FONTES ARTIS MUSICAE, with ISSN 0015-6191 and E-ISSN 2471-156X, is a distinguished journal published by A-R EDITIONS, specializing in the fields of Music and Library and Information Sciences. Established in the United States, this journal serves as a vital resource for scholars, practitioners, and students engaged in the exploration and analysis of music and its associated disciplines. With an established converged publication history from 2002 to 2024, FONTES ARTIS MUSICAE has consistently contributed to the discourse within its scope, reflected in its current quartile rankings of Q4 in Library and Information Sciences and Q3 in Music for 2023. Although not an open-access journal, it offers essential insights and research findings, appealing to a diverse academic audience. Its position within the 18th percentile of the Arts and Humanities (Music) category and 11th percentile in Library and Information Sciences underscores its growing significance in these fields, making it a critical platform for advancing knowledge and fostering collaboration.

Popular Music, published by Cambridge University Press, is a leading academic journal that has been at the forefront of contemporary music studies since its inception in 1981. With its comprehensive scope encompassing a rich diversity of topics within the fields of Cultural Studies and Music, this journal holds a respectable Q2 ranking in both categories as of 2023, underscoring its significant impact on the scholarly discourse surrounding popular music. Researchers, professionals, and students alike will find invaluable insights within its pages as it explores the socio-cultural dynamics of music from various global perspectives. While it is not an open-access journal, the publication aims to foster critical dialogue and interdisciplinary scholarship. Based in the United Kingdom, Popular Music serves as a vital resource for those interested in the intersections of music, culture, and society, sustaining a vibrant academic community through rigorous peer-reviewed articles and reviews. Engage with the latest research and deepen your understanding of popular music's ever-evolving landscape.

Arti Musices is a distinguished open-access journal published by the Croatian Musicological Society since 2007, dedicated to advancing the field of musicology and related arts and humanities disciplines. Operating from Zagreb, Croatia, this journal aims to provide a platform for scholarly communication, fostering international dialogue among researchers, musicologists, and practitioners. Although it has a current Scopus ranking in the bottom quartile within its category (Q4 in Music), it offers a unique perspective on the musicological landscape, particularly from a regional standpoint. Researchers seeking to contribute to or glean insights from this evolving field will find that Arti Musices serves an important role in disseminating innovative ideas and empirical research. The journal accepts submissions across a broad spectrum of music-related topics, inviting contributions that reflect the complexities and cultural contexts of music today.

Musica Oral del Sur is a prominent academic journal published by the Junta Andalucía through the Centro Documentación Musical Andalucía. With its ISSN 1138-8579 and E-ISSN 2445-0391, this pioneering publication has championed open access since 1995, providing a vital platform for scholars dedicated to the exploration of traditional and contemporary oral music practices in Southern Spain and beyond. The journal is essential for researchers, professionals, and students interested in musicology, ethnomusicology, and cultural studies, promoting scholarly discourse through a rich assortment of articles, reviews, and field research. Set in the vibrant cultural landscape of Granada, the journal encourages the fusion of theoretical insights with practical implications, making significant contributions to the understanding of oral musical traditions. By fostering accessible academic dialogue, Musica Oral del Sur plays an invaluable role in preserving and highlighting the heritage of Southern musical expressions while addressing contemporary issues in the field.

ARCHIV FUR MUSIKWISSENSCHAFT, the esteemed journal published by FRANZ STEINER VERLAG GMBH, serves as a significant platform for the dissemination of scholarly research in the field of musicology. With an ISSN of 0003-9292 and an established history of publication reaching back to 2002, this journal aims to explore various aspects of music theory, history, and ethnomusicology, contributing to academic discourse within a vibrant global community. Despite its designation in the Q4 category for music in 2023, the journal continues to foster innovative research and discussions among budding musicians, established academics, and music enthusiasts alike. While Open Access options are not currently available, the journal's offerings are enriched by a thorough review process aimed at maintaining high academic standards. Located in Stuttgart, Germany, at BIRKENWALDSTRASSE 44, D-70191, ARCHIV FUR MUSIKWISSENSCHAFT is committed to engaging its readers through insightful articles and reveals the evolving landscape of music scholarship while remaining a resourceful tool for researchers and students pursuing knowledge in this captivating field.

