JOURNAL OF AMERICAN CULTURE is a distinguished academic journal published by Wiley, focusing on the rich tapestry of American culture through various lenses including history, literature, visual arts, and cultural studies. Established in 1996 and continuing its scholarly contributions through 2024, the journal serves as a vital platform for researchers, professionals, and students to disseminate their work and engage with critical discussions surrounding American cultural narratives. With an impressive impact reflected in its 2023 quartile rankings — Q2 in Literature and Literary Theory and Q3 in Cultural Studies, History, and Visual Arts and Performing Arts — the journal enhances scholarly dialogue across diverse disciplines. Although it does not offer Open Access options, its rigorous peer-review process ensures high-quality research dissemination. It is a go-to resource for those aiming to explore the evolving dynamics of American culture within a global context.

Global Media and China, published by SAGE Publications Ltd, is an esteemed open-access journal dedicated to fostering scholarly dialogue and research in the rapidly evolving dynamics between global media and Chinese communication practices. Launched in 2016, this journal has rapidly ascended within the academic community, achieving a remarkable Q1 ranking in both the Communication and Cultural Studies categories as of 2023, and holding significant positions in the Scopus rankings at the 95th and 81st percentiles respectively. Situated in the United Kingdom, the journal serves as a crucial platform for researchers, professionals, and students seeking to explore the intricate intersections of media influence, cultural policies, and communication trends originating from China. With a clearly defined scope and a commitment to open-access publication, Global Media and China is poised to continue its impactful contribution to global conversations surrounding media studies and cultural contemporary issues through to 2024 and beyond.

Fotocinema-Revista Cientifica de Cine y Fotografia is a leading open-access journal published by FOTOCINEMA since 2014, dedicated to the academic exploration of cinema and photography. Based in Spain, this journal serves as a vital platform for researchers, professionals, and students, fostering innovative discourse in the fields of Visual Arts, Performing Arts, and History. With an impressive Q2 rank in both History and Visual Arts, as well as a Q4 rank in Communication in 2023, Fotocinema reflects a commitment to high-quality scholarship, backed by Scopus rankings that highlight its growing influence within the academic community. By offering open access to its content, the journal ensures that significant research is available to a broader audience, encouraging collaboration and knowledge sharing across disciplines. As it continues its converged publication run from 2019 to 2024, Fotocinema stands at the forefront of cinematic and photographic studies, providing an essential resource for those dedicated to understanding the intricate relationships between visual media and society.

French Screen Studies is a distinguished journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the dynamic interactions between film, media, and cultural studies within the context of French cinema. Since its inception in 2020, the journal has contributed significantly to the academic landscape, providing a platform for innovative research and critical discussion on visual arts and performance as reflected in its prestigious Q1 ranking in Visual Arts and Performing Arts for 2023. Despite being a burgeoning journal, it holds an impressive position within Scopus rankings, particularly in the Arts and Humanities sphere. Researchers and scholars will find the journal a vital resource, as it endeavors to explore the intersections of screen studies with broader social and cultural implications. Although currently not open access, French Screen Studies continues to foster an inclusive dialogue among academics, paving the way for future exploration of France’s influential cinematic heritage.

CAMERA OBSCURA, an esteemed journal published by DUKE UNIVERSITY PRESS, serves as a vital platform at the intersection of Visual Arts and Gender Studies. With its ISSN 0270-5346 and E-ISSN 1529-1510, this journal has been an influential contributor to critical discussions in cultural theory and visual culture from 2002 to 2024. Notably categorized in the Q4 quartile for Gender Studies and Q2 for Visual Arts and Performing Arts in 2023, CAMERA OBSCURA boasts a Scopus rank that reflects its growing impact within the academic community. Although currently not offered as an open-access publication, its rigorous peer-reviewed content remains crucial for researchers, professionals, and students alike, facilitating a deeper understanding of how visual representation shapes and is shaped by societal constructs. Set in the heart of the United States, the journal's commitment to exploring the complexities of gendered visuality emphasizes its importance within contemporary scholarship in these vibrant fields.

