Acta Universitatis Sapientiae-Film and Media Studies
Scope & Guideline
Fostering Interdisciplinary Dialogue in Cultural Studies
Introduction
Aims and Scopes
- Intermediality and Affective Engagement:
The journal frequently examines how different media interact and influence each other, particularly in terms of affective responses and viewer engagement. This includes the study of how intermedial techniques can evoke emotions and create unique viewing experiences. - Cultural Trauma and Memory:
Many publications delve into themes of cultural trauma and memory, exploring how films and media represent historical events and personal narratives. The journal highlights the role of cinema in shaping collective memory and addressing past traumas. - Participatory Media Practices:
The journal emphasizes participatory media, investigating how audiences can engage with and contribute to media productions. This includes participatory video projects and the role of the viewer as an active participant in media creation. - Genre and Aesthetic Analysis:
A significant focus is placed on genre studies and aesthetic analysis, with particular attention to how different genres convey meaning and emotion. This includes the exploration of horror, documentary, and experimental cinema. - Technological and Sensory Approaches:
The journal incorporates discussions about the technological aspects of film and media, including the sensory experience of viewing and the impact of new media technologies on narrative and representation.
Trending and Emerging
- Intermediality in Contemporary Media:
A strong trend in the journal is the exploration of intermediality, particularly how contemporary films and media utilize various techniques to create unique narratives and experiences. This reflects a broader interest in how different media forms influence storytelling. - Affective Intermediality:
The concept of affective intermediality is gaining prominence, as researchers examine how media elicits emotional responses from audiences. This theme connects to broader discussions about viewer engagement and the impact of media on personal and collective emotions. - Participatory and Community-Based Media:
There is an increasing focus on participatory media practices, with studies investigating the role of audiences as active participants in media creation. This trend highlights the importance of community engagement and social impact in media studies. - Crisis Narratives in Film:
Emerging themes around crisis narratives, particularly in relation to socio-political issues, are becoming more prevalent. This includes analyses of how films address contemporary crises, such as environmental issues, social justice, and cultural trauma. - Technological Impact on Narrative and Aesthetics:
The journal is also trending towards exploring the impact of new technologies on narrative structures and aesthetic choices in film and media. This includes discussions on how digital media transforms traditional storytelling methods.
Declining or Waning
- Traditional Film Criticism:
There appears to be a diminishing focus on conventional film criticism that emphasizes auteur theory or traditional narrative analysis. The journal's recent works lean more towards interdisciplinary approaches that incorporate cultural studies and audience engagement. - Static Genre Studies:
While genre studies remain relevant, the exploration of static or fixed genre conventions has lessened. The journal seems to be moving towards more fluid analyses of genre that consider hybrid forms and intermediality. - Historical Film Studies:
The analysis of historical films in a purely historical context is becoming less prevalent. Instead, there is a shift towards examining how historical narratives are constructed through intermediality or affective engagement, suggesting a broader interpretive lens. - Individual Author Studies:
There is a noticeable decline in studies focused exclusively on individual filmmakers or authors. The journal is increasingly favoring thematic and intermedial analyses that contextualize works within broader cultural and social frameworks.
Similar Journals
JOURNAL OF FILM AND VIDEO
Illuminating the Intersection of Film and TheoryThe JOURNAL OF FILM AND VIDEO, published by University of Illinois Press, is a pivotal academic platform that delves into the intricate intersections of film, video, and media studies. With a notable ISSN of 0742-4671 and E-ISSN 1934-6018, this journal has established itself as a significant contributor to the visual arts and performing arts field, currently positioned in Q3 of its category as per the 2023 quartiles. Spanning from 2002 to 2024, it presents a comprehensive array of research, critiques, and theoretical discussions that advance scholarly discourse in film and video. The journal encourages contributions that explore innovative narratives and methodologies, catering to a diverse readership of researchers, professionals, and students alike. While it maintains a traditional subscription model and is not open access, its impact is amplified through its Scopus ranking, holding the 323rd position out of 667 in the visual arts and performing arts category. With its commitment to fostering critical conversations and promoting scholarly excellence, the JOURNAL OF FILM AND VIDEO remains an essential resource for those invested in the study and understanding of film and media.
