Media History

Scope & Guideline

Advancing Knowledge at the Crossroads of Media and History

Introduction

Welcome to the Media History information hub, where our guidelines provide a wealth of knowledge about the journal’s focus and academic contributions. This page includes an extensive look at the aims and scope of Media History, highlighting trending and emerging areas of study. We also examine declining topics to offer insight into academic interest shifts. Our curated list of highly cited topics and recent publications is part of our effort to guide scholars, using these guidelines to stay ahead in their research endeavors.
LanguageEnglish
ISSN1368-8804
PublisherROUTLEDGE JOURNALS, TAYLOR & FRANCIS LTD
Support Open AccessNo
CountryUnited Kingdom
TypeJournal
Converge2001, from 2010 to 2024
AbbreviationMEDIA HIST / Media Hist.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND

Aims and Scopes

The journal 'Media History' primarily focuses on the intersection of media studies with historical narratives, emphasizing feminist perspectives, community building, and the role of media in shaping cultural identities. It aims to explore diverse methodologies that reflect on cinema, archival practices, and the politics of representation.
  1. Feminist Media Studies:
    The journal emphasizes feminist approaches to media, exploring how gender influences representation and production in film and other media forms.
  2. Archival Research and Curation:
    A core focus is on the role of archiving in preserving marginalized voices and histories, highlighting the importance of curation in media history.
  3. Community and Activism:
    The journal addresses themes of community building and activism through media, particularly how media can serve as a tool for social change and solidarity.
  4. Cultural and Historical Analysis:
    It engages in cultural histories, analyzing how media reflects and shapes societal norms, identities, and historical narratives.
  5. Digital Media and New Technologies:
    The journal explores the impact of digital media on traditional narratives, including the implications of new technologies on archiving and representation.
Recent publications in 'Media History' reflect emerging trends that indicate a dynamic evolution of themes and methodologies within the journal. This section outlines the prominent and rising areas of interest.
  1. Intersectionality in Media Studies:
    There is a growing trend towards exploring intersectionality, particularly how various identities (gender, race, sexuality) intersect in media representations and practices.
  2. Activist and Community-Based Media:
    Emerging themes focus on media as a tool for activism, emphasizing community-based media practices that challenge dominant narratives and foster solidarity.
  3. Digital Archiving and New Media:
    The rise of digital archiving practices is increasingly featured, reflecting on how technology reshapes the preservation and interpretation of media history.
  4. Queer and Trans Narratives:
    There is an upsurge in research focusing on queer and trans narratives, showcasing their significance in media and the importance of representation in historical contexts.
  5. Global Perspectives on Media History:
    The journal is expanding its scope to include more global perspectives, examining how different cultures engage with media history and representation, thereby diversifying its academic discourse.

Declining or Waning

While 'Media History' continues to engage with a variety of themes, some areas have shown a decline in focus over recent years. This section highlights those waning themes that have become less prominent in recent publications.
  1. Traditional Film Analysis:
    There is a noticeable decrease in papers focused solely on traditional film analysis without a feminist or activist lens, indicating a shift towards more contemporary and intersectional approaches.
  2. Mainstream Media Critique:
    Critiques of mainstream media practices seem to be less frequent, as the journal pivots towards exploring alternative media narratives and grassroots movements.
  3. Historical Media Technologies:
    Discussions centered around older media technologies without a critical or feminist perspective are appearing less often, suggesting a move towards contemporary relevance.
  4. Generalized Media Theory:
    The journal has moved away from broad media theories that do not connect to specific cultural or historical contexts, favoring more nuanced and localized discussions.

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