MUSIK UND KIRCHE is a distinguished journal published by BARENREITER-VERLAG that offers a scholarly platform for the exploration of the intersections between music and ecclesiastical contexts. With an ISSN of 0027-4771 and an E-ISSN of 2568-3128, this journal is particularly valuable for researchers, practitioners, and students engaged in musicology, religious studies, and cultural history. Although currently not open access, it provides a wealth of peer-reviewed articles that enhance understanding of music's role within church tradition and practice, thereby contributing significantly to the field. Despite fluctuating visibility in academic rankings—standing in Q4 of the 2023 category for Music, based on Scopus evaluations—its historical coverage from 2002 to 2012 and resumed publication since 2020 demonstrates its commitment to fostering rigorous academic discourse. The journal is based in Kassel, Germany, and serves as an essential resource for anyone interested in the dynamic relationship between music and spiritual life.

Debates is a pioneering journal published by PROGRAMA POS-GRADUACAO MUSICA-PPGM, dedicated to advancing scholarly dialogue in the field of music studies. With an ISSN of 1414-7939 and an E-ISSN of 2359-1056, Debates serves as a vital platform for researchers, professionals, and students to explore contemporary issues, theoretical frameworks, and interdisciplinary approaches within musicology. Located in the vibrant cultural backdrop of Rio de Janeiro, Brazil, this journal aims to foster critical discourse and cross-cultural understanding in music. Although currently not indexed in major databases, the journal is committed to contributing valuable insights to the academic community, making it an essential resource for those seeking to deepen their knowledge and engage with the latest trends in music studies.

Computer Music Journal, published by MIT Press, stands as a prominent platform for scholarly discourse in the intersection of music and technology. With its origins dating back to 1982, the journal spans an extensive range of topics, from computer-generated music and sound synthesis to interactive musical systems and multimedia art. Despite not being an open-access journal, it has garnered significant recognition, reflected in its rankings across various fields—placing 22nd in Music within Arts and Humanities and achieving a Q2 category status in Music for 2023. This publication is invaluable for researchers, practitioners, and enthusiasts alike, offering critical insights that expand the boundaries of musical composition and technological innovation. With its robust history and commitment to advancing the understanding of computer music, the Computer Music Journal continues to be a critical resource in both the academic and artistic communities.

JOURNAL OF MUSICOLOGICAL RESEARCH, published by Taylor & Francis Ltd, is an esteemed platform that delves into the field of musicology, contributing to the ongoing dialogue in music research and scholarship since its establishment in 1979. With an ISSN of 0141-1896 and an E-ISSN of 1547-7304, this journal serves as a vital resource for researchers, professionals, and students, offering insights into diverse musicological topics. Although currently categorized in Q4 in Music with Scopus rankings placing it at #110 out of 180 in the Arts and Humanities field, its commitment to excellence and broader discourses in music studies is evident. The journal does not have Open Access options, yet it provides accessible content through reputable academic channels, fostering scholarly exchanges within the community. It aims to publish high-quality research that advances understanding of musical practices and cultural implications, making it a critical resource for those passionate about music and its myriad influences.

BULLETIN OF THE COUNCIL FOR RESEARCH IN MUSIC EDUCATION, published by UNIV ILLINOIS PRESS, is a premier scholarly journal dedicated to advancing the field of music education through rigorous research and critical discourse. With an ISSN of 0010-9894 and E-ISSN 2162-7223, this journal plays a significant role in disseminating innovative findings and educational practices, ranking in Q1 for Music and Q2 for Education as of 2023. The journal's esteemed position is further highlighted by its Scopus ranking, placing it in the 80th percentile among music-related publications. Covering a time span from 2002 to 2024, it serves as a vital resource for educators, researchers, and graduate students alike. Although the journal does not currently offer open access, its contributions remain crucial in shaping music education research and practice. The BULLETIN not only inspires scholarly inquiry but also enhances the discourse surrounding effective music education methodologies.

