Muzikologija-Musicology

Scope & Guideline

Illuminating the Rich Tapestry of Musical Heritage

Introduction

Delve into the academic richness of Muzikologija-Musicology with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageMulti-Language
ISSN1450-9814
PublisherSERBIAN ACAD SCIENCES & ARTS, INST MUSICOLOGY-SASA
Support Open AccessYes
CountrySerbia
TypeJournal
Convergefrom 2019 to 2023
AbbreviationMUZIKOL-MUSICOL / Muzikol.-Musicol.
Frequency2 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
Address35, KNEZA MIHAILA ST, BELGRADE 11 000, SERBIA

Aims and Scopes

Muzikologija-Musicology serves as a scholarly platform for exploring various dimensions of musicology, with a particular focus on the musical traditions and contemporary practices of Southeastern Europe. The journal emphasizes interdisciplinary approaches, integrating historical, cultural, and sociological perspectives in its analyses.
  1. Ethnomusicology and Cultural Traditions:
    The journal focuses on ethnomusicological studies, particularly concerning the musical traditions of Serbia and the broader Balkan region, exploring how these traditions shape and reflect cultural identities.
  2. Music Festivals and Social Dynamics:
    Research on music festivals as cultural phenomena is prevalent, examining their roles in community building, identity construction, and the social obligations of music workers.
  3. Gender Studies in Music:
    A significant area of focus is the exploration of gender dynamics within music, particularly regarding the visibility and representation of female musicians in various genres, including jazz.
  4. Historical Musicology:
    The journal provides in-depth analyses of historical contexts surrounding music, including the impact of historical events on the development of musical practices and the evolution of specific genres.
  5. Contemporary Music Practices:
    There is a growing interest in contemporary music practices, including the influence of digital technologies and the adaptation of traditional music in modern contexts.
  6. Interdisciplinary Approaches:
    Muzikologija-Musicology encourages interdisciplinary research that connects music with other fields such as sociology, politics, and anthropology, providing a holistic view of music's role in society.
Recent trends in Muzikologija-Musicology highlight emerging themes that reflect the evolving landscape of music research. These themes are becoming increasingly relevant, addressing contemporary issues and diversifying the journal's focus.
  1. Intersection of Music and Identity:
    Current publications increasingly explore the relationship between music and identity, particularly in the context of local and national identities shaped through music festivals and community practices.
  2. Digital and Technological Impact:
    There is a growing emphasis on the influence of digital technologies on music production, distribution, and consumption, reflecting contemporary shifts in the music industry and scholarly research.
  3. Eclecticism in Music Practices:
    The journal is witnessing a rise in studies that examine eclectic musical practices, blending various genres and traditions, which showcases the dynamic nature of contemporary music.
  4. Social Issues and Music:
    Recent papers address social issues such as gender equality and the role of music in social change, highlighting the journal's commitment to relevant and impactful research.
  5. Applied Musicology:
    There is an emerging interest in applied musicology, which focuses on practical applications of music research in community settings, education, and cultural policy.

Declining or Waning

While Muzikologija-Musicology encompasses a wide range of themes, certain areas have shown signs of decline in recent publications. These waning scopes suggest a shifting focus within the journal's overall research agenda.
  1. Traditional Musicology without Contemporary Relevance:
    There is a noticeable decrease in articles solely focused on traditional musicology that do not connect to contemporary issues or practices, indicating a potential shift towards more applied and relevant musicological studies.
  2. Narrow Historical Analysis:
    Research that strictly adheres to historical analysis without integrating contemporary implications or discussions has become less frequent, suggesting a move towards a more dynamic approach to music history.
  3. Focus on Western Classical Music:
    There seems to be a diminishing emphasis on Western classical music traditions in favor of exploring regional and contemporary practices, reflecting a desire to broaden the scope of musicological inquiry.

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