Early Christianity is a leading journal in the field of religious studies, focusing on the historical, cultural, and social aspects of early Christian communities and their development. Published by MOHR SIEBECK, this esteemed publication contributes to scholarly discourse by featuring peer-reviewed articles that delve into various themes related to the formation and evolution of Christian thought from its inception. The journal's commitment to rigorous academic standards is reflected in its editorial board, composed of prominent scholars in the field. With a growing impact within the scholarly community, Early Christianity provides a vital platform for researchers, professionals, and students to explore and disseminate innovative research that fosters a deeper understanding of early Christian history and its implications for contemporary religious studies. Readers can access its rich content through institutional subscriptions or university libraries, ensuring broad availability for those seeking to expand their knowledge in this vital area of study.

Critical Studies in Television is a leading academic journal published by SAGE Publications Ltd, dedicated to exploring the intricate dimensions of television within the fields of Communication and Cultural Studies. Since its inception, this journal has become an essential resource for researchers, professionals, and students alike, particularly as it navigates the evolving landscape of television studies from 2014 to 2024. With an impressive impact factor, the journal achieved notable rankings in 2023: it is positioned in the Q2 quartile for Communications and the Q1 quartile for Cultural Studies. Recognized by Scopus with a rank of #160 in Cultural Studies and #193 in Communication, it reflects its growing influence and relevance in these academic arenas. While currently not available through an Open Access model, readers are encouraged to engage with its diverse and critical contributions that foster a deep understanding of television’s role in contemporary culture.

NEOHELICON, published by Springer, is a prominent journal dedicated to the interdisciplinary studies within the field of Arts and Humanities, as well as Law and Social Sciences. Since its inception in 1973, the journal has served as a vital platform for scholars and researchers, showcasing original research, critical analyses, and scholarly debates that contribute significantly to literature and literary theory. With a current impact factor reflecting its influence in academia, NEOHELICON maintains an impressive ranking within Scopus, standing in the 66th percentile for Literature and Literary Theory and achieving Q3 classification across various academic categories in 2023. The journal, published in the Netherlands, operates without an open access option, positioning itself as a critical resource in the advancement of knowledge across these diverse fields. Its convergence of years from 2002 to present highlights a dedicated commitment to ongoing discourse, making NEOHELICON an essential resource for researchers, professionals, and students alike seeking to deepen their understanding of these dynamic disciplines.

AFRICAN AMERICAN REVIEW, published by the Johns Hopkins University Press, stands as a pivotal journal since its inception, dedicated to exploring the multifaceted aspects of African American literature, culture, and artistic expression. With an ISSN of 1062-4783 and an E-ISSN of 1945-6182, this journal provides a critical platform that delves into the rich tapestry of African American experiences, bridging gaps across literary, cultural, and visual arts disciplines. Its latest impact metrics position it in esteemed quartiles, achieving Q2 rank in both Literature and Literary Theory and Visual Arts and Performing Arts, alongside a strong presence in Cultural Studies with a Q3 classification. The journal’s commitment to high-quality scholarship is reflected in its Scopus rankings, drawing attention from researchers and scholars invested in cultural narratives and historical contexts. Although not currently open access, the journal's comprehensive analyses contribute significantly to discussions in academia and beyond, making it an essential resource for researchers, educators, and students alike looking to deepen their understanding of African American contributions to the arts and humanities.

Opera-Colombia is a distinguished academic journal published by UNIV EXTERNADO COLOMBIA, DEPT PUBLICACIONES, that has been serving the scholarly community since its inception in 2001 as an Open Access platform. With its ISSN 1657-8651 and E-ISSN 2346-2159, the journal stands out as a vital resource for researchers, professionals, and students in the fields of performing arts, musicology, and cultural studies. Based in Bogotá, Colombia, it aims to foster the dissemination of innovative research and critical discourse within the sphere of Colombian opera and beyond. As a journal committed to accessibility, it ensures that its wide-ranging articles are freely available to promote knowledge and engagement worldwide, reinforcing its importance in the contemporary academic landscape.

