Moving Image is a distinguished academic journal published by University of Minnesota Press, dedicated to the exploration and critical analysis of visual culture. With an ISSN of 1532-3978 and an E-ISSN of 1542-4235, this journal plays a vital role in advancing scholarship in the fields of Conservation, Visual Arts, and Performing Arts, offering insights from its notable publication history from 2013 to 2019 and again from 2021 to 2022. While it currently does not offer open access options, the journal is recognized as a crucial platform for disseminating research, reflected in its rankings—#442/667 in Visual Arts and Performing Arts and #87/103 in Conservation according to Scopus. Despite its placement in the Q4 quartile for both fields, Moving Image remains a key resource for scholars, students, and practitioners interested in the intricate dynamics of moving images in contemporary culture. Its commitment to fostering dialogue and innovation in visual studies ensures its relevance and influence within the academic community.

Convergence - The International Journal of Research into New Media Technologies, published by SAGE Publications Inc., stands at the forefront of scholarly discourse in the dynamic field of new media technologies. With an impressive impact factor reflected in its prestigious Q1 quartile rankings in both Arts and Humanities (miscellaneous) and Communication categories, this journal serves as a vital resource for researchers, professionals, and students. Since its inception in 1995, Convergence has been dedicated to exploring the intersections of media, technology, and communication, offering original research, critical reviews, and theoretical discussions that illuminate the evolving digital landscape. With a commitment to high-quality scholarship, Convergence is positioned as a premier venue for pioneering studies that shape our understanding of media technologies and their cultural implications, making it an essential read for anyone eager to stay informed and engaged with contemporary media research.

Jewish Film & New Media: An International Journal, published by Wayne State University Press, serves as a crucial platform for scholars and practitioners within the realms of Film Studies, Jewish Studies, and Media Studies. Since its inception, the journal has explored the intersection between Jewish culture and cinematic representation while also addressing contemporary media narratives. With an ISSN of 2169-0324 and E-ISSN 2169-0332, it is indexed in major databases, showcasing solid rankings in various disciplines, including a commendable Q2 rank in Visual Arts and Performing Arts. Despite its current Q4 categorizations in Anthropology and Communication, the journal is noted for its engaging contributions that sow rich discussions about Jewish identity, filmic expression, and media representation. Researchers and students alike benefit from the journal’s wealth of interdisciplinary scholarship, which spans converged years from 2013 to 2017 and 2019 to 2022, ensuring a robust timeline of critical inquiry. As an essential resource for understanding the nuances of Jewish film and new media, this journal occupies a unique niche, inviting contributions that push the boundaries of current academic dialogue.

HISTORICAL JOURNAL OF FILM RADIO AND TELEVISION, published by Routledge Journals, Taylor & Francis Ltd, is a leading academic publication that explores the intricate narratives of film, radio, and television throughout history. With an ISSN of 0143-9685 and an E-ISSN of 1465-3451, this journal has established itself as a vital resource for researchers and professionals within the fields of communication, history, and the visual arts, reflecting its commitment to rigorous scholarship since its inception in 1981. The journal occupies a reputable position in the academic landscape, recently categorized as Q4 in Communication and History, and Q3 in Visual Arts and Performing Arts, indicating its relevance in these fields. Despite the absence of Open Access options, the publication remains accessible to institutions and individuals eager to engage with critical analyses and historical perspectives on visual media. With its broad scope and historical emphasis, the HISTORICAL JOURNAL OF FILM RADIO AND TELEVISION is crucial for understanding the evolution of media and its impact on culture, making it an essential read for scholars and practitioners alike.

NEW GERMAN CRITIQUE is a prominent academic journal published by Duke University Press, focusing on the dynamic intersections of German studies, cultural theory, and social thought. With its ISSN 0094-033X and E-ISSN 1558-1462, this journal facilitates a critical dialogue within the Arts and Humanities and Cultural Studies fields. As a Q3-ranked journal in both categories as of 2023, it represents a significant platform for scholars exploring contemporary issues through a German lens, addressing themes of identity, memory, and cultural politics. Although NEW GERMAN CRITIQUE is not an open-access journal, it remains a crucial resource for researchers, professionals, and students interested in the evolving landscape of cultural studies, inviting contributions that foster innovative perspectives and facilitate intellectual exchange. Founded in 1988 and continuing its vital discourse into 2024, the journal is headquartered in Durham, North Carolina, and serves as a touchstone for those engaged in the complexities of modern German culture and its global implications.

