Escritura e Imagen is a distinguished academic journal published by UNIV COMPLUTENSE MADRID, SERVICIO PUBLICACIONES, focusing on the dynamic interplay of literature, visual arts, and philosophy. With its ISSN 1885-5687 and E-ISSN 1988-2416, this journal has rapidly emerged as a vital resource in the fields of Arts and Humanities, particularly excelling in Literature and Literary Theory where it ranks in the top Q1 category. Operating from Spain, it provides a platform for innovative research and discourse, bridging traditional boundaries of artistic expression. Furthermore, it holds impressive Scopus rankings, with notable performance across various categories, reflecting its commitment to scholarly excellence. Although currently not open access, the journal offers nuanced insights and critical perspectives essential for researchers, professionals, and students who wish to delve into contemporary cultural studies and interdisciplinary dialogue.

FRENCH FORUM is a distinguished journal published by the Department of Romance Languages at the University of Pennsylvania, focusing on the rich tapestry of literature, visual arts, and performing arts within the French-speaking world. With an ISSN of 0098-9355 and an E-ISSN of 1534-1836, the journal has evolved since its inception, now covering diverse topics from 2002 to 2023. Although currently ranked in the fourth quartile in both Literature and Literary Theory and Visual Arts and Performing Arts, it provides a platform for emerging voices and critical discussions, making it an essential resource for scholars and practitioners alike. FRENCH FORUM aims to cultivate interdisciplinary dialogue, offering insights that resonate with contemporary cultural and literary studies while supporting the exploration of both canonical and avant-garde works. Despite its open access status, the journal continues to be a relevant player in academia, inviting contributions that challenge, shape, and redefine the landscape of French studies.

Imagologiya i Komparativistika-Imagology and Comparative Studies is a distinguished academic journal published by TOMSK STATE UNIVERSITY in the Russian Federation, focusing on the dynamic interplay between various cultural narratives and comparative methodologies. Since its inception, the journal has become a vital platform for the dissemination of research in fields such as communication, cultural studies, literature and literary theory, and the visual and performing arts. With an evolving scope from 2018 to 2024, it aims to foster interdisciplinary dialogue and promote scholarly examination of cultural phenomena from multiple perspectives. Despite its Q4 status in Communication and rankings that suggest emerging influence within its field, it occupies crucial quartiles in Cultural Studies, Literary Theory, and the Arts, encouraging researchers and students to contribute to its growth. Although currently not an open access journal, its significance lies in its commitment to enriching the understanding of imagology and comparative studies. The journal serves as both a scholarly resource and a catalyst for innovative ideas, making it essential for anyone invested in the arts and humanities.

LIBERTE is a distinguished academic journal that serves as a platform for critical thinking and scholarly discourse across various fields including Literature and Literary Theory, Philosophy, Sociology and Political Science, and Visual Arts and Performing Arts. Established in Canada and published by LIBERTE, this journal aims to foster intellectual exchange and explore the nuances of cultural and social narratives. Although it currently falls in the Q4 quartile across its categories, it is dedicated to advancing the conversation in the arts and humanities, providing a rich resource for researchers, educators, and students alike. With an ISSN of 0024-2020 and an active publication cycle running from 2002 to 2024, LIBERTE welcomes contributions that challenge prevailing ideologies and reflect innovative perspectives. While the journal is not open access, its value in promoting academic inquiry within its communities cannot be overstated.

Studies in Russian and Soviet Cinema, published by Routledge Journals, Taylor & Francis Ltd, provides a critical forum for the exploration and analysis of cinematic practices, histories, and cultures from the Russian and Soviet eras. With its ISSN 1750-3132 and E-ISSN 1750-3140, this journal operates under the editorial guidance of leading scholars in the field, making significant contributions to the Visual Arts and Performing Arts and Communication categories, where it is ranked in the upper quartiles of its peer group. The journal spans a rich period of study, converging insights from 2006 to 2024, thereby allowing for an in-depth understanding of the evolution and impact of cinema in societal narratives. Researchers and enthusiasts alike will appreciate its dedication to illuminating the often-neglected cinematic treasures of Russia and the Soviet Union, promoting scholarly discourse through its rigorous analyses and diverse range of articles. This journal serves as an essential resource for anyone interested in the intersections of film, culture, and history.

