Jewish Film & New Media-An International Journal

Scope & Guideline

Exploring the Intersection of Jewish Culture and Cinematic Expression

Introduction

Welcome to your portal for understanding Jewish Film & New Media-An International Journal, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageEnglish
ISSN2169-0324
PublisherWAYNE STATE UNIV PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 2013 to 2017, from 2019 to 2022
AbbreviationJEW FILM NEW MEDIA / Jew. Film New Media
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address4809 WOODWARD AVE, DETROIT, MI 48201-1309

Aims and Scopes

The journal "Jewish Film & New Media-An International Journal" primarily aims to explore the intersection of Jewish identity and media representations across various forms of film and new media. Its research focus encompasses a wide array of themes related to Jewish culture, history, and identity as depicted in contemporary and historical media.
  1. Jewish Identity and Representation:
    The journal investigates how Jewish identity is constructed, represented, and perceived in film and new media, analyzing the complexities and nuances of Jewish experiences.
  2. Cultural Critique and Historical Context:
    It provides critical examinations of historical contexts and cultural narratives surrounding Jewish filmmakers and their works, often addressing broader societal issues such as diaspora, gender, and ethnicity.
  3. Interdisciplinary Approaches:
    The journal employs interdisciplinary methodologies, integrating perspectives from cultural studies, film studies, gender studies, and Jewish studies to foster a comprehensive understanding of Jewish media.
  4. Focus on Diverse Voices:
    There is a consistent focus on diverse Jewish voices, including those from Mizrahi and other underrepresented communities, highlighting their contributions to the cinematic landscape.
  5. Exploration of Humor and Comedy:
    The exploration of humor, particularly Jewish humor in film and comedy, is a recurring theme, examining how it reflects and shapes Jewish identities and experiences.
The journal has shown a dynamic evolution in its thematic focus, with several emerging themes gaining traction in recent years. These themes reflect contemporary issues and the evolving landscape of Jewish film and media.
  1. Disability and Diaspora in Jewish Media:
    Recent publications highlight the intersection of disability, diaspora, and Jewish identity, indicating a growing interest in how these themes interact within the context of Jewish media.
  2. Feminist Perspectives in Jewish Cinema:
    There is an increasing focus on feminist critiques and representations of gender within Jewish cinema, showcasing women's voices and experiences in a historically male-dominated field.
  3. Post-Secular Jewish Identity:
    The exploration of post-secular identities and their representation in film reflects a trend towards understanding Jewish identity in the context of modern secularism and multiculturalism.
  4. Critiques of Capitalism and Realism:
    Emerging analyses of realism in Israeli cinema, particularly critiques of capitalism, suggest a growing interest in the socio-economic dimensions of Jewish narratives.
  5. Intersections of Jewish Humor and Social Commentary:
    An increasing number of studies are examining how Jewish humor serves as a form of social commentary, reflecting broader cultural and political themes.

Declining or Waning

While certain themes remain robust within the journal, others appear to be declining in prominence. This section highlights those waning scopes that have received less attention in recent publications.
  1. Traditional Narratives of Jewish History:
    There seems to be a decreasing focus on traditional narratives of Jewish history that do not intersect with contemporary themes, as the journal shifts towards more modern and diverse representations.
  2. Conventional Film Analysis:
    There is a noticeable decline in the analysis of conventional film techniques or mainstream Hollywood narratives, with a greater emphasis now on avant-garde and experimental approaches.
  3. Focus on Historical Figures without Contemporary Relevance:
    Research on historical figures in Jewish cinema that lacks contemporary relevance or connection to current Jewish identity discussions appears to be waning, as the journal prioritizes themes that resonate with today's sociopolitical climate.

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