Studia Universitatis Babes-Bolyai Musica is a prestigious academic journal dedicated to the field of musicology, published by UNIV BABES-BOLYAI. Since its inception, it has strived to foster scholarly communication and share groundbreaking research that spans various music-related disciplines, including ethnomusicology, music theory, and performance studies. The journal operates under an Open Access model since 2021, ensuring that its content is freely accessible to a global audience of researchers, professionals, and students interested in advancing their knowledge and understanding of music. By providing a platform for high-quality, peer-reviewed articles, Studia Universitatis Babes-Bolyai Musica plays a vital role in promoting significant contributions to the evolving discourse in music studies. Its commitment to intellectual rigor and openness aligns with contemporary academic trends, making it an essential resource in the realm of music research.

Ethnomusicology Forum is a premier journal dedicated to the interdisciplinary study of music within its cultural contexts, published by Routledge Journals, Taylor & Francis Ltd. With an ISSN of 1741-1912 and an E-ISSN of 1741-1920, this journal plays a crucial role in advancing the field of ethnomusicology, offering insights into the diverse musical expressions found across the globe. As part of the academic landscape in the United Kingdom, the journal has established a commendable reputation, achieving Q2 rankings in both Anthropology and Music categories in 2023. Also noteworthy is its Scopus ranking, placing it in the 76th percentile in the Arts and Humanities category for Music and the 57th percentile in Social Sciences for Anthropology, reflecting its impact and scholarly importance. The Ethnomusicology Forum seeks to engage researchers, professionals, and students alike, providing a platform for innovative approaches to understanding music's role in society. Published annually and designated for a wide range of scholarly articles, the journal is essential for anyone looking to deepen their knowledge of music's cultural significance and its anthropological implications.

MUSIKFORSCHUNG is a distinguished journal in the field of music studies, published by NEUWERK-BUCH UND MUSIKALIENHANDLUNG in Germany. With its ISSN 0027-4801, the journal caters to scholars, practitioners, and students interested in the diverse realms of musicology. Although it is currently not an Open Access publication, MUSIKFORSCHUNG plays a vital role in the academic landscape by disseminating research and critical discourse on music from various historical and contemporary perspectives. The journal has established its worth in the academic community, being categorized in the Q4 quartile in Music for 2023 and holding a rank of #169 out of 180 in the Scopus Arts and Humanities Music category, placing it within the 6th percentile. With publication activities spanning from 2002 to 2013 and resuming in 2016 through to 2024, MUSIKFORSCHUNG continues to be a crucial resource for those dedicated to advancing music scholarship. Set in the cultural heart of Kassel, Germany, the journal invites contributions that foster an understanding of music's impact on society and culture.

MUSIKTHEORIE is a pivotal journal dedicated to the field of music theory, published by LAABER-VERLAG. With its ISSN 0177-4182, this journal serves as an essential platform for scholars, educators, and practitioners interested in the multifaceted dimensions of music theory. Although it does not currently offer open access, it provides in-depth analyses and critical discourse on theoretical frameworks, compositional techniques, and historical perspectives in music. Despite its coverage in Scopus being discontinued after 2018 and ranking within the 5th percentile of Arts and Humanities - Music, MUSIKTHEORIE remains a respected publication for advancing knowledge and fostering collaboration within the musicological community. Researchers and students alike can benefit from its rich content and the insights shared within its pages.

HUDEBNI VEDA is a distinguished journal published by the Czech Academy of Sciences Press, specializing in the field of music. With its ISSN 0018-7003 and E-ISSN 2694-6998, this journal serves as a vital platform for scholarly communication in music studies, promoting innovative research and critical discourse. Since its inception in 2002 and scheduled for continuation until 2024, it has emerged as a respected publication within the music academic community, though currently holding a Category Quartiles ranking of Q4 in Music. Notably, it ranks #127 out of 180 in the Scopus Arts and Humanities - Music category, placing it in the 29th percentile. While it operates under traditional access constraints, HUDEBNI VEDA is committed to fostering an inclusive academic environment, inviting contributions that push the boundaries of musicology. This journal is essential for researchers, professionals, and students eager to explore and engage with contemporary issues and developments in the study of music.