The International Journal of Music Education is a premier academic platform published by SAGE Publications Ltd, dedicated to exploring the interdisciplinary intersections of music and education. With its ISSN 0255-7614 and E-ISSN 1744-795X, this esteemed journal has been contributing significantly to the field since 1996 and will continue to do so through 2024, underscoring its commitment to advancing scholarly discourse in music pedagogy. It boasts impressive ranking metrics, including Q1 status in Music and Q2 in Education as of 2023, reflecting its influence within these domains. Ranked #10 out of 180 in Music (94th percentile) and #501 out of 1543 in Education (67th percentile) by Scopus, the journal is acknowledged for its rigorous peer-reviewed articles that address contemporary issues, innovative teaching strategies, and the role of music in learning environments. Although it does not offer open access, researchers, professionals, and students are encouraged to engage with its comprehensive research findings, ensuring the advancement of both music education and the broader arts landscape.

Information and Communication Technology in Musical Field is an esteemed academic journal published by MEDIA MUSICA, dedicated to exploring the intersections of technology and music. With an ISSN of 2067-9408 and an E-ISSN of 2069-654X, this journal serves as a vital resource for researchers, professionals, and students interested in the latest advancements and applications of information and communication technologies within the musical sphere. While specific impact factor metrics are currently unavailable, the journal aims to provide a platform for high-quality research that fosters innovation in music production, distribution, and theory. The implications of technology in music are profound, influencing everything from composition to performance and consumption, and this journal strives to illuminate these transformative changes. Located in Cluj-Napoca, Romania, at STR ICBRATIANU NR 25, this publication encourages submissions that contribute to the diverse dialogue surrounding music and technology, ensuring that it remains an essential reference for those at the forefront of this dynamic field.

TEMPO, a renowned journal published by Cambridge University Press, is dedicated to the expansive field of music studies. With its rich history dating back to 1939, the journal has significantly evolved, offering researchers, professionals, and students a platform to explore diverse musical perspectives and innovations. Serving as a vital resource in its category, TEMPO is currently positioned in the Q2 quartile within the field of Music, reflecting its quality and academic influence. Although it operates under a traditional subscription model, its impactful contributions to music scholarship are underscored by its active engagement with contemporary issues in musicology, performance, and education. Researchers can rely on TEMPO for cutting-edge analyses, reviews, and critical discourse that shape the understanding of music in society.

Revista Electronica Complutense de Investigacion en Educacion Musical (RECIEM) is a distinguished open-access journal published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, dedicated to advancing research in the fields of music education and pedagogy. Since its inception in 2004, RECIEM has provided a vital platform for scholars, educators, and researchers to disseminate their findings and foster discussions that bridge the gap between theory and practice in music education. With an impressive ranking in the top quartile for music (Q1) and a respectable Q3 ranking in education for 2023, RECIEM is a pivotal resource for those engaged in the interdisciplinary nexus of arts and education. The journal's commitment to open access ensures that its scholarly content is available to a global audience, enhancing its impact and fostering collaboration among professionals in the music education community. The journal covers diverse topics within music and education, aiming to inspire innovation and reflect contemporary developments in teaching methodologies and musicological research. RECIEM’s continued growth—represented by its robust Scopus ranks and the convergence of years from 2004 to 2024—underscores its relevance and significance in shaping the future of music education research.

Musica Tecnologia is an emerging journal that explores the intersection of music and technology, published by FIRENZE UNIV PRESS. With its ISSN 1974-0042 and E-ISSN 1974-0050, the journal serves as a platform for innovative research on the technical aspects of music creation, distribution, and performance. Despite being relatively new, having converged its years from 2020 to 2024, it has already established itself within academic circles, as evidenced by its Q4 ranking in categories such as Computer Science Applications, Electrical and Electronic Engineering, and Music. While the journal does not currently offer Open Access, it provides a crucial avenue for both established scholars and emerging researchers in the arts and technology to disseminate their findings. The potential to influence practices in music technology is significant, making Musica Tecnologia a valuable resource for those looking to stay at the forefront of interdisciplinary research. The journal is located in Florence, Italy, and continues to build its reputation as a meaningful contributor to the fields of music and technology.