ASIAN MUSIC is a distinguished academic journal published by University of Texas Press, focusing on the rich and diverse musical traditions of Asia. With an ISSN of 0044-9202 and an E-ISSN of 1553-5630, this journal serves as a key platform for interdisciplinary research that encompasses musicology, ethnomusicology, and cultural studies related to Asian music practices. While ASIAN MUSIC is not an open-access journal, it provides valuable insights and scholarly articles that contribute significantly to the understanding of music’s role within Asian cultures. The journal originally covered works from 2002 to 2010 and has a reputation for fostering discussions that celebrate the intricacies of sound, performance, and society. Targeting researchers, professionals, and students alike, ASIAN MUSIC stands as a crucial resource for those engaged in the study of music in its multifaceted context.

Opus is an esteemed open-access journal published by the Associação Nacional de Pesquisa e Pós-Graduação em Música in Brazil, focusing on the field of music studies. With an ISSN of 1517-7017, Opus has been dedicated to fostering innovative research since its inception and has embraced the open-access model since 2009, ensuring that its findings are readily accessible to scholars and enthusiasts globally. The journal has achieved a commendable Q2 ranking in Music as of 2023, showcasing its impact and relevance within the arts and humanities. Although currently ranked #130 out of 180 in Scopus in the music category, Opus maintains a commitment to enhancing the scholarly discourse in musicology through empirical studies, theoretical analyses, and interdisciplinary approaches. The journal's convergence over the years, from 2017 to 2024, reflects its dedication to evolving educational and research methodologies in music. Situated in the vibrant academic landscape of Campinas, SP, Brazil, Opus invites researchers, professionals, and students to contribute to its mission of exploring the multifaceted dimensions of music.

Revista Musical Chilena, an esteemed publication from the Faculty of Arts at Universidad de Chile, has been a pivotal platform in the field of music and cultural studies since its inception in 1945. With a commitment to open access, this journal promotes the dissemination of innovative research and critical discourse that bridges the gap between cultural theory and musical practice. Holding a notable Q2 ranking in both the Cultural Studies and Music categories as of 2023, it serves as a vital resource for scholars and professionals alike. The journal's inclusion in the Scopus database, with rankings that reflect its influence in the arts and humanities, underscores its significance in shaping the contemporary landscape of music studies. Given its convergence of research output from 2007 to 2024, Revista Musical Chilena continues to engage its audience with diverse scholarship that reflects Chilean musical heritage and global cultural dynamics.

Oido Pensante is a prominent open-access journal dedicated to the multifaceted field of music, published by the esteemed University of Buenos Aires, specifically through its Faculty of Philosophy and Letters, Institute of Anthropological Sciences. Since its inception in 2013, this journal has fostered a rich platform for scholarly discourse and innovative research at the intersection of music and cultural studies. With an ISSN of 2250-7116, Oido Pensante aims to bridge theoretical frameworks and practical applications, making significant contributions to the understanding of music in its social context. Currently, it holds an impressive Q3 ranking in the Arts and Humanities – Music category for 2023, with a Scopus rank of #99 out of 180 journals, reflecting its commitment to academic rigor and relevance. The journal's open access policy ensures that research is widely disseminated and accessible, making it an invaluable resource for researchers, professionals, and students alike in Argentina and beyond. With converged years from 2017 to 2024, Oido Pensante continues to expand its reach, encouraging intellectual exchange and stimulating dialogue within the music community.

REVUE DE MUSICOLOGIE is a prominent academic journal dedicated to the diverse field of musicology, published by EDITIONS TRANSATLANTIQUES in France. With an ISSN of 0035-1601, this journal has been a key platform for researchers and scholars since its inception, fostering scholarly discourse and advancing the understanding of music's cultural, theoretical, and historical dimensions. Although it currently holds a Q4 category in Music according to the 2023 quartiles and is ranked #140 in the Scopus Arts and Humanities Music category, REVUE DE MUSICOLOGIE continues to publish valuable insights that contribute to the global musicological landscape. The journal does not offer open access, adhering to standard subscription models. Its primary objective is to provide a rigorous forum for original research articles, reviews, and theoretical discussions, making it an essential resource for academics, professionals, and students in the field of musicology. Located at 50 RUE JOSEPH DE MAISTRE, 75018 PARIS, FRANCE, it promises to remain a vital part of music research through 2023 and beyond.