TDR-The Drama Review-The Journal of Performance Studies, published by Cambridge University Press, is a premier academic journal dedicated to the exploration of performance studies through a multidisciplinary lens. With an impressive Q1 ranking in both Literature and Literary Theory and Visual Arts and Performing Arts, TDR is recognized for its significant impact in advancing theoretical frameworks and critical discourses within these fields. The journal proudly encompasses a wide range of topics, from contemporary performance to historical analysis, making it a vital resource for researchers, practitioners, and students alike. As a platform for innovative scholarship, it encourages the exchange of ideas and methodologies that shape our understanding of performance in cultural contexts. Although it does not offer open access options, the contributions published in TDR are instrumental in fostering a deeper understanding of the arts and humanities, positioning it at the forefront of academic inquiry.

JOURNAL OF POPULAR FILM AND TELEVISION, published by Routledge Journals, Taylor & Francis Ltd, stands as a significant platform for academic discourse in the realms of cultural studies, visual arts, and performing arts. With its ISSN: 0195-6051 and an evolving digital presence indicated by its E-ISSN: 1930-6458, the journal has carved out a respected niche since its inception in 1978, continuing to contribute to scholarly discussions through 2024. Its impact within the academic community is underscored by a Q3 ranking in Cultural Studies and a Q2 ranking in Visual Arts and Performing Arts for 2023, highlighting its relevance across diverse fields. Notably, with a Scopus ranking placing it in the 74th percentile among visual arts and performing arts journals, it serves as an essential reference point for researchers, professionals, and students committed to the critical examination of film and television. Although not an open-access journal, it provides valuable insights and analysis that enrich understanding of popular media's impact on society. The journal's location in the United States, with a headquarters in Abingdon, England, further affirms its international scope and influence.

QUADERNI D ITALIANISTICA is a distinguished journal dedicated to the field of Italian Studies, focusing on literature and literary theory. Published by QUADERNI D ITALIANISTICA and based in Canada, this journal serves as a platform for scholars, researchers, and students alike to engage with critical analyses and scholarly contributions related to Italian literature. Although it has a Q4 ranking in the 2023 category of Literature and Literary Theory and a Scopus rank of #655 out of 982, the journal plays a pivotal role in fostering discourse within this niche. Since its inception in 2002, the journal has contributed significantly to the study of Italian literature, providing a valuable resource for those looking to explore thematic, historical, and narrative aspects of Italian texts. While access to the journal is not offered freely, its comprehensive coverage until 2018 and again in 2020-2021 ensures a rich archive for critical research endeavors. As such, QUADERNI D ITALIANISTICA remains an essential resource for anyone invested in the intricate landscapes of Italian cultural and literary studies.

Miranda (ISSN: 2108-6559, E-ISSN: 2108-6559) is a distinguished open access journal published by UNIV TOULOUSE II-JEAN JAURES, dedicated to advancing knowledge across various fields of the humanities and social sciences. Since its establishment in 2010 as an open access platform, Miranda has aimed to foster inclusive academic discourse by providing unrestricted access to high-quality research. With its commitment to accessibility and scholarly excellence, this journal serves as an essential resource for researchers, professionals, and students seeking to enrich their understanding and engage with contemporary issues within their disciplines. The journal prides itself on its rigorous peer-review process and aims to publish original research, reviews, and interdisciplinary studies that contribute to the evolving landscape of humanities and social science research. Located in Toulouse, France, Miranda is poised to make a significant impact in its field and invites contributions that reflect diverse perspectives and innovative research methodologies.

Revista Vortex-Vortex Music Journal is a premier open-access journal published by the Universidade Estadual do Paraná, specifically through its esteemed Escola de Música & Belas Artes do Paraná. With its ISSN 2317-9937, this journal serves as a critical platform for the dissemination of research and discourse in the field of musicology, music education, and the performing arts. Established in 2014, the journal has been dedicated to fostering scholarly exchange among researchers, practitioners, and students, emphasizing the significance of music as a cultural artifact and academic pursuit. As an open-access publication, it ensures that findings are readily available to a global audience, promoting inclusivity and engagement in the field. Located in Curitiba, Brazil, Revista Vortex invites contributions that explore a diverse range of topics and methodologies, seeking to enhance the understanding of music in contemporary society.