Music Sound and the Moving Image
Fostering Multidisciplinary Insights into Music and FilmMusic Sound and the Moving Image is an esteemed journal published by Liverpool University Press, focusing on the intricate relationships between music, sound, and the moving image. Since its inception, the journal has aimed to foster a multidisciplinary discourse, engaging scholars and practitioners across the fields of musicology, media studies, and visual arts. With an ISSN of 1753-0768 and an E-ISSN of 1753-0776, it has solidified its presence in the academic community, evidenced by its diverse impact reflected in Scopus rankings, including Rank #63/180 in Music and Percentile 65th. The journal's classification in Q3 for Music and its active coverage from 2018 to 2024 enhances its relevance, making it a pivotal resource for researchers and creators who explore the dynamic interplay of sound and imagery. Although currently not available as Open Access, the journal offers a robust platform for peer-reviewed articles, contributing to the advancement of knowledge in this rapidly evolving field.
HISTORICAL JOURNAL OF FILM RADIO AND TELEVISION
Connecting the Dots Between Media and Cultural HeritageHISTORICAL JOURNAL OF FILM RADIO AND TELEVISION, published by Routledge Journals, Taylor & Francis Ltd, is a leading academic publication that explores the intricate narratives of film, radio, and television throughout history. With an ISSN of 0143-9685 and an E-ISSN of 1465-3451, this journal has established itself as a vital resource for researchers and professionals within the fields of communication, history, and the visual arts, reflecting its commitment to rigorous scholarship since its inception in 1981. The journal occupies a reputable position in the academic landscape, recently categorized as Q4 in Communication and History, and Q3 in Visual Arts and Performing Arts, indicating its relevance in these fields. Despite the absence of Open Access options, the publication remains accessible to institutions and individuals eager to engage with critical analyses and historical perspectives on visual media. With its broad scope and historical emphasis, the HISTORICAL JOURNAL OF FILM RADIO AND TELEVISION is crucial for understanding the evolution of media and its impact on culture, making it an essential read for scholars and practitioners alike.
Comunicacion y Hombre
Empowering research to transform media practices.Comunicacion y Hombre is a distinguished open-access journal published by UNIV FRANCISCO VITORIA, dedicated to advancing research and scholarship in the interdisciplinary fields of communication, media studies, and cultural studies. With an ISSN of 1885-365X and an E-ISSN of 1885-9542, this journal has been committed to disseminating high-quality research and innovative ideas since its inception in 2007. Situated in Madrid, Spain, it provides a platform for academics, professionals, and students to explore significant developments in communication theory and practice. The journal aims to foster dialogue and collaboration among researchers worldwide, encouraging the exchange of diverse perspectives that enrich the field. As an open-access journal, Comunicacion y Hombre ensures that research is freely available, promoting wider dissemination and impact. By addressing contemporary issues and challenges in communication, the journal plays a vital role in shaping scholarly discussions and informing practice in the ever-evolving landscape of human interaction and media.
Journal of British Cinema and Television
Unveiling the Cultural Impact of Screen NarrativesJournal of British Cinema and Television, published by Edinburgh University Press, is a leading academic journal that explores the dynamic interplay between British cinema and television within the context of cultural studies. With an ISSN of 1743-4521 and E-ISSN of 1755-1714, this journal provides a platform for scholarly discourse, enabling researchers, professionals, and students to engage with critical analyses of screen media and its socio-political impact. As a Q3 journal in Communication and a Q1 journal in Visual Arts and Performing Arts for 2023, it occupies an influential position, particularly in the Arts and Humanities, where it ranks in the 90th percentile. The journal's scope encompasses a wide range of topics, from historical perspectives to contemporary practices in British visual culture, making it essential reading for anyone interested in the evolution and significance of screen studies in the UK. While it is not an open-access publication, the rigorous peer-review process ensures high academic standards and contributes to its esteemed reputation in the field. As it continues to converge from 2004 to 2024, the Journal of British Cinema and Television remains a vital resource for those seeking to deepen their understanding of British media and its global resonance.
Adaptation-The Journal of Literature on Screen Studies
Unveiling the Dynamics of Literature on Screen.Adaptation: The Journal of Literature on Screen Studies, published by Oxford University Press, stands at the forefront of interdisciplinary scholarship, blending the realms of literature, visual arts, and performing arts. This esteemed journal addresses the evolving relationship between literature and its adaptation into various screen formats, providing a vital platform for researchers, professionals, and students interested in the adaptation process across different media. With a commendable 2023 impact factor reflected by its recognition in the Q1 quartile categories for Literature and Literary Theory as well as Visual Arts and Performing Arts, it ranks in the top tiers of its field, showcasing its influence and reach. The journal is dedicated to exploring theoretical and practical approaches to adaptation, ensuring that voices from diverse perspectives are heard. Although it operates under traditional access models, the insights offered in its publications are invaluable for those looking to deepen their understanding of how literature translates into screen narratives. With coverage spanning from 2010 to 2024, Adaptation continues to be a pivotal reference point for innovative scholarship and critical discourse.
