ART IN AMERICA is a prominent journal dedicated to the exploration and critique of contemporary visual arts and practices within the United States and beyond. Published by BRANT PUBL, INC, the journal serves as an authoritative platform for scholars, artists, and enthusiasts alike, fostering vibrant dialogue and insightful analysis in the field of art. With an ISSN of 0004-3214 and a legacy dating back to 1979, ART IN AMERICA has established itself within the Q4 category of Visual Arts and Performing Arts according to the 2023 category quartiles. Although the journal currently does not offer Open Access options, it remains accessible to a diverse readership through its distribution across libraries and institutions. The journal's significance is underscored by its ability to spotlight emerging trends, critique canonical works, and promote diverse artistic voices amidst a constantly evolving cultural landscape. Researchers, professionals, and students will find ART IN AMERICA not only a valuable resource for scholarly discourse but also an essential guide to understanding the complexities and intricacies of the American art scene.

Baltic Journal of Art History is a prominent academic journal published by UNIV TARTU PRESS, focusing on the rich tapestry of art historical research within the Baltic region and beyond. With its ISSN 1736-8812 and E-ISSN 2346-5581, the journal serves as a vital platform for scholars, artists, and historians to disseminate innovative findings and critical analyses in the fields of History and Visual Arts and Performing Arts. Established in 2017, it has gained recognition in academic circles, achieving a Q3 ranking in History and a Q2 ranking in Visual Arts and Performing Arts as of 2023. Despite not being open access, the journal continues to attract a diverse readership eager to engage with its rigorous, peer-reviewed content. Situated in Estonia, the journal not only enriches the regional scholarly discourse but also contributes significantly to global conversations on art history. Positioned at a pivotal intersection of various disciplines, the Baltic Journal of Art History invites researchers and practitioners alike to explore the aesthetic and cultural narratives that shape our understanding of art.

RACAR - Revue d'Art Canadienne (Canadian Art Review), published by the University Art Association of Canada, stands as a pivotal academic journal in the field of Canadian art history and cultural studies. With its ISSN 0315-9906 and E-ISSN 1918-4778, RACAR serves as a vital platform for scholarly research and discourse, aiming to illuminate the rich tapestry of Canada's artistic heritage. Although not an open-access journal, it is committed to disseminating high-quality peer-reviewed articles that contribute to the ongoing dialogue about art in Canada. The journal's focus encompasses a diverse range of topics, from contemporary visual arts to historical investigations, appealing to researchers, professionals, and students alike. Based at the Department of History in Art at University of Victoria, RACAR fosters a critical understanding of Canadian art within broader national and global contexts, making it an essential resource for anyone engaged in this vibrant field of study.

Experiment-A Journal of Russian Culture is a distinctive publication dedicated to exploring the multifaceted dimensions of Russian culture, encompassing literature, art, and social history. Published by BRILL, a respected name in academic publishing, this journal provides a platform for original research and insightful discourse, fostering a deeper understanding of Russia's rich cultural heritage. With an ISSN of 1084-4945 and an E-ISSN of 2211-730X, the journal is organized in a quarterly format, although it has seen varied publication years from 1996 through 2023. While it currently holds a Q4 ranking in both Cultural Studies and Visual Arts and Performing Arts, its commitment to interdisciplinary inquiry makes it a vital resource for researchers, professionals, and students interested in contemporary and historical Russian cultural phenomena. Despite its modest impact factors, the journal remains an essential platform for the dissemination of critical perspectives and theoretical frameworks, contributing to the ongoing dialogue about Russian identity and its artistic representations. The journal is available in print and may have limited digital access options, making it all the more precious for collectors and libraries committed to cultural studies.

Wacana Seni-Journal of Art Discourse, published by Penerbit Universiti Sains Malaysia, is a premier academic journal that has been a pivotal platform for the exploration and engagement of interdisciplinary studies within the fields of Cultural Studies, Music, and Visual Arts and Performing Arts. With its ISSN 1675-3410 and E-ISSN 1985-8418, the journal has established itself as an influential resource since its inception in 2011, now spanning up to 2023. Recognized in the Q2 category within multiple disciplines, Wacana Seni ranks impressively among its peers, reflecting its commitment to high-quality research, as evidenced by its admirable rankings within Scopus. The journal aims to foster dialogue and disseminate cutting-edge scholarship that enhances the understanding and appreciation of art in its myriad forms, thus inviting contributions from researchers, professionals, and students alike to further enrich the discourse in the arts. Based in Penang, Malaysia, and committed to open access, Wacana Seni serves as a vital conduit for knowledge exchange within the global art community.

