RENAISSANCE QUARTERLY, published by Cambridge University Press, is a premier academic journal dedicated to the exploration and scholarship of Renaissance studies, encompassing history, literature, and the visual and performing arts. With an impressive impact factor reflecting its scholarly significance, it holds a distinguished position in the prestigious Q2 quartile across various categories, including History, Literature and Literary Theory, and Visual Arts and Performing Arts as of 2023. The journal caters to a broad audience of researchers, professionals, and students eager to engage deeply with Renaissance scholarship through a curated collection of articles, reviews, and critical essays. Although it does not provide open access options, RENAISSANCE QUARTERLY plays an essential role in advancing the academic discourse of the Renaissance period, fostering connections within the global scholarly community. Since its inception in 1971, it has continuously contributed valuable insights and perspectives on the multifaceted dimensions of Renaissance culture, making it a vital resource for anyone invested in this rich field of study.

Artibus et Historiae is a distinguished academic journal published by IRSA PUBLISHING HOUSE, focusing on the fields of Visual Arts and Performing Arts within the broader scope of Arts and Humanities. With an ISSN of 0391-9064, this journal has become a crucial platform for the dissemination of scholarly research, critical discourse, and innovative ideas in art history and visual culture. Though its coverage in Scopus was discontinued in 2018, it maintained a respectable ranking of #279 out of 502 in its category, placing it in the 44th percentile. This positions Artibus et Historiae as a respected contributor to scholarly conversations in its field. Researchers, professionals, and students will find valuable insights and analyses that deepen their understanding of artistic practices and historical contexts. While not an open-access journal, it aims to bridge the gap between academia and broader audiences interested in the dynamic interplay of art and history.

EIGHTEENTH-CENTURY LIFE is a prominent academic journal published by DUKE UNIVERSITY PRESS, focusing on the interdisciplinary study of the 18th century through the lenses of Cultural Studies, History, Literature, and the Visual Arts and Performing Arts. With an established history since 1977, this journal serves as a vital platform for scholars and students to publish innovative research and critical discourse, shedding light on the complex social, political, and artistic currents of the 18th century. Despite its current ranking in the lower quartiles according to Scopus, the journal continues to foster scholarly dialogue and contribute to the understanding of this pivotal era in Western history. Its accessible yet scholarly articles make it a valuable resource for researchers, educators, and students alike, facilitating engagement with 18th-century studies from various disciplinary perspectives.

The Netherlands Yearbook for History of Art-Nederlands Kunsthistorisch Jaarboek, published by BRILL, serves as a critical platform for scholarly discourse in the field of art history, specifically focusing on visual arts and performing arts. With an ISSN of 0169-6726 and an E-ISSN of 2214-5966, this journal fosters a deeper understanding of historical contexts and contemporary issues within the art sector. Although currently categorized in the Q4 quartile of Visual Arts and Performing Arts, it provides valuable insights and promotes interdisciplinary studies that enrich the academic narrative surrounding art history. Researchers, professionals, and students alike will find this journal instrumental in accessing rigorous peer-reviewed articles, case studies, and critical essays that span converged years from 2002 to 2003, 2005 to 2006, 2008 to 2011, 2013 to 2017, and 2019 to 2022. As the realm of art history continues to evolve, this publication remains a vital resource for exploring the cultural significance and historical legacy of artistic practice.

ART HISTORY is a prestigious journal published by Wiley, focusing on the dynamic and diverse field of visual arts and performing arts since its inception in 1978. With an ISSN of 0141-6790 and an E-ISSN of 1467-8365, the journal has established itself as a significant resource for researchers, professionals, and students interested in exploring the complexities of art across various epochs and cultures. Currently ranked in the Q3 category within the Visual Arts and Performing Arts sector and positioned at #132 out of 667 in Scopus rankings—representing the top 80th percentile—ART HISTORY delivers insightful scholarship that contributes to the understanding and appreciation of art history. Although it does not offer open access, the journal remains committed to publishing high-quality, peer-reviewed articles that delve into critical artistic practices, theories, and aesthetics. The journal's location in the United Kingdom further enhances its international reach and influence, making it a vital platform for advancing discourse in the arts.

