JOURNAL OF POPULAR FILM AND TELEVISION, published by Routledge Journals, Taylor & Francis Ltd, stands as a significant platform for academic discourse in the realms of cultural studies, visual arts, and performing arts. With its ISSN: 0195-6051 and an evolving digital presence indicated by its E-ISSN: 1930-6458, the journal has carved out a respected niche since its inception in 1978, continuing to contribute to scholarly discussions through 2024. Its impact within the academic community is underscored by a Q3 ranking in Cultural Studies and a Q2 ranking in Visual Arts and Performing Arts for 2023, highlighting its relevance across diverse fields. Notably, with a Scopus ranking placing it in the 74th percentile among visual arts and performing arts journals, it serves as an essential reference point for researchers, professionals, and students committed to the critical examination of film and television. Although not an open-access journal, it provides valuable insights and analysis that enrich understanding of popular media's impact on society. The journal's location in the United States, with a headquarters in Abingdon, England, further affirms its international scope and influence.

Critical Studies in Television is a leading academic journal published by SAGE Publications Ltd, dedicated to exploring the intricate dimensions of television within the fields of Communication and Cultural Studies. Since its inception, this journal has become an essential resource for researchers, professionals, and students alike, particularly as it navigates the evolving landscape of television studies from 2014 to 2024. With an impressive impact factor, the journal achieved notable rankings in 2023: it is positioned in the Q2 quartile for Communications and the Q1 quartile for Cultural Studies. Recognized by Scopus with a rank of #160 in Cultural Studies and #193 in Communication, it reflects its growing influence and relevance in these academic arenas. While currently not available through an Open Access model, readers are encouraged to engage with its diverse and critical contributions that foster a deep understanding of television’s role in contemporary culture.

HARVARD THEOLOGICAL REVIEW is a prestigious academic journal that has been a cornerstone of the field of religious studies since its inception in 1908. Published by Cambridge University Press, this journal holds a significant position in scholarly discourse, boasting a 2023 Scopus ranking of #181 out of 644 in the Arts and Humanities category and a commendable Q2 quartile status. With a focus on theological inquiry, the journal serves as a vital platform for both historical and contemporary studies in religion, making it an essential resource for researchers, professionals, and students alike. The HARVARD THEOLOGICAL REVIEW publishes a diverse array of articles, reviews, and essays that contribute to the critical understanding of theological concepts and the interplay of religion in society. Although it does not provide open access options, the journal remains robust in its contributions, fostering a rich dialogue in the field well into 2024 and beyond.

RACAR - Revue d'Art Canadienne (Canadian Art Review), published by the University Art Association of Canada, stands as a pivotal academic journal in the field of Canadian art history and cultural studies. With its ISSN 0315-9906 and E-ISSN 1918-4778, RACAR serves as a vital platform for scholarly research and discourse, aiming to illuminate the rich tapestry of Canada's artistic heritage. Although not an open-access journal, it is committed to disseminating high-quality peer-reviewed articles that contribute to the ongoing dialogue about art in Canada. The journal's focus encompasses a diverse range of topics, from contemporary visual arts to historical investigations, appealing to researchers, professionals, and students alike. Based at the Department of History in Art at University of Victoria, RACAR fosters a critical understanding of Canadian art within broader national and global contexts, making it an essential resource for anyone engaged in this vibrant field of study.

Cambridge Opera Journal, a distinguished publication from Cambridge University Press, serves as a vital platform for scholarly discourse in the fields of Music and Visual Arts, particularly focusing on the intricate world of opera. With an ISSN of 0954-5867 and an E-ISSN of 1474-0621, this journal is committed to exploring the aesthetic, cultural, and historical contexts of opera, making it invaluable for researchers, professionals, and students alike. Although it operates under a non-open access model, its contributions have significant academic merit, reflected in its placement within the Q3 category for the 2023 ranking in both Music and Visual Arts and Performing Arts. Since its inception in 1989, the journal has continually sought to foster innovative dialogue and critical analysis, establishing itself as an essential resource within the scholarly community. With ongoing publication through 2024, the Cambridge Opera Journal remains dedicated to enhancing the understanding and appreciation of opera as an art form, ensuring its relevance in current and future academic conversations.

