museology, and the visual and performing arts. Since its inception in 2012, the journal has provided a platform for scholars and practitioners to disseminate innovative research and critical discussions pertinent to Ibero-American heritage. With a growing impact, evidenced by its category quartiles ranking—Q3 in Conservation and Q2 in both Museology and Visual Arts and Performing Arts—as well as its Scopus rankings, Quiroga serves as an essential resource for researchers, professionals, and students who engage with the complexities of cultural preservation and artistic expression. The journal’s commitment to open access ensures the widespread availability of knowledge, fostering academic dialogue and collaboration within the global community. For inquiries, the journal can be reached at their offices located in Granada, Spain.

Boletin de Arte-UMA is a distinguished academic journal published by the University of Malaga, Department of History of Art, focusing on the rich interplay between history, visual arts, and performing arts. Operating under an Open Access model since 2013, this journal ensures that valuable research is freely available for scholars and practitioners worldwide. With an impact factor currently reflecting its academic rigor through its Q2 ranking in History and Q1 ranking in Visual Arts and Performing Arts, Boletin de Arte-UMA serves as a vital platform for cutting-edge research, critical analysis, and the promotion of cultural heritage studies. Based in Malaga, Spain, the journal not only provides insights into its thematic scope but also fosters a global dialogue among researchers, professionals, and students passionate about the visual and performing arts.

AFRICAN ARTS is a distinguished journal published by MIT PRESS, focusing on the vibrant intersections of literature, visual arts, and performing arts within the African context. Boasting an ISSN of 0001-9933 and an E-ISSN of 1937-2108, this journal serves as a critical platform for scholars and practitioners worldwide to explore and disseminate their research on African artistic expressions. With a solid impact represented by its Q3 rankings in both Literature and Literary Theory and Visual Arts and Performing Arts as of 2023, it ranks in the top 20% within the literature category and in the top 30% for visual arts. AFRICAN ARTS aims to foster a deeper understanding of the cultural, historical, and social contexts that shape these disciplines, embracing a wide array of methodologies and theoretical frameworks. Though not an open-access journal, it provides valuable insights and analysis that contribute significantly to the global discourse surrounding African arts, making it a vital resource for researchers, professionals, and students alike.

APOLLO - The International Art Magazine, published by APOLLO MAGAZINE LTD, stands as a key resource in the fields of Visual Arts, Museology, and Conservation. Based in the United Kingdom, this journal aims to foster insightful discussions and promote scholarly research among art historians, conservators, and art enthusiasts alike. With its ISSN 0003-6536, the magazine integrates contemporary art discourse with a rich historical perspective, celebrating artistic innovation while addressing the complexities of art preservation and curation. Although its access is not open, APOLLO provides an essential platform for rigorous academic exploration in its areas, earning a place in the Q4 quartile rankings of Scopus for 2023 across multiple categories. The discontinuation of its coverage in Scopus in 2020 highlights a transitional phase in scholarly communication, encouraging ongoing discourse around the publication's contributions. Whether you are a researcher seeking to publish your findings or a student diving into the depths of art studies, APOLLO offers valuable insights into the dynamic world of the arts.

REVUE DES MUSEES DE FRANCE-REVUE DU LOUVRE, published by CONSEIL MUSEES NATIONAUX, serves as a vital resource in the fields of Conservation, Museology, and the Visual Arts. With its ISSN 1962-4271 and a dedicated focus on the interplay between historical artifacts and contemporary museum practices, the journal has established itself within the academic community despite its Q4 ranking in various categories as of 2023. The journal is particularly aimed at researchers, professionals, and students who are engaged in the study of museum practices and the preservation of cultural heritage, providing insights and discussions that are both scholarly and practical. Though the journal does not have open access options, it remains a pivotal outlet for innovative ideas and critical perspectives from the vibrant French museum landscape. The issues published since its convergence years from 2009 to 2016 and from 2018 to 2024 continue to foster rich dialogues around the evolving role of museums in society, making it an essential read for anyone invested in the future of cultural institutions.

Journal of the History of Collections, published by Oxford University Press, serves as a vital resource for scholars and practitioners in the fields of conservation, museology, and visual arts. Established in 1989, this esteemed journal explores the intricate narratives of collections, addressing the historical, cultural, and social dynamics that influence collecting practices across various mediums. With an evolving publication span through 1994 and resuming in 1996 to the present day, the journal maintains a strong academic reputation, demonstrated by its impressive rankings in Scopus—placing it in the top quartiles for both Museology and Visual Arts and Performing Arts. Researchers and students will find engaging articles that not only contribute to academic discourse but also reflect on the conservation challenges faced by collections today. While currently not available as open access, the journal’s rigorous peer-review process ensures that only the highest quality research is published, making it an essential addition to any library dedicated to the arts and humanities.

Arte Individuo y Sociedad, published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, is a leading Open Access journal dedicated to advancing understanding in the realms of Visual Arts and Performing Arts. With an impressive impact factor that places it in the Q1 category of its field and a remarkable Scopus rank of #92 out of 667, this journal stands as a vital resource for scholars, practitioners, and students alike. Since its inception in 1988, the journal has championed the dissemination of innovative research and critical discourse, fostering a platform where creativity and academia intersect. The converged years from 2010 to 2024 signify a dynamic evolution of the journal, reflecting contemporary issues and developments in visual and performing arts. For those interested in exploring the complex interplay between art and society, Arte Individuo y Sociedad offers essential insights and diverse perspectives in an increasingly interconnected global landscape.

Ra-Revista de Arquitectura is an esteemed open-access journal published by UNIV NAVARRA, SERVICIO PUBLICACIONES in Spain, dedicated to the fields of architecture and the visual arts. With an ISSN of 1138-5596 and an E-ISSN of 2254-6332, this journal aims to foster a critical dialogue among scholars, practitioners, and students by offering original research, reviews, and case studies that challenge conventional architectural paradigms and inspire innovation. Since transitioning to an open-access model in 2012, Ra has expanded its reach, allowing free access to knowledge that resonates within both academic and professional communities. Although the journal is currently ranked in Q4 in its respective categories, it remains a vital platform for emerging voices and advancements in the architecture and visual arts disciplines. Researchers can find valuable insights that push the boundaries of both theory and practice. The journal is part of a vibrant academic tradition, contributing to a deeply reflective cultural heritage, and it invites contributors from diverse backgrounds to submit their works for consideration.