Jewish Film & New Media: An International Journal, published by Wayne State University Press, serves as a crucial platform for scholars and practitioners within the realms of Film Studies, Jewish Studies, and Media Studies. Since its inception, the journal has explored the intersection between Jewish culture and cinematic representation while also addressing contemporary media narratives. With an ISSN of 2169-0324 and E-ISSN 2169-0332, it is indexed in major databases, showcasing solid rankings in various disciplines, including a commendable Q2 rank in Visual Arts and Performing Arts. Despite its current Q4 categorizations in Anthropology and Communication, the journal is noted for its engaging contributions that sow rich discussions about Jewish identity, filmic expression, and media representation. Researchers and students alike benefit from the journal’s wealth of interdisciplinary scholarship, which spans converged years from 2013 to 2017 and 2019 to 2022, ensuring a robust timeline of critical inquiry. As an essential resource for understanding the nuances of Jewish film and new media, this journal occupies a unique niche, inviting contributions that push the boundaries of current academic dialogue.

Feminist Media Studies is a leading academic journal published by Routledge Journals, Taylor & Francis Ltd, dedicated to the exploration and critical analysis of the intersections between media, gender, and feminism. With an ISSN of 1468-0777 and an E-ISSN of 1471-5902, this esteemed publication has established itself over its converged years from 2001 to 2024 as a pivotal platform for innovative research in the fields of communication, gender studies, and visual arts. Recognized for its excellence, the journal proudly ranks in the Q1 category in all three of its primary fields and is positioned in the top percentiles across various Scopus rankings. Although not open access, the journal provides crucial discourse that furthers an understanding of feminist perspectives in media, making it an invaluable resource for researchers, practitioners, and students alike. With its commitment to advancing knowledge and fostering dialogue, Feminist Media Studies continues to shape the terrain of feminist media scholarship.

Journal of British Cinema and Television, published by Edinburgh University Press, is a leading academic journal that explores the dynamic interplay between British cinema and television within the context of cultural studies. With an ISSN of 1743-4521 and E-ISSN of 1755-1714, this journal provides a platform for scholarly discourse, enabling researchers, professionals, and students to engage with critical analyses of screen media and its socio-political impact. As a Q3 journal in Communication and a Q1 journal in Visual Arts and Performing Arts for 2023, it occupies an influential position, particularly in the Arts and Humanities, where it ranks in the 90th percentile. The journal's scope encompasses a wide range of topics, from historical perspectives to contemporary practices in British visual culture, making it essential reading for anyone interested in the evolution and significance of screen studies in the UK. While it is not an open-access publication, the rigorous peer-review process ensures high academic standards and contributes to its esteemed reputation in the field. As it continues to converge from 2004 to 2024, the Journal of British Cinema and Television remains a vital resource for those seeking to deepen their understanding of British media and its global resonance.

Moving Image is a distinguished academic journal published by University of Minnesota Press, dedicated to the exploration and critical analysis of visual culture. With an ISSN of 1532-3978 and an E-ISSN of 1542-4235, this journal plays a vital role in advancing scholarship in the fields of Conservation, Visual Arts, and Performing Arts, offering insights from its notable publication history from 2013 to 2019 and again from 2021 to 2022. While it currently does not offer open access options, the journal is recognized as a crucial platform for disseminating research, reflected in its rankings—#442/667 in Visual Arts and Performing Arts and #87/103 in Conservation according to Scopus. Despite its placement in the Q4 quartile for both fields, Moving Image remains a key resource for scholars, students, and practitioners interested in the intricate dynamics of moving images in contemporary culture. Its commitment to fostering dialogue and innovation in visual studies ensures its relevance and influence within the academic community.

Italian Culture is a critical scholarly journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the multifaceted nature of Italian cultural expressions from the 1970s to the present day. With an ISSN of 0161-4622 and an E-ISSN of 1559-0909, this journal serves as an essential platform for researchers and scholars interested in the nuanced dynamics of Italian cultural heritage, sociopolitical contexts, literature, and the visual and performing arts. Despite its current categorization in the Q4 quartile in various fields such as Cultural Studies and Literature, it remains committed to publishing insightful interdisciplinary studies that challenge conventional narratives and contribute to ongoing scholarly discourse. Notably positioned in the United Kingdom, it offers unique perspectives on Italian identity and cultural production, making it a crucial resource for students, professionals, and academics alike. The journal's scope and its convergence of cultural studies will undoubtedly stimulate academic engagement and exploration within and beyond its established readership.