POSTMODERN CULTURE, published by Johns Hopkins University Press, is a pivotal journal in the fields of Cultural Studies, Literature and Literary Theory, and the Visual Arts and Performing Arts. With a focus on the nuances of postmodern theory and its interdisciplinary applications, the journal has established itself as an essential resource for researchers and scholars seeking to explore contemporary cultural phenomena through innovative critical lenses. Compiling works from 2002 to 2023, it is indexed with notable rankings, including Q2 in Literature and Literary Theory and Q3 in Cultural Studies, reflecting its significant contribution to persistent academic discourse. While not open access, the journal ensures that access to groundbreaking research is available to libraries and institutions, reinforcing its importance in the scholarly community. POSTMODERN CULTURE serves not only as a repository of academic inquiry but also as a catalyst for new ideas, stimulating dialogue among professionals and students alike in understanding the complexities of today's cultural landscape.

GERMAN QUARTERLY, published by Wiley, is a distinguished academic journal that serves as a vital platform for scholarly discourse in the fields of Cultural Studies, Literature and Literary Theory, and Visual Arts and Performing Arts. With an ISSN of 0016-8831 and an E-ISSN of 1756-1183, this journal is committed to exploring the complexities of German literature and culture from a multi-faceted perspective. It stands out in its categories, ranking Q3 in Cultural Studies and Q2 in both Literature and Literary Theory and Visual Arts and Performing Arts, as of 2023. Its Scopus ranking highlights its relevance and contribution to ongoing dialogues within the arts and humanities, making it an essential read for researchers and professionals alike. Although not an open-access journal, GERMAN QUARTERLY maintains a rigorous peer-review process, ensuring that published works meet the highest standards of academic quality. With converged contributions from 2002 to 2024, it continues to provide valuable insights and foster a deeper understanding of German heritage and its impact on contemporary culture. The journal is an indispensable resource for students and researchers seeking to broaden their knowledge and engage with the latest scholarship in these vital areas of study.

Journal of Early Modern Studies is a premier open-access academic journal published by FIRENZE UNIV PRESS, dedicated to advancing scholarly research in various interrelated fields, including Cultural Studies, History, Literature and Literary Theory, Religious Studies, Linguistics and Language, Sociology and Political Science, and the Visual Arts and Performing Arts. Established in 2012, this journal plays a vital role in disseminating critical insights into the complexities of the early modern period, positioning itself among the fast-evolving dialogue within the humanities and social sciences. Notably, it has achieved respectable rankings, with a Q2 quartile in History and Literature for 2023, highlighting its contributions to academia. The Journal's dynamic scope continues to attract an engaged readership from across the globe, aiming to foster interdisciplinary dialogue through high-quality, peer-reviewed research. With a commitment to accessibility, it provides free online access to all published articles, ensuring that knowledge is readily available to researchers, professionals, and students alike. The journal’s ongoing efforts in scholarly excellence reflect its importance in shaping the future of early modern studies.

Letras-Lima is a prestigious open-access journal published by the Universidad Nacional Mayor de San Marcos in Peru, dedicated to advancing the fields of Arts and Humanities, Cultural Studies, Linguistics, and Literature. Since its transition to open access in 2003, it has established itself as a vital resource for scholars and practitioners alike, aiming to foster intellectual discourse and cultural exchange across disciplines. The journal boasts a commendable impact factor, with a range of Q2 to Q4 quartiles within its respective categories for 2023, reflecting its commitment to quality and relevance. Notably, it holds a significant role in promoting literature and literary theory, currently ranking 240 out of 1,106 in the category, indicating it occupies the 78th percentile of publications in its field. Addressing the complexities and nuances of language and culture, Letras-Lima serves as an essential platform for researchers, professionals, and students seeking to disseminate and engage with transformative ideas that shape our understanding of society and identity.

The Journal of Victorian Culture, published by Oxford University Press, is an esteemed academic journal that explores the multifaceted cultural landscape of the Victorian era. With a publication history spanning from 1996 to 2024, this journal serves as a critical platform for scholars and practitioners in the fields of Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts. It currently holds notable rankings, including Q3 in Cultural Studies and History, and Q2 in Literature, making it a prominent resource in these disciplines. Targeted at an audience that includes dedicated researchers, professionals, and students, the journal promotes interdisciplinary exploration and innovation, encouraging contributors to engage deeply with Victorian themes and their influence on contemporary culture. For those interested in cutting-edge discussions and insights, the Journal of Victorian Culture provides access to rich, scholarly content that is indispensable for understanding the era's impact on modern artistic and social paradigms.