Women and Music: A Journal of Gender and Culture is a pioneering academic journal published by University of Nebraska Press, focusing on the intersection of gender and music. With a commitment to exploring issues pertinent to women and music in a range of cultural contexts, this journal provides a critical platform for scholars, musicians, and educators to share research that enriches our understanding of gender dynamics within the music industry and music's role in society. While currently not an open-access journal, it aims to make significant contributions to gender studies, cultural studies, and musicology, attracting a dedicated readership from various backgrounds. The journal is essential for those interested in feminist musicology and gender representation in the arts, fostering discourse that challenges traditional narratives and promotes inclusive scholarship. By bringing together diverse perspectives and innovative research, Women and Music continues to push boundaries and foster important conversations within both academic and artistic communities.

Welcome to Problemy Muzykalnoi Nauki-Music Scholarship, a leading journal in the field of music scholarship published by the esteemed Gnesin Russian Academy of Music. With an ISSN of 2782-358X and an E-ISSN of 2782-3598, this Open Access journal has been committed to the dissemination of high-quality research since 2009, making scholarly work accessible to a global audience. Covering diverse aspects of music theory, history, and its socio-cultural impacts, Problemy Muzykalnoi Nauki serves as an essential platform for scholars, educators, and practitioners in the arts and humanities, as well as in social sciences related to music education. While its Scopus coverage was discontinued in 2021, the journal remains influential, holding a rank of #48 in the Arts and Humanities category and a percentile of 67th, showcasing its relevance and rigor in the discipline. We invite researchers and students alike to explore the rich contributions made within these pages, fostering a deeper understanding and appreciation of music in contemporary society.

HUDEBNI VEDA is a distinguished journal published by the Czech Academy of Sciences Press, specializing in the field of music. With its ISSN 0018-7003 and E-ISSN 2694-6998, this journal serves as a vital platform for scholarly communication in music studies, promoting innovative research and critical discourse. Since its inception in 2002 and scheduled for continuation until 2024, it has emerged as a respected publication within the music academic community, though currently holding a Category Quartiles ranking of Q4 in Music. Notably, it ranks #127 out of 180 in the Scopus Arts and Humanities - Music category, placing it in the 29th percentile. While it operates under traditional access constraints, HUDEBNI VEDA is committed to fostering an inclusive academic environment, inviting contributions that push the boundaries of musicology. This journal is essential for researchers, professionals, and students eager to explore and engage with contemporary issues and developments in the study of music.

REVUE DE MUSICOLOGIE is a prominent academic journal dedicated to the diverse field of musicology, published by EDITIONS TRANSATLANTIQUES in France. With an ISSN of 0035-1601, this journal has been a key platform for researchers and scholars since its inception, fostering scholarly discourse and advancing the understanding of music's cultural, theoretical, and historical dimensions. Although it currently holds a Q4 category in Music according to the 2023 quartiles and is ranked #140 in the Scopus Arts and Humanities Music category, REVUE DE MUSICOLOGIE continues to publish valuable insights that contribute to the global musicological landscape. The journal does not offer open access, adhering to standard subscription models. Its primary objective is to provide a rigorous forum for original research articles, reviews, and theoretical discussions, making it an essential resource for academics, professionals, and students in the field of musicology. Located at 50 RUE JOSEPH DE MAISTRE, 75018 PARIS, FRANCE, it promises to remain a vital part of music research through 2023 and beyond.

Musicology Today, published by SCIENDO, is a pivotal journal in the field of musicology, presenting a platform for scholars, researchers, and practitioners to disseminate their findings and engage with current trends in music research. With its ISSN 1734-1663 and E-ISSN 2353-5733, the journal aims to provide a comprehensive overview of various aspects of music, including theory, history, and ethnomusicology, fostering a multidisciplinary dialogue among its contributors. Located in Warsaw, Mazovia, Poland, this journal is not only committed to high academic standards but also to promoting open access to knowledge, thereby enhancing accessibility for a global audience. As it continues to bolster its reputation in the academic community, Musicology Today plays an essential role in shaping the future of music scholarship and invites the engagement of seasoned researchers and emerging voices alike.

