Circuit is a prominent academic journal published by PRESSES UNIV MONTREAL, specializing in the field of electrical engineering and circuit design. With its ISSN 1183-1693, the journal serves as a vital platform for disseminating cutting-edge research, innovative methodologies, and breakthrough technologies that shape the future of circuit theory and applications. Despite the absence of an official impact factor, the journal maintains a commitment to rigorous peer review and scholarly excellence, ensuring high-quality content for its readers. Although it operates under a traditional subscription model rather than Open Access, Circuit is essential for researchers, professionals, and students seeking to deepen their knowledge in circuit engineering and related disciplines. Its position within academic literature makes it an invaluable resource for advancing the understanding and development of electrical systems, highlighting the ongoing importance of this field in a technology-driven world.

Nineteenth-Century Music Review, published by CAMBRIDGE UNIVERSITY PRESS, is an essential scholarly journal in the field of musicology, particularly focusing on the vibrant and transformative period of the nineteenth century. This journal, archived under ISSN 1479-4098 and E-ISSN 2044-8414, serves as an invaluable platform for researchers, professionals, and students alike who are dedicated to exploring the multifaceted interactions between music and society during a time of significant cultural change. With its commitment to high-quality research and critical discourse, it embraces a diverse range of topics, including historical analysis, performance practice, and socio-cultural contexts within music. Operating from the United Kingdom, Nineteenth-Century Music Review is currently categorized in the fourth quartile of music journals according to Scopus rankings, offering a unique opportunity for emerging scholars to contribute to the expanding dialogue in this niche while also reaching a broad audience within the arts and humanities. Although the journal follows a traditional subscription-based model, it continues to be a pivotal resource for academic inquiry and knowledge dissemination in the landscape of nineteenth-century music history.

Muzikoloski Zbornik is a prominent open-access journal in the field of musicology, published by the esteemed University of Ljubljana Press since 1965. Hailing from Slovenia, this journal has been dedicated to advancing the study of musical heritage, theory, and practice, serving as a vital platform for researchers, professionals, and students alike. With a notable Q2 category ranking in the field of music and a Scopus ranking of 109 out of 180 in Arts and Humanities, Muzikoloski Zbornik showcases high-quality research, fostering discourse and collaboration among scholars globally. The journal embraces a diverse range of topics, from ethnomusicology to music education, ensuring its relevance in an ever-evolving academic landscape. By providing unrestricted access to its content, it champions the dissemination of knowledge and supports the growth of the musicology discipline.

Muziki - Journal of Music Research in Africa is a leading publication dedicated to exploring the rich tapestry of music research across the African continent. Published by Routledge Journals, Taylor & Francis Ltd, this journal has been at the forefront of scholarly discourse since its inception in 2004, providing a platform for innovative and interdisciplinary approaches to the study of music. With an ISSN of 1812-5980 and E-ISSN of 1753-593X, it ensures wide accessibility to both print and digital audiences. As of 2023, it holds a prestigious Q3 ranking in the field of Music, reflecting its commitment to quality scholarship and the promotion of diverse musical narratives. Muziki is particularly invaluable for researchers, professionals, and students seeking to deepen their understanding of African musicology and its socio-cultural relevance. The journal publishes original research articles, reviews, and critical essays, highlighting contemporary developments and historical contexts in music research. With a Scopus rank of 59/180 in the Arts and Humanities Music category, it stands as a respected source for advancing knowledge and fostering dialogue within the global music community.

REVUE DE MUSICOLOGIE is a prominent academic journal dedicated to the diverse field of musicology, published by EDITIONS TRANSATLANTIQUES in France. With an ISSN of 0035-1601, this journal has been a key platform for researchers and scholars since its inception, fostering scholarly discourse and advancing the understanding of music's cultural, theoretical, and historical dimensions. Although it currently holds a Q4 category in Music according to the 2023 quartiles and is ranked #140 in the Scopus Arts and Humanities Music category, REVUE DE MUSICOLOGIE continues to publish valuable insights that contribute to the global musicological landscape. The journal does not offer open access, adhering to standard subscription models. Its primary objective is to provide a rigorous forum for original research articles, reviews, and theoretical discussions, making it an essential resource for academics, professionals, and students in the field of musicology. Located at 50 RUE JOSEPH DE MAISTRE, 75018 PARIS, FRANCE, it promises to remain a vital part of music research through 2023 and beyond.

