ARS Orientalis is a distinguished academic journal published by the Smithsonian Institution's Freer Gallery of Art, specializing in the fields of archaeology, cultural studies, and the visual and performing arts. With an ISSN of 0571-1371, this journal contributes significantly to scholarly discourse, having established a robust timeline of publication since its inception, notably from 2001 to 2006, 2010 to 2012, 2014 to 2017, and resuming again from 2022 to 2023. Though currently not open access, it maintains a respectable standing in the academic community with a categorization into Q3 quartiles across several disciplines, highlighting its relevance amid rigorous scholarly evaluation. The journal is particularly valuable for researchers, professionals, and students who seek to explore interdisciplinary connections within its scope. Situated in the United States, it aims to disseminate insightful research that bridges the gap between traditional scholarship and contemporary studies in visual culture and archaeological findings.

Sanat Tarihi Dergisi-Journal of Art History is a distinguished academic journal dedicated to the exploration and analysis of art history, published by the reputable E.U. Printing and Publishing House in Turkiye. With an ISSN of 1300-5707 and an E-ISSN of 2636-8064, this openly accessible journal has been providing a platform for scholarly discourse since its transition to Open Access in 2016. Catering to a diverse audience of researchers, professionals, and students, the journal aims to disseminate original research articles, critical reviews, and theoretical discussions that contribute to the understanding of artistic movements and their cultural implications throughout history. By fostering interdisciplinary dialogue, Sanat Tarihi Dergisi plays a pivotal role in advancing the field of art history and encouraging the exchange of innovative ideas among scholars globally. Its dedication to enhancing accessibility to high-quality research makes it an invaluable resource for anyone engaged in the study of visual culture.

The Rijksmuseum Bulletin, published by the Rijksmuseum Amsterdam, stands as a premier open-access journal in the realm of Visual Arts and Performing Arts, having transitioned to open access in 2012. With its ISSN 1877-8127, the journal is dedicated to exploring the rich tapestry of art history, exhibitions, and cultural discourse, supporting both scholarly research and the general appreciation of the arts. As a significant contributor within the Netherlands and beyond, the Bulletin garners a solid reputation, reflected in its current ranking in the Q3 category of Visual Arts and Performing Arts, with a Scopus rank of #510 out of 667. This engaging platform not only disseminates high-quality research but also fosters collaboration among researchers, professionals, and students, providing insights that highlight the importance of cultural heritage. With converged years spanning from 2011 to 2024, the Rijksmuseum Bulletin is poised to remain a vital source of knowledge within the arts community.

Museum History Journal, published by Routledge Journals, a leading name in scholarly publishing under Taylor & Francis Ltd, serves as an essential platform for advancing knowledge in the fields of conservation, history, and museology. With its ISSN 1936-9816 and E-ISSN 1936-9824, the journal has established its presence in the United Kingdom and offers valuable insights from 2008 to 2024. Currently listed in the Q3 quartile for Conservation, History, and Museology categories, it ranks 677th in History and maintains a commendable percentile of 61% within the Arts and Humanities. Aimed at researchers, professionals, and students, the Museum History Journal strives to promote interdisciplinary dialogue and critical examination of museum practices, historical narratives, and conservation techniques, thereby contributing significantly to the academic discourse surrounding museums and cultural heritage. Access to this journal is crucial for those seeking to deepen their understanding of the evolving role of museums in society.

Museum Anthropology, published by WILEY, is an esteemed journal dedicated to advancing the field of anthropology through the lens of museology. With an ISSN of 0892-8339 and an E-ISSN of 1548-1379, this journal not only examines ethnographic and cultural collections but also explores their implications in contemporary society. Operating from the heart of the United States, Museum Anthropology has been crucial in fostering academic discourse since 1986 and is positioned within the Q3 quartile in Anthropology and Q2 in Museology according to 2023 rankings. The journal's Scopus rankings reflect its impact, being listed at 19th out of 83 in Museology and 250th out of 502 in Social Sciences Anthropology. Although it does not currently provide open access options, it remains a vital resource for researchers, professionals, and students seeking comprehensive insights into the interconnected worlds of museums and anthropology. By bridging theoretical frameworks with practical applications, Museum Anthropology continues to play a pivotal role in shaping conversations and understanding within its field.

