ACTA MUSICOLOGICA, published by the International Musicological Society, stands as a pivotal journal within the field of Musicology, garnering attention from scholars and practitioners alike. With its ISSN 0001-6241, the journal serves as a vital platform for innovative research and discourse from 2002 to 2013 and again from 2016 to 2024, achieving a Q2 ranking in the 2023 Music category. Reflecting a commitment to excellence, it ranks #105 out of 180 in Arts and Humanities Music according to Scopus, placing it at the 41st percentile among its peers. Although not open access, ACTA MUSICOLOGICA ensures the dissemination of significant musical research, fostering scholarly exchange and exploration. This esteemed publication is essential for researchers, professionals, and students looking to deepen their understanding of musicology and contribute to ongoing academic conversations.

Musicologist is a premier academic journal dedicated to the exploration and analysis of music theory, history, and practice, published by the esteemed Trabzon University State Conservatory in Turkey. With an ISSN of 2618-5652, this journal has been a vital platform for scholars since its inception in 2019, reflecting a commitment to fostering innovative research in the field of music. Recognized for its quality, the journal currently holds a Q2 ranking in the music category for 2023, placing it within the top segments of its discipline, as evidenced by its position at #72 out of 180 in the Scopus rankings, representing the 60th percentile. Although the journal employs a traditional publication model, it serves as a crucial repository for contemporary musicological discourse, aiming to advance knowledge and understanding within a vibrant academic community. Musicologist is not only a resource for seasoned researchers but also an invaluable tool for students and professionals alike, nurturing a comprehensive appreciation of music as an art form and scholarly pursuit.

MUSICAL TIMES is a distinguished journal dedicated to the exploration and dissemination of scholarly works in the realm of music, serving as an essential resource for researchers, professionals, and students alike. Published by MUSICAL TIMES PUBLICATIONS LTD, this journal has built a robust reputation within the arts and humanities, specifically focusing on music studies, with an impactful reach indicated by its Scopus ranking at #73 out of 106 in the field. Though access to this journal is not open, its curated content, which spans various facets of musicology and contemporary music discourse, enriches the academic community by encouraging insightful discussions and critical analyses. With its historical roots tracing back to its inception, MUSICAL TIMES aims to foster a deeper understanding of music's cultural, social, and artistic dimensions, making it a valued publication for those engaged in the scholarly pursuit of music.

Studia Universitatis Babes-Bolyai Musica is a prestigious academic journal dedicated to the field of musicology, published by UNIV BABES-BOLYAI. Since its inception, it has strived to foster scholarly communication and share groundbreaking research that spans various music-related disciplines, including ethnomusicology, music theory, and performance studies. The journal operates under an Open Access model since 2021, ensuring that its content is freely accessible to a global audience of researchers, professionals, and students interested in advancing their knowledge and understanding of music. By providing a platform for high-quality, peer-reviewed articles, Studia Universitatis Babes-Bolyai Musica plays a vital role in promoting significant contributions to the evolving discourse in music studies. Its commitment to intellectual rigor and openness aligns with contemporary academic trends, making it an essential resource in the realm of music research.

FONTES ARTIS MUSICAE, with ISSN 0015-6191 and E-ISSN 2471-156X, is a distinguished journal published by A-R EDITIONS, specializing in the fields of Music and Library and Information Sciences. Established in the United States, this journal serves as a vital resource for scholars, practitioners, and students engaged in the exploration and analysis of music and its associated disciplines. With an established converged publication history from 2002 to 2024, FONTES ARTIS MUSICAE has consistently contributed to the discourse within its scope, reflected in its current quartile rankings of Q4 in Library and Information Sciences and Q3 in Music for 2023. Although not an open-access journal, it offers essential insights and research findings, appealing to a diverse academic audience. Its position within the 18th percentile of the Arts and Humanities (Music) category and 11th percentile in Library and Information Sciences underscores its growing significance in these fields, making it a critical platform for advancing knowledge and fostering collaboration.