MUSICAL TIMES is a distinguished journal dedicated to the exploration and dissemination of scholarly works in the realm of music, serving as an essential resource for researchers, professionals, and students alike. Published by MUSICAL TIMES PUBLICATIONS LTD, this journal has built a robust reputation within the arts and humanities, specifically focusing on music studies, with an impactful reach indicated by its Scopus ranking at #73 out of 106 in the field. Though access to this journal is not open, its curated content, which spans various facets of musicology and contemporary music discourse, enriches the academic community by encouraging insightful discussions and critical analyses. With its historical roots tracing back to its inception, MUSICAL TIMES aims to foster a deeper understanding of music's cultural, social, and artistic dimensions, making it a valued publication for those engaged in the scholarly pursuit of music.

Opus is an esteemed open-access journal published by the Associação Nacional de Pesquisa e Pós-Graduação em Música in Brazil, focusing on the field of music studies. With an ISSN of 1517-7017, Opus has been dedicated to fostering innovative research since its inception and has embraced the open-access model since 2009, ensuring that its findings are readily accessible to scholars and enthusiasts globally. The journal has achieved a commendable Q2 ranking in Music as of 2023, showcasing its impact and relevance within the arts and humanities. Although currently ranked #130 out of 180 in Scopus in the music category, Opus maintains a commitment to enhancing the scholarly discourse in musicology through empirical studies, theoretical analyses, and interdisciplinary approaches. The journal's convergence over the years, from 2017 to 2024, reflects its dedication to evolving educational and research methodologies in music. Situated in the vibrant academic landscape of Campinas, SP, Brazil, Opus invites researchers, professionals, and students to contribute to its mission of exploring the multifaceted dimensions of music.

Studia Universitatis Babes-Bolyai Musica is a prestigious academic journal dedicated to the field of musicology, published by UNIV BABES-BOLYAI. Since its inception, it has strived to foster scholarly communication and share groundbreaking research that spans various music-related disciplines, including ethnomusicology, music theory, and performance studies. The journal operates under an Open Access model since 2021, ensuring that its content is freely accessible to a global audience of researchers, professionals, and students interested in advancing their knowledge and understanding of music. By providing a platform for high-quality, peer-reviewed articles, Studia Universitatis Babes-Bolyai Musica plays a vital role in promoting significant contributions to the evolving discourse in music studies. Its commitment to intellectual rigor and openness aligns with contemporary academic trends, making it an essential resource in the realm of music research.

MUSIC THEORY SPECTRUM, published by Oxford University Press, serves as a premier journal in the field of music theory, recognized for its significant contributions and scholarship since its inception. With an ISSN of 0195-6167 and E-ISSN 1533-8339, this journal has established a distinguished position within the academic community, boasting an impressive Q1 status in the Music category for 2023 and ranking #17 out of 180 in Scopus for Arts and Humanities, Music, placing it within the 90th percentile. Despite its non-open access format, MUSIC THEORY SPECTRUM offers a wealth of research articles, reviews, and theoretical discussions aimed at both seasoned scholars and students alike. It spans from 1981 until present, fostering critical engagement and advancing understanding within the discipline. Researchers and music theorists will find this journal an invaluable resource for the latest insights and methodologies in music theory.

MUSIKTHEORIE is a pivotal journal dedicated to the field of music theory, published by LAABER-VERLAG. With its ISSN 0177-4182, this journal serves as an essential platform for scholars, educators, and practitioners interested in the multifaceted dimensions of music theory. Although it does not currently offer open access, it provides in-depth analyses and critical discourse on theoretical frameworks, compositional techniques, and historical perspectives in music. Despite its coverage in Scopus being discontinued after 2018 and ranking within the 5th percentile of Arts and Humanities - Music, MUSIKTHEORIE remains a respected publication for advancing knowledge and fostering collaboration within the musicological community. Researchers and students alike can benefit from its rich content and the insights shared within its pages.