Art-Sanat is a distinguished open-access journal published by the Research Institute of Turkology at Istanbul University, focusing on various facets of art history, visual arts, and cultural heritage. Since its open-access launch in 2017, the journal has been dedicated to promoting scholarly communication and disseminating innovative research within the fields of Art History, Archaeology, and Conservation. With an impact factor that highlights its increasing prominence—ranking in the Q1 quartile for History and Visual Arts and Performing Arts—Art-Sanat provides a platform for researchers, professionals, and students to share high-quality studies. The journal's commitment to transparency and accessibility assures that its contributions are available to a global audience, fostering a community of inquiry in the rich and diverse artistic landscapes of Turkey and beyond. With a robust ranking in Scopus, it stands as a noteworthy resource that advances scholarly engagement and interdisciplinary dialogue in the arts and humanities.

Boletin de Arte-UMA is a distinguished academic journal published by the University of Malaga, Department of History of Art, focusing on the rich interplay between history, visual arts, and performing arts. Operating under an Open Access model since 2013, this journal ensures that valuable research is freely available for scholars and practitioners worldwide. With an impact factor currently reflecting its academic rigor through its Q2 ranking in History and Q1 ranking in Visual Arts and Performing Arts, Boletin de Arte-UMA serves as a vital platform for cutting-edge research, critical analysis, and the promotion of cultural heritage studies. Based in Malaga, Spain, the journal not only provides insights into its thematic scope but also fosters a global dialogue among researchers, professionals, and students passionate about the visual and performing arts.

Zivot Umjetnosti, published by the INST POVIJEST UMJETNOSTI - INST ART HISTORY, is a notable Croatian journal that serves as a platform for scholarly discourse in the fields of visual arts, performing arts, and museology. With its inception in 2008, the journal has continued to provide a voice for researchers and practitioners alike, contributing significantly to ongoing conversations in the arts. Despite its current Q4 rank in both Visual Arts and Museology categories—placing it within the 21st and 17th percentiles, respectively—Zivot Umjetnosti is recognized for its commitment to advancing knowledge and fostering critical dialogue. The journal aims to bridge theoretical frameworks with practical applications, making it an invaluable resource for academics, curators, and students engaged in artistic research. While currently operating under traditional access options, Zivot Umjetnosti remains a fundamental publication for those wishing to explore and expand their understanding of the dynamic intersection of art and culture in Croatia and beyond.

The Journal of Conservation and Museum Studies, published by UBIQUITY PRESS LTD, is a vital resource for researchers, professionals, and students engaged in the fields of conservation and museology. With an ISSN of 2049-4572 and an E-ISSN of 1364-0429, this Open Access journal has been committed to disseminating quality research since its inception in 2011. Based in the United Kingdom, the journal features a broad range of topics within its field, serving both theoretical and practical insights for the advancing of conservation practices and museum studies. The journal is highly regarded, standing in the Q2 quartile for both Conservation and Museology categories in 2023, and achieving commendable rankings in the Scopus classification, with a percentile rank of 86th in Museology and 76th in Conservation. This demonstrates its significance as a hub for scholarly communication and innovation, fostering a deeper understanding and appreciation of cultural heritage. Join a diverse community of experts and access cutting-edge research in the field by engaging with this essential journal.

REVUE DES MUSEES DE FRANCE-REVUE DU LOUVRE, published by CONSEIL MUSEES NATIONAUX, serves as a vital resource in the fields of Conservation, Museology, and the Visual Arts. With its ISSN 1962-4271 and a dedicated focus on the interplay between historical artifacts and contemporary museum practices, the journal has established itself within the academic community despite its Q4 ranking in various categories as of 2023. The journal is particularly aimed at researchers, professionals, and students who are engaged in the study of museum practices and the preservation of cultural heritage, providing insights and discussions that are both scholarly and practical. Though the journal does not have open access options, it remains a pivotal outlet for innovative ideas and critical perspectives from the vibrant French museum landscape. The issues published since its convergence years from 2009 to 2016 and from 2018 to 2024 continue to foster rich dialogues around the evolving role of museums in society, making it an essential read for anyone invested in the future of cultural institutions.