JOURNAL OF MUSICOLOGY, published by UNIV CALIFORNIA PRESS, stands as a premier academic forum for the exploration and dissemination of research in the field of musicology. With an ISSN of 0277-9269, this journal provides a vital platform for scholars, practitioners, and educators to engage with contemporary and historical music studies. The journal, which has been publishing significant works since 1982 and continues through to 2024, boasts a commendable Q2 ranking in Music and holds a notable position within the 68th percentile of Scopus rankings for Arts and Humanities, specifically in Music. Although it does not offer open access, the journal remains a crucial resource for those dedicated to advancing the understanding of musical heritage, theory, and practice. The JOURNAL OF MUSICOLOGY aims to foster interdisciplinary dialogue and promote innovative methodologies within the field, thereby making it an essential read for all engaged in the scholarly pursuit of music.

Muzikoloski Zbornik is a prominent open-access journal in the field of musicology, published by the esteemed University of Ljubljana Press since 1965. Hailing from Slovenia, this journal has been dedicated to advancing the study of musical heritage, theory, and practice, serving as a vital platform for researchers, professionals, and students alike. With a notable Q2 category ranking in the field of music and a Scopus ranking of 109 out of 180 in Arts and Humanities, Muzikoloski Zbornik showcases high-quality research, fostering discourse and collaboration among scholars globally. The journal embraces a diverse range of topics, from ethnomusicology to music education, ensuring its relevance in an ever-evolving academic landscape. By providing unrestricted access to its content, it champions the dissemination of knowledge and supports the growth of the musicology discipline.

Empirical Musicology Review is a pioneering journal in the field of musicology, published by the Ohio State University School of Music. Established as an open access journal since 2006, it aims to foster interdisciplinary research by providing a platform for scholars to disseminate empirical studies and analyses related to music. With ISSN 1559-5749, this journal plays a crucial role in expanding the understanding of music through methodological rigor and innovative practices, catering to researchers, professionals, and students alike. By promoting the accessibility of high-quality research, Empirical Musicology Review significantly contributes to the evolving landscape of music studies and enhances the global dialogue surrounding music's theoretical and practical dimensions. The journal's commitment to open access ensures that its valuable insights reach a broad audience, encouraging further exploration and collaboration within the musicology community.

HUDEBNI VEDA is a distinguished journal published by the Czech Academy of Sciences Press, specializing in the field of music. With its ISSN 0018-7003 and E-ISSN 2694-6998, this journal serves as a vital platform for scholarly communication in music studies, promoting innovative research and critical discourse. Since its inception in 2002 and scheduled for continuation until 2024, it has emerged as a respected publication within the music academic community, though currently holding a Category Quartiles ranking of Q4 in Music. Notably, it ranks #127 out of 180 in the Scopus Arts and Humanities - Music category, placing it in the 29th percentile. While it operates under traditional access constraints, HUDEBNI VEDA is committed to fostering an inclusive academic environment, inviting contributions that push the boundaries of musicology. This journal is essential for researchers, professionals, and students eager to explore and engage with contemporary issues and developments in the study of music.

Musica Oral del Sur is a prominent academic journal published by the Junta Andalucía through the Centro Documentación Musical Andalucía. With its ISSN 1138-8579 and E-ISSN 2445-0391, this pioneering publication has championed open access since 1995, providing a vital platform for scholars dedicated to the exploration of traditional and contemporary oral music practices in Southern Spain and beyond. The journal is essential for researchers, professionals, and students interested in musicology, ethnomusicology, and cultural studies, promoting scholarly discourse through a rich assortment of articles, reviews, and field research. Set in the vibrant cultural landscape of Granada, the journal encourages the fusion of theoretical insights with practical implications, making significant contributions to the understanding of oral musical traditions. By fostering accessible academic dialogue, Musica Oral del Sur plays an invaluable role in preserving and highlighting the heritage of Southern musical expressions while addressing contemporary issues in the field.