Umeni-Art is a prominent journal in the field of visual arts and performing arts, published by the Institute of Art History, Academy of Sciences, Czech Republic. With its ISSN 0049-5123 and E-ISSN 1804-6509, the journal has established itself as a critical platform for scholarly discourse and artistic expression since its inception in 2002. Although currently classified in Q4 within the Arts and Humanities category, it aims to elevate the understanding and appreciation of the arts through rigorous research and innovative perspectives. The journal's Scopus ranking places it at Rank #573/667, reflecting its growing contribution to the field and expanding reach within the artistic community. With a focus on fostering collaboration among researchers, practitioners, and students, Umeni-Art seeks to enrich the academic landscape with significant findings and discussions that inspire future research and creative endeavors. While it does not offer open access, the journal remains a valuable resource for those vested in exploring the dynamic interplay between art, culture, and society in the contemporary context.

South African Journal of Art History is a premier academic publication dedicated to the exploration and critical analysis of art history within the South African context. Published by the Art Historical Work Group South Africa (AHWG), this journal serves as a vital platform for researchers, professionals, and students alike to disseminate innovative research and engage with diverse perspectives on visual culture. With an ISSN of 0258-3542, the journal aims to elevate the study of art history, contributing significantly to the scholarly community's understanding of both local and international art narratives. Although currently not an open access journal, it is committed to high academic standards and in-depth scholarship, ensuring that each article published meets rigorous criteria. As South Africa continues to position itself at the forefront of global art discourse, the South African Journal of Art History stands out as a critical resource for anyone interested in the intersections of art, culture, and history within this dynamic region.

MUSEOLOGIA SCIENTIFICA is a distinguished journal dedicated to the study and advancement of museology, published by the ASSOCIAZIONE NAZIONALE MUSEI SCIENTIFICI in Italy. Focusing on a wide array of topics within the realm of science museums, the journal offers rich insights and research findings that shape the future of museum practices and education. Although currently not an open-access publication, MUSEOLOGIA SCIENTIFICA provides a vital platform for scholars, practitioners, and students interested in the preservation, curation, and display of scientific artifacts. By contributing to the discourse on innovative museum practices, the journal plays a crucial role in enhancing the professional standards within the field while promoting collaboration among museums worldwide. We invite researchers and practitioners alike to explore its valuable content, aimed at broadening understanding and knowledge in the ever-evolving landscape of museology.

STORIA DELL ARTE is a notable journal dedicated to the rich exploration of art history and its varied facets, published by LUCA EDITORI ARTE ROMA. With an ISSN of 0392-4513, this publication serves as a vital resource for researchers, professionals, and students in the fields of Visual Arts and Performing Arts. Although the journal's coverage in Scopus has been discontinued from 2014, it has been recognized in the Scopus ranking as positioned within the 31st percentile among 374 entries in its category, highlighting its relevance in the realm of arts and humanities. While it does not offer open access, the journal's commitment to enriching the discourse on art history makes it an essential read for anyone interested in visual culture and historical contexts. Based in the heart of Rome, at VIA NOVELLA, 22, ROMA 00199 RM, ITALY, STORIA DELL ARTE continues to inspire scholarly discussion and contribute valuable insights to the academic community.

METROPOLITAN MUSEUM JOURNAL, published by the University of Chicago Press, serves as a vital platform for researchers, professionals, and students in the fields of Conservation and Museology. With an ISSN of 0077-8958 and an E-ISSN of 2169-3072, this journal emphasizes the importance of scholarly discourse on art preservation and museum practices. Although it currently holds a Q4 ranking in both Conservation and Museology according to the 2023 category quartiles, the journal continues to contribute to advancements and discussions within these vital fields. Located in Belgium, the journal's mission is to illuminate best practices, innovative techniques, and significant case studies that inform the future of museum work. As an indispensable resource for those dedicated to the arts and humanities, METROPOLITAN MUSEUM JOURNAL fosters a community for exchanging ideas and insights, crucial for the ongoing development and understanding of museum methodologies.