AVANT SCENE OPERA is a distinguished journal that delves into the rich world of opera, fostering a deeper understanding of this dynamic art form. Published by AVANT-SCENE OPERA in Paris, France, this journal serves as a critical resource for scholars, practitioners, and enthusiasts alike, making significant contributions to the discourse surrounding opera through in-depth analyses, reviews, and interviews with leading figures in the field. While it currently operates under a subscription model, its commitment to advancing opera scholarship ensures that cutting-edge research and insights are made accessible to a global audience. As a vital platform for artistic and scholarly inquiry, AVANT SCENE OPERA aspires to elevate the profile of opera, exploring its historical, cultural, and contemporary significance within the performing arts.

MODERN LANGUAGE QUARTERLY, published by DUKE UNIVERSITY PRESS, stands as a premier journal in the field of Literature and Literary Theory, recognized for its intellectual rigor and scholarly contributions. With an impressive Scopus ranking of #156 out of 1106 in its category, the journal showcases an 85th percentile standing, indicating its significant impact within the academic community. The journal, with ISSN 0026-7929, focuses on critical analysis, literary theory, and the intersection of language and culture, making it an essential resource for researchers, professionals, and graduate students alike. As it converges from 1996 to 2024, MODERN LANGUAGE QUARTERLY continues to uphold its tradition of excellence in literary scholarship, contributing to the advancement of knowledge and fostering a deeper understanding of literature's role in society. With its Q1 ranking in 2023, this journal represents the forefront of literary studies, providing a vibrant forum for the exchange of ideas and innovative research in the humanities.

The Romanic Review, published by Duke University Press, stands as a significant scholarly platform in the field of Romance languages and literature. With its ISSN 0035-8118 and E-ISSN 2688-5220, this journal has been serving the academic community since its inception and will continue its contribution until 2024. Situated in the United States, it has carved out a vital niche in the Arts and Humanities, currently falling within the Q3 quartile as per the 2023 rankings. Although it operates under a traditional subscription model, its focus on disseminating critical and innovative research makes it an indispensable resource for scholars and students alike. The Romanic Review is dedicated to fostering academic discussions that bridge interdisciplinary gaps, making it a cornerstone reference for anyone engaged in the study of Romance cultures, linguistics, and literary studies.

AFRICAN AMERICAN REVIEW, published by the Johns Hopkins University Press, stands as a pivotal journal since its inception, dedicated to exploring the multifaceted aspects of African American literature, culture, and artistic expression. With an ISSN of 1062-4783 and an E-ISSN of 1945-6182, this journal provides a critical platform that delves into the rich tapestry of African American experiences, bridging gaps across literary, cultural, and visual arts disciplines. Its latest impact metrics position it in esteemed quartiles, achieving Q2 rank in both Literature and Literary Theory and Visual Arts and Performing Arts, alongside a strong presence in Cultural Studies with a Q3 classification. The journal’s commitment to high-quality scholarship is reflected in its Scopus rankings, drawing attention from researchers and scholars invested in cultural narratives and historical contexts. Although not currently open access, the journal's comprehensive analyses contribute significantly to discussions in academia and beyond, making it an essential resource for researchers, educators, and students alike looking to deepen their understanding of African American contributions to the arts and humanities.

Opera-Colombia is a distinguished academic journal published by UNIV EXTERNADO COLOMBIA, DEPT PUBLICACIONES, that has been serving the scholarly community since its inception in 2001 as an Open Access platform. With its ISSN 1657-8651 and E-ISSN 2346-2159, the journal stands out as a vital resource for researchers, professionals, and students in the fields of performing arts, musicology, and cultural studies. Based in Bogotá, Colombia, it aims to foster the dissemination of innovative research and critical discourse within the sphere of Colombian opera and beyond. As a journal committed to accessibility, it ensures that its wide-ranging articles are freely available to promote knowledge and engagement worldwide, reinforcing its importance in the contemporary academic landscape.