FILM CRITICISM is a prestigious open-access journal dedicated to the study and review of cinema, offering a platform for scholars, critics, and students to engage deeply with the evolving landscape of film. Published by Film Criticism and based in the United States at Allegheny College, this journal has been contributing to film studies since 2002, with recent issues spanning from 2023 to 2024. Registered under ISSN 0163-5069, it is recognized in the Visual Arts and Performing Arts categories, achieving a commendable rank of #372 out of 667 in Scopus, placing it in the 44th percentile of its field. With an open-access policy implemented since 2016, FILM CRITICISM not only broadens accessibility to scholarly work but also enhances the dialogue around cinematic narratives, theories, and critiques. The journal's relevance is underscored by its current Q3 ranking, making it an essential resource for researchers and professionals alike who are invested in the critical examination of film.

JOURNAL OF POPULAR FILM AND TELEVISION, published by Routledge Journals, Taylor & Francis Ltd, stands as a significant platform for academic discourse in the realms of cultural studies, visual arts, and performing arts. With its ISSN: 0195-6051 and an evolving digital presence indicated by its E-ISSN: 1930-6458, the journal has carved out a respected niche since its inception in 1978, continuing to contribute to scholarly discussions through 2024. Its impact within the academic community is underscored by a Q3 ranking in Cultural Studies and a Q2 ranking in Visual Arts and Performing Arts for 2023, highlighting its relevance across diverse fields. Notably, with a Scopus ranking placing it in the 74th percentile among visual arts and performing arts journals, it serves as an essential reference point for researchers, professionals, and students committed to the critical examination of film and television. Although not an open-access journal, it provides valuable insights and analysis that enrich understanding of popular media's impact on society. The journal's location in the United States, with a headquarters in Abingdon, England, further affirms its international scope and influence.

Journal of British Cinema and Television, published by Edinburgh University Press, is a leading academic journal that explores the dynamic interplay between British cinema and television within the context of cultural studies. With an ISSN of 1743-4521 and E-ISSN of 1755-1714, this journal provides a platform for scholarly discourse, enabling researchers, professionals, and students to engage with critical analyses of screen media and its socio-political impact. As a Q3 journal in Communication and a Q1 journal in Visual Arts and Performing Arts for 2023, it occupies an influential position, particularly in the Arts and Humanities, where it ranks in the 90th percentile. The journal's scope encompasses a wide range of topics, from historical perspectives to contemporary practices in British visual culture, making it essential reading for anyone interested in the evolution and significance of screen studies in the UK. While it is not an open-access publication, the rigorous peer-review process ensures high academic standards and contributes to its esteemed reputation in the field. As it continues to converge from 2004 to 2024, the Journal of British Cinema and Television remains a vital resource for those seeking to deepen their understanding of British media and its global resonance.

Comunicacion y Hombre is a distinguished open-access journal published by UNIV FRANCISCO VITORIA, dedicated to advancing research and scholarship in the interdisciplinary fields of communication, media studies, and cultural studies. With an ISSN of 1885-365X and an E-ISSN of 1885-9542, this journal has been committed to disseminating high-quality research and innovative ideas since its inception in 2007. Situated in Madrid, Spain, it provides a platform for academics, professionals, and students to explore significant developments in communication theory and practice. The journal aims to foster dialogue and collaboration among researchers worldwide, encouraging the exchange of diverse perspectives that enrich the field. As an open-access journal, Comunicacion y Hombre ensures that research is freely available, promoting wider dissemination and impact. By addressing contemporary issues and challenges in communication, the journal plays a vital role in shaping scholarly discussions and informing practice in the ever-evolving landscape of human interaction and media.

New Review of Film and Television Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a vital platform for scholars and practitioners engaged in the dynamic fields of film and television studies within the United Kingdom. This journal, which has been in circulation since 2010 and will continue through 2024, provides a rigorous academic forum for contemporary research, critical analysis, and innovative discourse surrounding visual storytelling. With an impressive Scopus rank placing it in the 66th percentile for Visual Arts and Performing Arts, and a respectable Q2 categorization, the journal fosters an interdisciplinary approach, bridging communication and cultural studies. While the journal does not currently operate under an open access model, it remains an invaluable resource for researchers, students, and professionals aiming to understand and influence the evolving landscape of film and television in our digital age. As it navigates the intersection of media and society, New Review of Film and Television Studies is essential reading for those looking to advance their knowledge and contribute to the ongoing scholarly conversation.