MUSEUM INTERNATIONAL, a prominent journal published by Routledge Journals, Taylor & Francis Ltd, serves as an essential platform for the exploration of museology and conservation, focusing on the dynamic interplay between museums, cultural heritage, and society since its inception in 1948. With an ISSN of 1350-0775 and an E-ISSN of 1468-0033, it stands out in the academic landscape, securing a Q2 ranking in Museology and a Q3 ranking in Conservation for 2023. The journal, based in the United Kingdom, disseminates rigorous scholarship aimed at researchers, professionals, and students, fostering critical discourse on evolving practices within the field. Although it does not operate under an Open Access model, MUSEUM INTERNATIONAL remains accessible through institutional subscriptions, making invaluable resources available to those invested in the future of museums and their roles in a globalized world. This journal not only contributes to academic knowledge but also influences practical approaches in conservation and museum curation, underscoring its significance in shaping contemporary practices in cultural management.

Sanat Tarihi Dergisi-Journal of Art History is a distinguished academic journal dedicated to the exploration and analysis of art history, published by the reputable E.U. Printing and Publishing House in Turkiye. With an ISSN of 1300-5707 and an E-ISSN of 2636-8064, this openly accessible journal has been providing a platform for scholarly discourse since its transition to Open Access in 2016. Catering to a diverse audience of researchers, professionals, and students, the journal aims to disseminate original research articles, critical reviews, and theoretical discussions that contribute to the understanding of artistic movements and their cultural implications throughout history. By fostering interdisciplinary dialogue, Sanat Tarihi Dergisi plays a pivotal role in advancing the field of art history and encouraging the exchange of innovative ideas among scholars globally. Its dedication to enhancing accessibility to high-quality research makes it an invaluable resource for anyone engaged in the study of visual culture.

Quiroga-Revista de Patrimonio Iberoamericano, published by UNIV GRANADA, is a distinguished open-access journal dedicated to the fields of conservation, museology, and the visual and performing arts. Since its inception in 2012, the journal has provided a platform for scholars and practitioners to disseminate innovative research and critical discussions pertinent to Ibero-American heritage. With a growing impact, evidenced by its category quartiles ranking—Q3 in Conservation and Q2 in both Museology and Visual Arts and Performing Arts—as well as its Scopus rankings, Quiroga serves as an essential resource for researchers, professionals, and students who engage with the complexities of cultural preservation and artistic expression. The journal’s commitment to open access ensures the widespread availability of knowledge, fostering academic dialogue and collaboration within the global community. For inquiries, the journal can be reached at their offices located in Granada, Spain.

Journal of the History of Collections, published by Oxford University Press, serves as a vital resource for scholars and practitioners in the fields of conservation, museology, and visual arts. Established in 1989, this esteemed journal explores the intricate narratives of collections, addressing the historical, cultural, and social dynamics that influence collecting practices across various mediums. With an evolving publication span through 1994 and resuming in 1996 to the present day, the journal maintains a strong academic reputation, demonstrated by its impressive rankings in Scopus—placing it in the top quartiles for both Museology and Visual Arts and Performing Arts. Researchers and students will find engaging articles that not only contribute to academic discourse but also reflect on the conservation challenges faced by collections today. While currently not available as open access, the journal’s rigorous peer-review process ensures that only the highest quality research is published, making it an essential addition to any library dedicated to the arts and humanities.

REVUE DES MUSEES DE FRANCE-REVUE DU LOUVRE, published by CONSEIL MUSEES NATIONAUX, serves as a vital resource in the fields of Conservation, Museology, and the Visual Arts. With its ISSN 1962-4271 and a dedicated focus on the interplay between historical artifacts and contemporary museum practices, the journal has established itself within the academic community despite its Q4 ranking in various categories as of 2023. The journal is particularly aimed at researchers, professionals, and students who are engaged in the study of museum practices and the preservation of cultural heritage, providing insights and discussions that are both scholarly and practical. Though the journal does not have open access options, it remains a pivotal outlet for innovative ideas and critical perspectives from the vibrant French museum landscape. The issues published since its convergence years from 2009 to 2016 and from 2018 to 2024 continue to foster rich dialogues around the evolving role of museums in society, making it an essential read for anyone invested in the future of cultural institutions.