Atalante-Revista de Estudios Cinematograficos, an esteemed open-access journal published by ASOC CINEFORUM L ATALANTE, has been a vital platform for scholarly discourse in the fields of Cultural Studies, History, and Visual Arts and Performing Arts since its inception in 2011. With a commitment to promoting innovative research and critical analyses, Atalante has earned a commendable reputation, achieving Q2 status in Cultural Studies and both Q1 rankings in History and Visual Arts for 2023. Based in Valencia, Spain, this journal not only serves as a conduit for scholars to disseminate findings but also provides unrestricted access to its contents since 2013, fostering a more informed and engaged academic community. With its diverse range of topics and the ability to access high-quality research at no cost, Atalante plays a crucial role in advancing the understanding of cinematic studies and its contextual significance in broader cultural narratives.

Quintana-Revista do Departamento de Historia da Arte, published by the Universidade de Santiago de Compostela, is a distinguished academic journal that focuses on the critical analysis and exploration of visual arts and performing arts. With its ISSN 1579-7414 and E-ISSN 2340-0005, this journal serves as a vital platform for researchers, professionals, and students interested in the depth of art history and cultural discourse. Operating under a Q4 category in the realm of Visual Arts and Performing Arts, the journal is committed to fostering scholarly dialogue and advancing knowledge in the field. Though it currently does not offer open access options, it remains an invaluable resource for those aiming to contribute to and understand the evolving landscape of art history. The journal covers converged years from 2011 to 2012 and 2014 to 2024, highlighting its ongoing relevance and adaptability to contemporary discussions. As it continues to enhance its visibility and impact within the 20th percentile of its category according to Scopus rankings, Quintana invites contributions that deepen our understanding of artistic expression and cultural heritage.

Oxford Art Journal, published by Oxford University Press, serves as a vital platform for scholarly discourse in the fields of History, Visual Arts, and Performing Arts. With an ISSN of 0142-6540 and an E-ISSN of 1741-7287, this esteemed journal has cultivated a rich academic presence since its inception, reflecting a deep commitment to exploring the intricacies of art history and contemporary visual culture. Holding a Q2 ranking in Visual Arts and Performing Arts and a Q3 ranking in History for the year 2023, the journal features rigorous peer-reviewed articles that push the boundaries of research and offer new insights into artistic practices. Although not offering open access, the journal is widely respected for its contributions to the academic community, making it invaluable for researchers, professionals, and students deeply engaged in art studies. For those seeking a comprehensive understanding of the visual arts landscape, the Oxford Art Journal remains an indispensable resource.

Ogigia-Revista Electronica de Estudios Hispanicos is a distinguished academic journal published by EDICIONES UNIV VALLADOLID in Spain, focusing on the rich field of Hispanic studies including literature, linguistics, and education. Since it became an Open Access journal in 2013, it has provided a platform for scholars and practitioners to disseminate their research widely, fostering critical engagement and dialogue within the global academic community. As of 2023, the journal holds various category quartiles, reflecting its impact in relevant disciplines—ranked in Q4 in Education, Q3 in Linguistics and Language, and Q2 in Literature and Literary Theory. In the Scopus metrics, it occupies the 54th percentile in Literature and Literary Theory, underscoring its significant contribution to the field. Its core objective is to explore themes pertinent to Hispanic culture and language, providing an essential resource for researchers, educators, and students engaged with the intricacies of Spanish studies.

Yale French Studies is a prominent academic journal published by Yale University Press in the United States, dedicated to advancing the discourse on Francophone literature, culture, and thought. With an ISSN of 0044-0078, this journal serves as a vital platform for interdisciplinary scholarship, encompassing areas such as cultural studies, history, and sociology. Although it operates under a traditional subscription model, its contributions are significant, particularly between the converged years spanning 2002 to 2014, 2018 to 2019, and 2021 to 2023. The journal currently holds Q4 rankings in various categories, including cultural studies and visual arts, and offers rich, scholarly insights that are crucial for researchers, professionals, and students alike. As an esteemed publication in the realm of literature and literary theory, Yale French Studies is instrumental in fostering a deeper understanding of French cultural contexts and their global implications, marking it as an essential resource for anyone engaged in Francophone studies.