Aisthesis-Pratiche Linguaggi e Saperi dell Estetico
Advancing Dialogue in Aesthetic Practices and TheoriesAisthesis-Pratiche Linguaggi e Saperi dell Estetico is a distinguished journal published by FIRENZE UNIV PRESS, dedicated to the exploration of aesthetics and its intersection with language, knowledge, and practices in the arts. Since its inception, the journal has embraced an Open Access model, facilitating widespread dissemination of research since 2008, appealing to a global audience and fostering an inclusive academic dialogue. With a focus spanning across Philosophy, Visual Arts, and Performing Arts, it has established itself as a significant contribution to the field, achieving a Q3 categorization in both Philosophy and Visual Arts and Performing Arts as of 2023. Ranked comfortably within the Scopus indexing, the journal currently sits at Rank #305 in Visual Arts and Performing Arts and Rank #475 in Philosophy, reflecting its growing influence. The converged years from 2017 to 2023 mark a period of robust scholarly engagement and innovative contributions. For researchers, professionals, and students alike, Aisthesis remains a vital resource for contemporary discourse in aesthetics and an essential platform for the exchange of ideas.
Moving Image
Exploring the Dynamics of Visual CultureMoving Image is a distinguished academic journal published by University of Minnesota Press, dedicated to the exploration and critical analysis of visual culture. With an ISSN of 1532-3978 and an E-ISSN of 1542-4235, this journal plays a vital role in advancing scholarship in the fields of Conservation, Visual Arts, and Performing Arts, offering insights from its notable publication history from 2013 to 2019 and again from 2021 to 2022. While it currently does not offer open access options, the journal is recognized as a crucial platform for disseminating research, reflected in its rankings—#442/667 in Visual Arts and Performing Arts and #87/103 in Conservation according to Scopus. Despite its placement in the Q4 quartile for both fields, Moving Image remains a key resource for scholars, students, and practitioners interested in the intricate dynamics of moving images in contemporary culture. Its commitment to fostering dialogue and innovation in visual studies ensures its relevance and influence within the academic community.
Journal of African Media Studies
Connecting Culture and Society Through Media Research.Journal of African Media Studies, published by INTELLECT LTD, stands at the forefront of communication research, focusing on the rich tapestry of media practices and theories across the African continent. Since its inception in 2011, this peer-reviewed journal has dedicated itself to exploring the intricate relationships between media, culture, and society in Africa, contributing significantly to the global discourse on communication. With an impressive impact factor positioning it in Q2 of the Communication category for 2023, and ranking #218 out of 511 in the Scopus Social Sciences Communication field, it offers a rigorous platform for scholars and practitioners alike. The journal's commitment to quality research is evident in its robust editorial process and its regular publication of articles that delve into contemporary issues affecting African media landscapes. Despite being a subscription-based journal, it attracts an engaged readership interested in accessing critical insights and advancing knowledge in media studies. As it converges its timeline towards 2024, Journal of African Media Studies continues to be an essential resource for researchers, professionals, and students eager to contribute to and explore the evolving narratives of African media.
NEW GERMAN CRITIQUE
Unpacking Cultural Politics Through a German LensNEW GERMAN CRITIQUE is a prominent academic journal published by Duke University Press, focusing on the dynamic intersections of German studies, cultural theory, and social thought. With its ISSN 0094-033X and E-ISSN 1558-1462, this journal facilitates a critical dialogue within the Arts and Humanities and Cultural Studies fields. As a Q3-ranked journal in both categories as of 2023, it represents a significant platform for scholars exploring contemporary issues through a German lens, addressing themes of identity, memory, and cultural politics. Although NEW GERMAN CRITIQUE is not an open-access journal, it remains a crucial resource for researchers, professionals, and students interested in the evolving landscape of cultural studies, inviting contributions that foster innovative perspectives and facilitate intellectual exchange. Founded in 1988 and continuing its vital discourse into 2024, the journal is headquartered in Durham, North Carolina, and serves as a touchstone for those engaged in the complexities of modern German culture and its global implications.