LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE

Scope & Guideline

Bridging the Gap Between Sound and Culture

Introduction

Welcome to your portal for understanding LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE, featuring guidelines for its aims and scope. Our guidelines cover trending and emerging topics, identifying the forefront of research. Additionally, we track declining topics, offering insights into areas experiencing reduced scholarly attention. Key highlights include highly cited topics and recently published papers, curated within these guidelines to assist you in navigating influential academic dialogues.
LanguageGerman
ISSN1619-0548
PublisherWAXMANN VERLAG GMBH
Support Open AccessNo
CountryGermany
TypeJournal
Convergefrom 2002 to 2005, from 2008 to 2014, from 2017 to 2019, 2021, 2023 (coverage discontinued in Scopus)
AbbreviationLIED POP KULT / Lied pop. Kult.
Frequency1 issue/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressSTEINFURTER STRASSE 555, MUNSTER, 48159, GERMANY

Aims and Scopes

The journal 'LIED UND POPULARE KULTUR-SONG AND POPULAR CULTURE' focuses on the multifaceted realms of song and popular music, exploring their cultural, social, and historical dimensions. It aims to bridge academic inquiry with practical understandings of music as a sociocultural phenomenon.
  1. Transcultural and Global Perspectives:
    The journal emphasizes transcultural studies, examining how music transcends geographical and cultural boundaries, and how global influences shape local music practices.
  2. Historical Contextualization:
    It provides historical analyses of popular music, exploring how past events influence contemporary music trends and cultural practices.
  3. Interdisciplinary Approaches:
    The journal encourages interdisciplinary research, integrating perspectives from musicology, sociology, anthropology, and cultural studies to enrich the understanding of popular music.
  4. Cultural Critique and Reflection:
    It engages in critical discussions about the politics of music, including issues of representation, identity, and cultural appropriation within the realm of popular music.
  5. Community and Identity Formation:
    Research often focuses on how music contributes to community building and identity formation in various cultural contexts.
Recent publications in the journal highlight several trending and emerging themes that reflect the evolving landscape of popular music studies. These themes are indicative of current sociocultural dynamics and academic interests.
  1. Postcolonial Music Studies:
    There is a growing focus on postcolonial critiques of music, examining how colonial histories influence contemporary musical practices and identities.
  2. Diversity and Inclusion in Music:
    Recent articles increasingly address issues of diversity and inclusion within music, exploring how various communities navigate representation and cultural expression.
  3. Digital and Technological Influences:
    The impact of digital technology on music creation, distribution, and consumption is becoming a prominent theme, reflecting the current media landscape.
  4. Health and Wellbeing through Music:
    Emerging studies investigate the role of music in promoting health and wellbeing, emphasizing therapeutic applications and social cohesion.
  5. Gender and Feminist Music Scholarship:
    There is an increased interest in feminist perspectives within music scholarship, especially in relation to popular music and its cultural implications.

Declining or Waning

While the journal has consistently addressed many themes within popular music studies, certain topics appear to be declining in prominence over recent years. This may reflect shifting academic interests or broader changes in the cultural landscape.
  1. Traditional Music Forms:
    There is a noticeable decrease in the publication of studies focused on traditional music forms, suggesting a potential shift towards contemporary and hybrid musical practices.
  2. Regionalism in Music Studies:
    Themes centered on regional identity, although still present, seem to be less frequently explored compared to global and transcultural perspectives.
  3. Historical Music Analysis:
    The focus on historical music analysis, particularly pre-20th century music, appears to be waning, as contemporary issues and modern music practices gain more attention.
  4. Formal Music Education Studies:
    Research related to formal music education, particularly in traditional contexts, is less prevalent, indicating a possible shift towards informal learning and community-based music practices.
  5. Ethnomusicological Studies:
    While ethnomusicology remains significant, there seems to be a decline in purely ethnomusicological studies that do not intersect with contemporary or popular music phenomena.

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