Welcome to Ekphrasis-Images Cinema Theory Media, an academic journal dedicated to exploring the intersections of visual arts, cinema, and media studies. Published by the esteemed BABES-BOLYAI UNIVERSITY, FACULTY OF THEATRE & TELEVISION in Romania, this journal serves as a critical platform for scholars and practitioners to disseminate groundbreaking research and innovative ideas within these vibrant fields. With an ISSN of 2067-631X and an E-ISSN of 2559-2068, Ekphrasis is committed to enhancing the discourse surrounding contemporary visual culture, as evidenced by its Scopus rankings in the arts and humanities categories. Aiming to contribute to academic discussions from 2019 to 2024, it invites submissions that challenge conventional perspectives and promote new methodologies. Although currently positioned in the Q4 category for Communication and Q3 for Visual Arts and Performing Arts, the journal is poised for growth and aims to increase its impact factor through the openness of scholarly exchange and rigorous peer review. Join us in advancing the critical discourse at the crossroads of art and media!

Italian Studies, published by Routledge Journals, Taylor & Francis Ltd, stands as a distinguished academic platform in the fields of Cultural Studies, History, Linguistics, Language, Literature, and the Visual Arts. Established in 1937, this journal has fostered scholarly dialogue and innovation through its robust contributions and in-depth analyses that bridge historical and contemporary perspectives on Italian culture. With an impressive ranking in Q2 and Q3 quartiles across multiple categories, including Literature and Literary Theory, and a current impact factor reflecting its growing influence, Italian Studies serves as an essential resource for researchers, professionals, and students alike. Although not an open-access journal, it remains accessible via institutional subscriptions, ensuring that a wide audience can engage with its critically acclaimed research and articles. Located in the UK, Italian Studies continues to advance the understanding of Italy's rich cultural heritage, making it a vital cornerstone for those invested in the humanities and social sciences.

Film International is a prominent journal dedicated to the exploration of film and its cultural, social, and artistic significance. Published by INTELLECT LTD, this journal serves as a platform for interdisciplinary studies in the field of film criticism, theory, and scholarship, contributing valuable insights from both established and emerging researchers. With an ISSN of 1651-6826 and an E-ISSN of 2040-3801, the journal is an essential resource for those engaged in the realms of communication, cultural studies, and visual arts, though it is currently classified in the lower quartiles of these fields (Q4). Noteworthy for its critical perspectives and diverse content, Film International enhances the dialogue surrounding cinematic practices and their impact on society. Researchers, professionals, and students can explore its rich assemblage of articles and reviews that reflect the evolving landscape of film studies, making it a significant addition to the academic community focused on the art of film.

Transnational Screens is a premier academic journal published by Taylor & Francis Ltd, focusing on the dynamic intersections of visual arts, performing arts, and communication in a globalized context. Since its inception, the journal has garnered significant recognition, featuring in the Q1 category for Visual Arts and Performing Arts and Q3 for Communication as of 2023, reflecting its influential contributions to these fields. With a Scopus ranking placing it in the 78th percentile in Visual Arts and Performing Arts, this journal serves as a vital platform for researchers, professionals, and students aiming to explore the implications of transnational narratives in contemporary media and artistic practices. The journal is accessible to a diverse readership and promotes open dialogue through its commitment to publishing innovative and interdisciplinary research from 2020 to 2024. As a key resource for understanding the complexities of transnational screens, it invites submissions that push the boundaries of traditional scholarship and engage with pressing global issues through the lens of the visual and performing arts.

MILLENNIUM FILM JOURNAL, published by MILLENNIUM FILM WORKSHOP INC, stands as a pivotal platform for exploration and discourse within the realm of film studies. With its ISSN 1064-5586, the journal has been noteworthy in delineating the complexities of visual arts and performing arts, contributing significantly to academic scholarship between the years 2009 to 2016, and in 2018. Though its coverage has been discontinued in Scopus, the journal has attained a respectable position within its category, ranking #320 out of 502 in the Arts and Humanities field. Researchers, professionals, and students alike are invited to engage with interdisciplinary discussions that illuminate the cultural and theoretical dimensions of cinema. While currently not offering open access options, the journal continues to serve as a vital resource for those deeply invested in the study of film, making it a respected voice in visual arts and performance research.

