TEXTUAL PRACTICE, published by Routledge Journals, Taylor & Francis Ltd, stands as a leading peer-reviewed journal in the field of Literature and Literary Theory, contributing significantly to scholarly dialogue since its inception in 1987. With an impressive 2023 Scopus ranking placing it in the top 88th percentile, the journal holds a coveted Q1 category designation, underscoring its impact and relevance in contemporary literary studies. While it operates under a traditional access model, TEXTUAL PRACTICE continues to foster a vibrant platform for academics, offering in-depth analyses, innovative research, and critical discourse that shape the understanding of texts and their cultural implications. Situated in the United Kingdom, this journal is pivotal for researchers, professionals, and students committed to exploring the multifaceted dimensions of literature and its theories, thereby enhancing the intellectual landscape of the humanities.

POSTMODERN CULTURE, published by Johns Hopkins University Press, is a pivotal journal in the fields of Cultural Studies, Literature and Literary Theory, and the Visual Arts and Performing Arts. With a focus on the nuances of postmodern theory and its interdisciplinary applications, the journal has established itself as an essential resource for researchers and scholars seeking to explore contemporary cultural phenomena through innovative critical lenses. Compiling works from 2002 to 2023, it is indexed with notable rankings, including Q2 in Literature and Literary Theory and Q3 in Cultural Studies, reflecting its significant contribution to persistent academic discourse. While not open access, the journal ensures that access to groundbreaking research is available to libraries and institutions, reinforcing its importance in the scholarly community. POSTMODERN CULTURE serves not only as a repository of academic inquiry but also as a catalyst for new ideas, stimulating dialogue among professionals and students alike in understanding the complexities of today's cultural landscape.

CONFLUENCIA-REVISTA HISPANICA DE CULTURA Y LITERATURA, published by Colorado State University, is a pivotal academic journal that has been contributing to the fields of Cultural Studies, Literature and Literary Theory, and Visual Arts and Performing Arts since 2002. With its ISSN 0888-6091 and E-ISSN 2328-6962, the journal aims to foster interdisciplinary dialogue and showcase innovative research that bridges literary analysis with cultural phenomena. As highlighted by its impressive rankings, the journal holds a Q3 category in Cultural Studies and Q2 in both Literature and Literary Theory and Visual Arts and Performing Arts, reflecting its significance and the quality of its contributions. Although it currently does not offer open access, the journal remains a respected platform for scholars, providing rich content that engages and inspires further research in the humanities. As it converges years from 2002 to 2024, CONFLUENCIA stands at the forefront of exploring the complexities of Hispanic culture and literature, making it an indispensable resource for researchers, professionals, and students alike.

GERMAN QUARTERLY, published by Wiley, is a distinguished academic journal that serves as a vital platform for scholarly discourse in the fields of Cultural Studies, Literature and Literary Theory, and Visual Arts and Performing Arts. With an ISSN of 0016-8831 and an E-ISSN of 1756-1183, this journal is committed to exploring the complexities of German literature and culture from a multi-faceted perspective. It stands out in its categories, ranking Q3 in Cultural Studies and Q2 in both Literature and Literary Theory and Visual Arts and Performing Arts, as of 2023. Its Scopus ranking highlights its relevance and contribution to ongoing dialogues within the arts and humanities, making it an essential read for researchers and professionals alike. Although not an open-access journal, GERMAN QUARTERLY maintains a rigorous peer-review process, ensuring that published works meet the highest standards of academic quality. With converged contributions from 2002 to 2024, it continues to provide valuable insights and foster a deeper understanding of German heritage and its impact on contemporary culture. The journal is an indispensable resource for students and researchers seeking to broaden their knowledge and engage with the latest scholarship in these vital areas of study.

CONTEMPORARY FRENCH AND FRANCOPHONE STUDIES is a prestigious academic journal published by Routledge Journals, Taylor & Francis Ltd, focusing on the vibrant fields of French and Francophone literature, culture, and history. With an ISSN of 1740-9292 and an E-ISSN of 1740-9306, this journal serves as a vital platform for interdisciplinary research, highlighting innovative scholarship from 1997 through 2024. Recognized for its contributions to Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts, it holds a Q3 ranking in these categories as of 2023, indicating its solid reputation among peers. The journal is dedicated to fostering a deeper understanding of contemporary societal themes through the lens of Francophone perspectives, providing valuable insights for researchers, professionals, and students alike. It is crucial for those looking to engage critically with current trends and influences shaping the Francophone world.

