OPERA QUARTERLY

Scope & Guideline

Fostering Insightful Discourse on Opera's Evolution

Introduction

Delve into the academic richness of OPERA QUARTERLY with our guidelines, detailing its aims and scope. Our resource identifies emerging and trending topics paving the way for new academic progress. We also provide insights into declining or waning topics, helping you stay informed about changing research landscapes. Evaluate highly cited topics and recent publications within these guidelines to align your work with influential scholarly trends.
LanguageEnglish
ISSN0736-0053
PublisherOXFORD UNIV PRESS
Support Open AccessNo
CountryUnited States
TypeJournal
Convergefrom 1983 to 2022 (coverage discontinued in Scopus)
AbbreviationOPERA QUART / Opera Q.
Frequency4 issues/year
Time To First Decision-
Time To Acceptance-
Acceptance Rate-
Home Page-
AddressGREAT CLARENDON ST, OXFORD OX2 6DP, ENGLAND

Aims and Scopes

OPERA QUARTERLY focuses on the intersection of opera with various cultural, historical, and multimedia contexts. The journal emphasizes innovative research methodologies and critical analysis, situating opera within broader societal narratives and contemporary issues.
  1. Interdisciplinary Connections:
    The journal explores the relationship between opera and other art forms, particularly film, highlighting how these mediums influence and adapt to each other.
  2. Cultural and Historical Contextualization:
    OPERA QUARTERLY examines opera within its cultural and historical frameworks, addressing issues such as race, migration, and identity, and how these themes manifest in operatic works.
  3. Technological and Digital Engagement:
    The journal investigates the impact of technology and digital platforms on opera, including streaming performances and the evolution of audience engagement in the digital age.
  4. Critical Reception and Activism:
    It delves into the critical reception of operatic works and the role of opera in activism, focusing on how operas respond to contemporary social issues.
  5. Global Perspectives:
    The journal emphasizes a global and transnational perspective on opera, examining how Italian opera and other forms are reimagined and contextualized in diverse cultural settings.
Recent trends in OPERA QUARTERLY highlight a dynamic engagement with contemporary issues and innovative methodologies. The following themes represent emerging areas of focus that are gaining traction in the journal.
  1. Adaptation of Film to Opera:
    A growing interest in the adaptation process between film and opera is evident, exploring how narrative and artistic elements transform across these mediums.
  2. Operatic Activism and Social Issues:
    There is a notable increase in discussions surrounding operatic works that engage with social justice, race, and identity politics, reflecting a broader cultural awareness.
  3. Digital and Multimedia Opera:
    The exploration of opera in digital formats and multimedia contexts is on the rise, examining how technology reshapes operatic performance and audience interaction.
  4. Global and Transnational Perspectives on Italian Opera:
    Emerging themes include a critical reevaluation of Italian opera through a global lens, considering its impact and reinterpretation within various cultural frameworks.
  5. Voice and Identity:
    Research focusing on the relationship between voice, race, and identity in opera is becoming increasingly prominent, addressing how these elements intersect in contemporary operatic narratives.

Declining or Waning

While OPERA QUARTERLY continues to evolve, certain themes have become less prominent in recent publications. This decline may reflect broader shifts in scholarly focus or changing cultural landscapes.
  1. Traditional Operatic Forms:
    There has been a noticeable decrease in research focused solely on traditional operatic forms and their historical practices, as the journal shifts toward more contemporary and interdisciplinary approaches.
  2. Static Historical Analysis:
    Papers that primarily provide static historical analyses of opera without connecting to current cultural or societal issues appear to be waning, as the journal emphasizes relevance and contemporary discourse.
  3. Local Narratives:
    There is a reduction in studies concentrating exclusively on localized operatic narratives, as the journal increasingly embraces global and transnational themes that reflect broader societal contexts.

Similar Journals

Cambridge Opera Journal

Cultivating a Deeper Understanding of Opera's Impact
Publisher: CAMBRIDGE UNIV PRESSISSN: 0954-5867Frequency: 3 issues/year

Cambridge Opera Journal, a distinguished publication from Cambridge University Press, serves as a vital platform for scholarly discourse in the fields of Music and Visual Arts, particularly focusing on the intricate world of opera. With an ISSN of 0954-5867 and an E-ISSN of 1474-0621, this journal is committed to exploring the aesthetic, cultural, and historical contexts of opera, making it invaluable for researchers, professionals, and students alike. Although it operates under a non-open access model, its contributions have significant academic merit, reflected in its placement within the Q3 category for the 2023 ranking in both Music and Visual Arts and Performing Arts. Since its inception in 1989, the journal has continually sought to foster innovative dialogue and critical analysis, establishing itself as an essential resource within the scholarly community. With ongoing publication through 2024, the Cambridge Opera Journal remains dedicated to enhancing the understanding and appreciation of opera as an art form, ensuring its relevance in current and future academic conversations.