Music Theory Online is a distinguished journal within the field of music, published by the Société for Music Theory. With an ISSN of 1067-3040, this open access journal has been providing valuable insights and scholarly contributions since 1993. Based in the United States, at the University of Chicago, Department of Music, it serves as a platform for rigorous research and discourse in music theory. The journal has achieved significant recognition, attaining a Q1 ranking within its category for 2023 and positioning itself at the 26th percentile among 180 journals in the Arts and Humanities, demonstrating its impact on the field. Facilitating access to cutting-edge studies, Music Theory Online aims to engage researchers, educators, and students by fostering a deeper understanding of music theory concepts and methodologies, thereby contributing to the advancement of musical scholarship.

ETHNOMUSICOLOGY, published by SOC ETHNOMUSICOLOGY INC, is a premier journal that stands at the intersection of music, anthropology, and cultural studies. With an ISSN of 0014-1836 and an E-ISSN of 2156-7417, this journal has made significant contributions to the field since its inception in 2002, and continues to engage with contemporary issues through to 2024. ETHNOMUSICOLOGY is indexed in esteemed databases and ranks impressively in its respective categories, including Q2 in Cultural Studies and Music, and Q3 in Anthropology for the year 2023. Its Scopus rankings reflect its robust academic impact, placing it in the 79th percentile for Music within the Arts and Humanities, and 78th in Cultural Studies. The journal provides a vital platform for the dissemination of innovative research and fosters scholarly dialogue among researchers, professionals, and students interested in understanding the complex relationships between music and culture across the globe.

OR SPECTRUM, published by SPRINGER, is a premier journal in the fields of Business, Management, and Operations Research, with a distinguished reputation established since its inception in 1979. As of 2023, it holds an impressive Q1 ranking in Business, Management and Accounting (miscellaneous) and a Q2 ranking in Management Science and Operations Research. The journal, which is indexed under ISSN 0171-6468 and E-ISSN 1436-6304, boasts a significant impact factor within its scope, making it a pivotal resource for cutting-edge research and theoretical developments. With access options that favor traditional subscriptions, OR SPECTRUM offers a robust platform for the dissemination of innovative ideas and methodologies, vital for academics, professionals, and students alike. The journal's commitment to excellence ensures its critical role in enhancing the understanding and application of operational research techniques around the globe.

Welcome to Problemy Muzykalnoi Nauki-Music Scholarship, a leading journal in the field of music scholarship published by the esteemed Gnesin Russian Academy of Music. With an ISSN of 2782-358X and an E-ISSN of 2782-3598, this Open Access journal has been committed to the dissemination of high-quality research since 2009, making scholarly work accessible to a global audience. Covering diverse aspects of music theory, history, and its socio-cultural impacts, Problemy Muzykalnoi Nauki serves as an essential platform for scholars, educators, and practitioners in the arts and humanities, as well as in social sciences related to music education. While its Scopus coverage was discontinued in 2021, the journal remains influential, holding a rank of #48 in the Arts and Humanities category and a percentile of 67th, showcasing its relevance and rigor in the discipline. We invite researchers and students alike to explore the rich contributions made within these pages, fostering a deeper understanding and appreciation of music in contemporary society.

MUSIC THEORY SPECTRUM, published by Oxford University Press, serves as a premier journal in the field of music theory, recognized for its significant contributions and scholarship since its inception. With an ISSN of 0195-6167 and E-ISSN 1533-8339, this journal has established a distinguished position within the academic community, boasting an impressive Q1 status in the Music category for 2023 and ranking #17 out of 180 in Scopus for Arts and Humanities, Music, placing it within the 90th percentile. Despite its non-open access format, MUSIC THEORY SPECTRUM offers a wealth of research articles, reviews, and theoretical discussions aimed at both seasoned scholars and students alike. It spans from 1981 until present, fostering critical engagement and advancing understanding within the discipline. Researchers and music theorists will find this journal an invaluable resource for the latest insights and methodologies in music theory.