Feminist Media Studies is a leading academic journal published by Routledge Journals, Taylor & Francis Ltd, dedicated to the exploration and critical analysis of the intersections between media, gender, and feminism. With an ISSN of 1468-0777 and an E-ISSN of 1471-5902, this esteemed publication has established itself over its converged years from 2001 to 2024 as a pivotal platform for innovative research in the fields of communication, gender studies, and visual arts. Recognized for its excellence, the journal proudly ranks in the Q1 category in all three of its primary fields and is positioned in the top percentiles across various Scopus rankings. Although not open access, the journal provides crucial discourse that furthers an understanding of feminist perspectives in media, making it an invaluable resource for researchers, practitioners, and students alike. With its commitment to advancing knowledge and fostering dialogue, Feminist Media Studies continues to shape the terrain of feminist media scholarship.

Film History, published by Indiana University Press, is a premier academic journal that delves into the evolving landscape of cinema, illuminating the intricate interplay between historical narratives and film culture. With ISSN 0892-2160, and E-ISSN 1553-3905, this journal has established itself as a crucial resource for researchers, professionals, and students in the fields of history and visual arts. Recognized in the Q2 category for both History and Visual Arts and Performing Arts as of 2023, it boasts impressive Scopus rankings, securing #152 out of 667 in Visual Arts and Performing Arts, and #524 out of 1760 in History, placing it in the top 30th percentile. Although it does not currently offer open access options, the journal provides a wealth of scholarly articles that critically engage with film as a historical text, fostering a deeper understanding of its role in shaping societal narratives. Since its inception in 1987, Film History has been at the forefront of academic discourse, making it an invaluable resource for those seeking to explore the rich tapestry of cinematic history.

Bioscope-South Asian Screen Studies is an influential journal dedicated to advancing the field of screen studies in the South Asian context, published by SAGE Publications India Pvt Ltd. With an ISSN of 0974-9276 and an E-ISSN of 0976-352X, this journal spans a convergence of scholarly research from 2010 to 2024, providing a significant platform for interdisciplinary dialogue. Holding a Q3 rating in Communication and a Q2 rating in Visual Arts and Performing Arts in the 2023 category quartiles, it ranks 212th in its field on Scopus, reflecting its vital contribution to academic discourse. Bioscope aims to explore and critically analyze the rich tapestry of South Asian cinema, media, and performance arts, offering researchers, professionals, and students a valuable resource for deepening their understanding of regional and global cinematic narratives. Readers will find insightful articles that probe the cultural, social, and political dimensions of screen studies, making this journal an essential reference for anyone engaged in the evolving landscape of South Asian visual culture.

Zibaldone-Estudios Italianos de La Torre del Virrey, published by AJUNTAMIENTO ELIANA, is a distinguished open-access journal that has been contributing to the field of Italian studies since its inception in 2013. With its ISSN 2255-3576, this journal serves as an essential platform for researchers, scholars, and students interested in exploring the rich cultural, literary, and historical aspects of Italy. Though the journal's H-index and specific ranking metrics are yet to be established, it remains dedicated to fostering scholarly communication and advancing knowledge in Italian studies. By offering open access, Zibaldone ensures that research is readily available to a global audience, further enhancing its impact and relevance. Based in Eliana, Valencia, Spain, the journal continues to attract contributions from a diverse array of academics, underscoring its commitment to quality scholarship and accessibility in the humanities.

Fotocinema-Revista Cientifica de Cine y Fotografia is a leading open-access journal published by FOTOCINEMA since 2014, dedicated to the academic exploration of cinema and photography. Based in Spain, this journal serves as a vital platform for researchers, professionals, and students, fostering innovative discourse in the fields of Visual Arts, Performing Arts, and History. With an impressive Q2 rank in both History and Visual Arts, as well as a Q4 rank in Communication in 2023, Fotocinema reflects a commitment to high-quality scholarship, backed by Scopus rankings that highlight its growing influence within the academic community. By offering open access to its content, the journal ensures that significant research is available to a broader audience, encouraging collaboration and knowledge sharing across disciplines. As it continues its converged publication run from 2019 to 2024, Fotocinema stands at the forefront of cinematic and photographic studies, providing an essential resource for those dedicated to understanding the intricate relationships between visual media and society.