Early Christianity

Unveiling the Origins of Christian Thought
Publisher: MOHR SIEBECKISSN: 1868-7032Frequency: 4 issues/year

Early Christianity is a leading journal in the field of religious studies, focusing on the historical, cultural, and social aspects of early Christian communities and their development. Published by MOHR SIEBECK, this esteemed publication contributes to scholarly discourse by featuring peer-reviewed articles that delve into various themes related to the formation and evolution of Christian thought from its inception. The journal's commitment to rigorous academic standards is reflected in its editorial board, composed of prominent scholars in the field. With a growing impact within the scholarly community, Early Christianity provides a vital platform for researchers, professionals, and students to explore and disseminate innovative research that fosters a deeper understanding of early Christian history and its implications for contemporary religious studies. Readers can access its rich content through institutional subscriptions or university libraries, ensuring broad availability for those seeking to expand their knowledge in this vital area of study.

Critical Studies in Television

Navigating the Evolving Landscape of Television Culture
Publisher: SAGE PUBLICATIONS LTDISSN: 1749-6020Frequency: 4 issues/year

Critical Studies in Television is a leading academic journal published by SAGE Publications Ltd, dedicated to exploring the intricate dimensions of television within the fields of Communication and Cultural Studies. Since its inception, this journal has become an essential resource for researchers, professionals, and students alike, particularly as it navigates the evolving landscape of television studies from 2014 to 2024. With an impressive impact factor, the journal achieved notable rankings in 2023: it is positioned in the Q2 quartile for Communications and the Q1 quartile for Cultural Studies. Recognized by Scopus with a rank of #160 in Cultural Studies and #193 in Communication, it reflects its growing influence and relevance in these academic arenas. While currently not available through an Open Access model, readers are encouraged to engage with its diverse and critical contributions that foster a deep understanding of television’s role in contemporary culture.

Television & New Media

Exploring the Nexus of Media and Culture
Publisher: SAGE PUBLICATIONS INCISSN: 1527-4764Frequency: 6 issues/year

Television & New Media is a leading academic journal dedicated to the exploration of the intricate relationships between television, new media technologies, and contemporary culture. Published by SAGE Publications Inc, this journal boasts an impressive impact factor, placing it in the prestigious Q1 category for both Cultural Studies and Visual Arts and Performing Arts as of 2023. Its high rankings in Scopus—#8 in Visual Arts and Performing Arts and #24 in Cultural Studies—underscore its significance in the academic community, reflecting its robust contribution to the discourse on media and culture. Spanning from 2000 to 2024, the journal features cutting-edge research that offers insights into the evolving dynamics of media and its societal implications, making it an essential resource for researchers, professionals, and students alike. Although currently not open access, the journal ensures that its contents are accessible through academic libraries, facilitating the dissemination of knowledge in an ever-changing digital landscape.

REVUE D HISTOIRE MODERNE ET CONTEMPORAINE

Bridging Perspectives in Modern Historical Research
Publisher: SOC HISTOIRE MODERNE CONTEMPORAINEISSN: 0048-8003Frequency: 4 issues/year

REVUE D HISTOIRE MODERNE ET CONTEMPORAINE, published by the Société d'Histoire Moderne et Contemporaine, serves as a vital platform for scholars and enthusiasts in the field of history. With a focus on modern and contemporary historical discourse, this journal has been pivotal since its inception, aiming to promote research, analysis, and debate surrounding pivotal historical developments from the 1970s to the present day. While maintaining a Q4 ranking in History according to Scopus and a 49th percentile placement among arts and humanities journals, it continues to foster scholarly engagement across diverse topics within modern history. Although not an open-access publication, REVUE D HISTOIRE MODERNE ET CONTEMPORAINE offers researchers detailed insights that are crucial for understanding historical narratives and methodologies. Its location in the heart of Paris also symbolizes its commitment to accessing diverse historical perspectives. This journal invites contributions that expand the boundaries of contemporary historical study and enrich academic dialogue.