Nineteenth-Century Art Worldwide is a premier open-access journal dedicated to the exploration and critical analysis of art from the nineteenth century, published by the Association of Historians of Nineteenth-Century Art. Since its inception in 2002, this journal has provided a platform for innovative research that spans various methodologies and perspectives within the field of art history. With an impact factor that reflects its growing influence, the journal has maintained a steady role in advancing scholarship related to both visual and performing arts, evidenced by its rankings within the Scopus database. It currently holds a Q3 status in Visual Arts and Performing Arts and Q4 in Arts and Humanities, underscoring its relevance among contemporary academic discourse. The journal is hosted in the United States, specifically at Seton Hall University, and aims to foster scholarly dialogue while enhancing accessibility to important research. By engaging with the cultural and artistic practices of the nineteenth century, Nineteenth-Century Art Worldwide serves as an invaluable resource for researchers, professionals, and students alike, ensuring that the legacy of this pivotal period in art history remains vibrant and well-documented.

Third Text is a premier academic journal dedicated to the critical engagement with cultural and artistic practices, serving as a vital platform for scholars and practitioners in the fields of Cultural Studies and Visual Arts and Performing Arts. Published by Routledge Journals, Taylor & Francis Ltd in the United Kingdom, this journal has steadily established itself as a leader in its field since its inception in 1987. With an impressive Q2 ranking in both categories as of 2023, Third Text is noted for its rigorous peer-reviewed research and thought-provoking analysis, contributing significantly to contemporary discourse in the arts. While the journal maintains a traditional publication model, it offers a rich array of scholarly articles aimed at fostering dialogue and innovation among researchers, professionals, and students alike. Researchers looking to explore intricate cultural dynamics and the intersections of art, society, and politics will find Third Text an indispensable resource in their academic journey.

Umeni-Art is a prominent journal in the field of visual arts and performing arts, published by the Institute of Art History, Academy of Sciences, Czech Republic. With its ISSN 0049-5123 and E-ISSN 1804-6509, the journal has established itself as a critical platform for scholarly discourse and artistic expression since its inception in 2002. Although currently classified in Q4 within the Arts and Humanities category, it aims to elevate the understanding and appreciation of the arts through rigorous research and innovative perspectives. The journal's Scopus ranking places it at Rank #573/667, reflecting its growing contribution to the field and expanding reach within the artistic community. With a focus on fostering collaboration among researchers, practitioners, and students, Umeni-Art seeks to enrich the academic landscape with significant findings and discussions that inspire future research and creative endeavors. While it does not offer open access, the journal remains a valuable resource for those vested in exploring the dynamic interplay between art, culture, and society in the contemporary context.

Taida Journal of Art History, published by NATIONAL TAIWAN UNIVERSITY, GRADUATE INSTITUTE OF ART, is a pioneering academic journal dedicated to the exploration and critique of art history, particularly within the unique cultural context of Taiwan. Since its inception in 2018, the journal has become an important platform for scholarly discourse, offering insights into the evolution of visual arts and performing arts, alongside comprehensive studies in history. With an ISSN of 1023-2095, it currently ranks within the Q4 category in Arts and Humanities (Miscellaneous) and the Q3 category in History and Visual Arts and Performing Arts, indicating its growing influence in these fields. Researchers, professionals, and students alike can benefit from its rigorous peer-reviewed articles that bridge theoretical frameworks with practical applications, making it an essential resource for those engaged in the arts and humanities. This commitment to fostering academic excellence is reflected in its Scopus rankings, where it stands at Rank #338/667 in Visual Arts and Performing Arts and Rank #1027/1760 in History. Engage with the Taida Journal of Art History to gain deeper insights into the evolving narratives of artistic expression.

CONNAISSANCE DES ARTS, published by SFPA-CONNAISSANCE ARTS, is a prominent French journal that has been enriching the landscape of Visual Arts and Performing Arts since its inception in 1969. With an ISSN of 0293-9274, this journal offers a platform for critical exploration and scholarly discourse, making notable contributions especially in the realms of art history, criticism, and contemporary artistic practices. Although the journal currently holds a Q4 quartile ranking in its category and ranks in the lower echelon of Scopus ranks (#638 out of 667), its focus on niche topics within the arts makes it a valuable resource for researchers and professionals who seek to engage with less mainstream topics that often go overlooked. The journal publishes insightful articles, reviews, and essays, contributing to the nurturing of artistry and culture in France and beyond. While it is not an open-access publication, the journal remains a significant entity for academics and practitioners keen on advancing their understanding of visual and performing arts. For further engagement with the journal, interested parties can reach out or submit inquiries to its address at 51 RUE VIVIENNE, 75095 PARIS CEDEX 02, FRANCE.