NEUE RUNDSCHAU is a prominent journal published by S Fischer Verlag GmbH, specializing in the fields of literature and literary theory, as well as visual arts and performing arts. With its roots tracing back to its inception in 1969, this journal has evolved significantly, providing a platform for critical discourse and innovative scholarship in the arts and humanities. Although it experienced coverage changes, the journal remains a vital resource for researchers and academics, contributing to the rich dialogue surrounding cultural studies and artistic expression. Furthermore, while it is not available through open access, NEUE RUNDSCHAU offers essential insights into contemporary literary trends and artistic movements, ensuring its relevance and importance within the academic sphere. With Scopus rankings including a position in the 16th percentile for literature and literary theory, and a 10th percentile placement in cultural studies, the journal embodies a commitment to quality scholarly contributions, making it an invaluable asset for students, professionals, and researchers alike.

REVISTA DE OCCIDENTE, published by the FUNDACION JOSE ORTEGA Y GASSET, is a distinguished scholarly journal based in Spain that explores a myriad of topics within the realms of Cultural Studies, History, Literature and Literary Theory, and Visual Arts and Performing Arts. With its ISSN 0034-8635, the journal has made significant contributions to the discourse in these fields from its established years of convergence spanning from 2002 to 2004 and 2007 to the present. Although designated in the lower quartiles of the Scopus rankings, with notable distinctions in Q4 and Q3 categories as of 2023, REVISTA DE OCCIDENTE is recognized for its commitment to fostering critical dialogue and interdisciplinary research. Readers can delve into rich analyses and diverse perspectives that engage with contemporary cultural phenomena and historical narratives, aiming to enrich academic pursuits and professional practice. Located at REVISTA DE OCCIDENTE, FORTUNY 53, 28010 MADRID, SPAIN, the journal seeks submissions from scholars worldwide eager to contribute to its mission, despite operating under a traditional access model, thus ensuring content rigor and quality.

Comparative Literature Studies is a distinguished journal published by Penn State University Press, focusing on the diverse and evolving field of comparative literature. With an ISSN of 0010-4132 and an E-ISSN of 1528-4212, this quarterly journal has been a critical platform for scholarly dialogue and interdisciplinary research since its inception in 2000. The journal proudly ranks in the Q3 category for Cultural Studies and Q2 for Literature and Literary Theory (2023), showcasing its significant impact within these domains. Notably, it ranks #214/1106 in Literature and Literary Theory according to Scopus, placing it in the 80th percentile—highlighting its relevance and quality in the global academic landscape. Despite its traditional subscription model, the journal remains a crucial resource for researchers, professionals, and students keen on exploring the intersections of cultures, texts, and histories. By publishing cutting-edge research and critical essays, Comparative Literature Studies aims to expand the horizons of literary analysis and foster innovative scholarly exchanges.

Imagologiya i Komparativistika-Imagology and Comparative Studies is a distinguished academic journal published by TOMSK STATE UNIVERSITY in the Russian Federation, focusing on the dynamic interplay between various cultural narratives and comparative methodologies. Since its inception, the journal has become a vital platform for the dissemination of research in fields such as communication, cultural studies, literature and literary theory, and the visual and performing arts. With an evolving scope from 2018 to 2024, it aims to foster interdisciplinary dialogue and promote scholarly examination of cultural phenomena from multiple perspectives. Despite its Q4 status in Communication and rankings that suggest emerging influence within its field, it occupies crucial quartiles in Cultural Studies, Literary Theory, and the Arts, encouraging researchers and students to contribute to its growth. Although currently not an open access journal, its significance lies in its commitment to enriching the understanding of imagology and comparative studies. The journal serves as both a scholarly resource and a catalyst for innovative ideas, making it essential for anyone invested in the arts and humanities.

NEW GERMAN CRITIQUE is a prominent academic journal published by Duke University Press, focusing on the dynamic intersections of German studies, cultural theory, and social thought. With its ISSN 0094-033X and E-ISSN 1558-1462, this journal facilitates a critical dialogue within the Arts and Humanities and Cultural Studies fields. As a Q3-ranked journal in both categories as of 2023, it represents a significant platform for scholars exploring contemporary issues through a German lens, addressing themes of identity, memory, and cultural politics. Although NEW GERMAN CRITIQUE is not an open-access journal, it remains a crucial resource for researchers, professionals, and students interested in the evolving landscape of cultural studies, inviting contributions that foster innovative perspectives and facilitate intellectual exchange. Founded in 1988 and continuing its vital discourse into 2024, the journal is headquartered in Durham, North Carolina, and serves as a touchstone for those engaged in the complexities of modern German culture and its global implications.