Opera-Colombia

Bridging Disciplines through Critical Discourse
Publisher: UNIV EXTERNADO COLOMBIA, DEPT PUBLICACIONESISSN: 1657-8651Frequency: 2 issues/year

Opera-Colombia is a distinguished academic journal published by UNIV EXTERNADO COLOMBIA, DEPT PUBLICACIONES, that has been serving the scholarly community since its inception in 2001 as an Open Access platform. With its ISSN 1657-8651 and E-ISSN 2346-2159, the journal stands out as a vital resource for researchers, professionals, and students in the fields of performing arts, musicology, and cultural studies. Based in Bogotá, Colombia, it aims to foster the dissemination of innovative research and critical discourse within the sphere of Colombian opera and beyond. As a journal committed to accessibility, it ensures that its wide-ranging articles are freely available to promote knowledge and engagement worldwide, reinforcing its importance in the contemporary academic landscape.

Miranda

Bridging disciplines for a richer understanding.
Publisher: UNIV TOULOUSE II-JEAN JAURESISSN: 2108-6559Frequency:

Miranda (ISSN: 2108-6559, E-ISSN: 2108-6559) is a distinguished open access journal published by UNIV TOULOUSE II-JEAN JAURES, dedicated to advancing knowledge across various fields of the humanities and social sciences. Since its establishment in 2010 as an open access platform, Miranda has aimed to foster inclusive academic discourse by providing unrestricted access to high-quality research. With its commitment to accessibility and scholarly excellence, this journal serves as an essential resource for researchers, professionals, and students seeking to enrich their understanding and engage with contemporary issues within their disciplines. The journal prides itself on its rigorous peer-review process and aims to publish original research, reviews, and interdisciplinary studies that contribute to the evolving landscape of humanities and social science research. Located in Toulouse, France, Miranda is poised to make a significant impact in its field and invites contributions that reflect diverse perspectives and innovative research methodologies.

THEATER

Innovating Perspectives on Theatrical Practices
Publisher: DUKE UNIV PRESSISSN: 0161-0775Frequency: 3 issues/year

THEATER, an esteemed journal published by DUKE UNIVERSITY PRESS, stands at the intersection of scholarly discourse in the fields of Literature, Literary Theory, and the Visual and Performing Arts. Established in 2002, this journal offers a platform for critical analysis and innovative research, aiming to enrich the understanding of theatrical practices and their broader cultural implications. With a current impact factor that places it in the Q3 category for both Literary Theory and the Visual Arts in 2023, THEATER caters to a diverse audience of researchers, professionals, and students, fostering engagement and dialogue through its rigorous peer-reviewed articles. Although it does not currently offer open access, its commitment to scholarly excellence makes it a vital resource for anyone involved in the performing arts landscape. The journal appreciated for its analytical depth and diverse perspectives, aims to illuminate the ways theater intertwines with contemporary cultural discussions, thereby establishing itself as an important publication within the academic community.

HARVARD THEOLOGICAL REVIEW

Illuminating Historical and Contemporary Faith Perspectives
Publisher: CAMBRIDGE UNIV PRESSISSN: 0017-8160Frequency: 4 issues/year

HARVARD THEOLOGICAL REVIEW is a prestigious academic journal that has been a cornerstone of the field of religious studies since its inception in 1908. Published by Cambridge University Press, this journal holds a significant position in scholarly discourse, boasting a 2023 Scopus ranking of #181 out of 644 in the Arts and Humanities category and a commendable Q2 quartile status. With a focus on theological inquiry, the journal serves as a vital platform for both historical and contemporary studies in religion, making it an essential resource for researchers, professionals, and students alike. The HARVARD THEOLOGICAL REVIEW publishes a diverse array of articles, reviews, and essays that contribute to the critical understanding of theological concepts and the interplay of religion in society. Although it does not provide open access options, the journal remains robust in its contributions, fostering a rich dialogue in the field well into 2024 and beyond.

SHAKESPEARE QUARTERLY

Fostering Critical Conversations on Literature and Performance
Publisher: OXFORD UNIV PRESS INCISSN: 0037-3222Frequency: 4 issues/year

SHAKESPEARE QUARTERLY is a premier academic journal dedicated to the interdisciplinary study of William Shakespeare’s works and their profound impact on literature and the arts. Published by Oxford University Press Inc, this influential journal has established itself as a vital resource for scholars and students alike, catering to a wide-ranging audience interested in the intersections of literature, performance, and visual arts. With its consistent ranking in the Q1 category for both Literature and Literary Theory, as well as Visual Arts and Performing Arts, SHAKESPEARE QUARTERLY maintains a formidable presence in the academic landscape, currently positioned in the 65th percentile for literature within the Arts and Humanities. The journal's effective and rigorous peer-review process ensures that only high-quality research articles are published, contributing significantly to ongoing scholarly conversations. By fostering critical dialogue and innovation in the study of Shakespearean texts, this journal plays a crucial role in advancing the field and inspiring future research.