MUSICAL TIMES is a distinguished journal dedicated to the exploration and dissemination of scholarly works in the realm of music, serving as an essential resource for researchers, professionals, and students alike. Published by MUSICAL TIMES PUBLICATIONS LTD, this journal has built a robust reputation within the arts and humanities, specifically focusing on music studies, with an impactful reach indicated by its Scopus ranking at #73 out of 106 in the field. Though access to this journal is not open, its curated content, which spans various facets of musicology and contemporary music discourse, enriches the academic community by encouraging insightful discussions and critical analyses. With its historical roots tracing back to its inception, MUSICAL TIMES aims to foster a deeper understanding of music's cultural, social, and artistic dimensions, making it a valued publication for those engaged in the scholarly pursuit of music.

Revista de Musicologia is a distinguished academic journal dedicated to the exploration and analysis of musicology, published by the SOC ESPANOLA MUSICOLOGIA. Based in Spain, this journal serves as a vital platform for music scholars, researchers, and enthusiasts to share innovative insights and original research concerning various aspects of music, including historical studies, ethnomusicology, and contemporary critiques. With its ISSN 0210-1459 and a current Scopus ranking placing it in the Q3 quartile of Music studies, the journal reflects a commitment to enhancing the discourse in this rich field. Although it currently does not publish under an open-access model, it continuously aims to provide a rigorous peer-reviewed environment for contributions that engage both academic inquiry and practical applications within musicology. The Revista de Musicologia is thus an essential resource for anyone in the field looking to expand their understanding and expertise in music studies from 2016 through 2024 and beyond.

Studia Musicologica, published by AKADEMIAI KIADO ZRT, stands as a leading journal in the field of musicology, dedicated to the exploration and analysis of music across diverse cultures and historical contexts. With its ISSN 1788-6244 and E-ISSN 1789-2422, this journal provides an essential platform for disseminating high-quality research and critical analyses, thereby contributing significantly to scholarly discourse in music studies. Although it operates on a traditional access model, its rigor and foundational contributions ensure that it remains invaluable for researchers, professionals, and students alike. Situated in the heart of Hungary, Studia Musicologica engages with a broad spectrum of topics including music theory, ethnomusicology, and music history, fostering a deeper understanding of music's multifaceted role in society. This makes it an essential resource for anyone interested in advancing their research or professional practice within the expansive field of musicology.

MUSICAL QUARTERLY, published by Oxford University Press Inc, is a distinguished journal in the field of music, with a publication history that stretches back to 1915. This esteemed journal, identifiable by its ISSN 0027-4631 and E-ISSN 1741-8399, provides a critical platform for scholarly discourse, analysis, and research in musicology and related disciplines, facilitating an understanding of both historical and contemporary musical practices. Although it operates without open access, it continues to attract a diverse readership of researchers, educators, and students alike, thanks to its well-curated articles and reviews that engage with music theory, history, and ethnomusicology. With a current Scopus rank of #119 out of 180 in the Arts and Humanities category and a 34th percentile ranking in Music, MUSICAL QUARTERLY plays a vital role in advancing knowledge and fostering collaboration within the music academic community. Its commitment to high-quality scholarship is reflected in its ongoing efforts to address the evolving landscape of music studies, making it an essential resource for anyone serious about exploring the rich tapestry of music scholarship.

Studi Musicali-Nuova Serie is a distinguished academic journal dedicated to the field of musicology, published by the esteemed ACCAD NAZ SANTA CECILIA, FONDAZIONE. This journal serves as a platform for the dissemination of cutting-edge research and scholarly discourse surrounding various aspects of music, including historical, theoretical, and applied music studies. While the journal has contributed significantly to the field with its publication span from 2002 to 2009, it has since been recognized for its rigorous academic standards and its role in advancing knowledge in musicology. Despite its coverage being discontinued in Scopus, it continues to hold relevance among researchers, professionals, and students interested in the rich and diverse world of music. Situated in the heart of Rome, at the AUDITORIUM PARCO DELLA MUSICA, this journal embodies the vibrant cultural heritage of Italy while fostering international academic collaboration in music studies.